The Goodbye Girl (musical)
|The Goodbye Girl|
Original cast recording
|Basis||Neil Simon's 1977 film
The Goodbye Girl
1997 West End
The Goodbye Girl opened in out-of-town tryouts at the Shubert Theatre, Chicago, from December 29, 1992 to January 30, 1993. The original director, Gene Saks, was fired during the Chicago try outs and replaced by Michael Kidd. During the try outs, a new opening song was put in, sung by Bernadette Peters as Paula and Tammy Minoff as her daughter Lucy. "An exuberant song about their hoped-for move to California from New York City, it's meant to help Paula lighten up; in the first act, she has been perceived as a drip." Ticket sales were "brisk" for the Chicago run and the musical had a $10 million advance for Broadway.
The musical, directed by Michael Kidd and choreographed by Graciela Daniele, opened on Broadway at the Marquis Theatre on March 4, 1993 and closed on August 15, 1993 after 188 performances and 23 previews. The opening cast included Bernadette Peters as Paula McFadden and Martin Short as Elliot Garfield, with Carol Woods as Mrs. Crosby and Tammy Minoff as Lucy. This musical marked Martin Short's Broadway debut.
The musical was produced at the Marriott Theatre, Lincolnshire, Illinois, in February through April 1994. This version featured some modifications by lyricist David Zippel, who also co-directed the production. This represents the version preferred by the authors and is currently licensed by the licensing agent, MTI.
After several previews, a revised version (with new lyrics by Don Black) opened on April 17, 1997 at the Albery Theatre in the West End, and closed on June 28, 1997. It starred Gary Wilmot and Ann Crumb. The new lyrics in this production were not well received. Wilmot subsequently toured the UK in 1997 and 1998 opposite Marti Webb, Sophie McShera (alternating with Hannah Chick) as Lucy, Hope Augustus as the landlady,Steve Elias and West End veteran Katie Verner.
Egotistical actor Elliot Garfield sublets a friend's Manhattan apartment only to discover it is still occupied by his friend's ex-girlfriend Paula, a former dancer, and her precocious pre-teen daughter Lucy. Initially suspicious and antagonistic, Elliot and Paula arrive at an uneasy truce. Paula, fed up with being hurt by boyfriend-actors, rashly vows never to become involved again ("No More"), while Elliot sets down the rules for the living arrangements ("My Rules"). Paula decides to return to work as a dancer, but during dance class finds it difficult ("A Beat Behind").
While attempting to cohabit as peacefully as possible, despite their differences of opinion and temperament, Elliot and Paula find themselves attracted to each other ("Paula (An Improvised Love Song)"). Although Elliot finds a job out-of-town, Paula realizes that this is the true love she has been seeking, and they reach a happy ending ("What a Guy").
Original cast recordings for both the Broadway and West End productions have been released. In his review of the London cast recording, Ken Mandelbaum noted that "The London Goodbye Girl is perhaps the sharpest example to date of an unnecessary revision. The skimpier new score isn't bad, but in no way does it improve upon what was there (the loss of all three of Peters' solos is particularly inexplicable)."
Variety wrote in the review of the out-of-town tryout in Chicago: "There's some good news on the way to Broadway...Among the show's various virtues, the most surprising and wonderful is Martin Short...Peters is well cast as Paula, though she still seems to be finding her way into the role of the dancer...Marvin Hamlisch's score isn't likely to go down as one of the most memorable in Broadway history, but coupled with David Zippel's ingenious lyrics, it becomes a great asset."
Frank Rich in his New York Times review wrote: "Even if you don't share my conviction that Bernadette Peters and Martin Short are among the most winning of performers, you still might admire how they play the losing hand they've been dealt in 'The Goodbye Girl.'" The Time Magazine reviewer wrote "THE BOTTOM LINE: Big stars, boffo story, but bad judgments turn a much anticipated show into an amiable disappointment."
According to Ken Bloom, "reviews were tepid, as was audience reaction. What should have been a major success had had trouble on the road, and a few key production staff were replaced prior to Broadway."
Awards and nominations
Original Broadway production
|1993||Tony Award||Best Musical||Nominated|
|Best Performance by a Leading Actor in a Musical||Martin Short||Nominated|
|Best Performance by a Leading Actress in a Musical||Bernadette Peters||Nominated|
|Best Choreography||Graciela Daniele||Nominated|
|Best Direction of a Musical||Michael Kidd||Nominated|
|Drama Desk Award||Outstanding Actor in a Musical||Martin Short||Nominated|
|Outstanding Lyrics||David Zippel||Nominated|
|Outstanding Music||Marvin Hamlisch||Won|
|Theatre World Award||Martin Short||Won|
- Weber, Bruce. "On Stage, and Off", The New York Times (abstract), January 1, 1993, Section C, p.2
- Weber, Bruce. "On Stage, and Off", The New York Times, February 5, 1993, Section C, p.2
- Weiss, Hedy. "'Goodbye Girl': As They Like It On Broadway; Show Survives Chicago Hubbub", Chicago Sun-Times, January 31, 1993, p.5
- Bommer, Lawrence. "Review: Revived `Goodbye Girl' Worth A Hello", Chicago Tribune, February 4, 1994
- Molnar, Joseph. "Sound Advice: Review of London cast album", talkinbroadway.com
- "'The Goodbye Girl' at Bristol Hippodrome, July 1997", hippodromebristol.co.uk, accessed April 22, 2011
- Shepherdson, Lynne. "Great song and dance on way to romance; The Goodbye Girl The Belgrade Theatre, Coventry", The Free Library, 11 February 1998. accessed 22 April 2011
- Mandelbaum, Ken. "Ken Mandelbaum's Musicals On Disc: Hello Again from 'The Goodbye Girl' ", Playbill.com, February 8, 1998
- Lazare, Lewis. "Review: 'The Goodbye Girl, Shubert Theatre, Chicago", Daily Variety, January 5, 1993
- Rich, Frank."Review/Theater; How Far Two Good Sports Will Go", The New York Times, March 5, 1993
- Henry, William A. III. "A Mishmash Of a Musical", Time Magazine (abstract subscription required), March 15, 1993
- Bloom, Ken. Broadway: Its History, People, and Places. Taylor & Francis, 2004, ISBN 0-415-93704-3, p. 475