The Great God Pan
|The Great God Pan|
|Media type||Print (hardcover)|
"The Great God Pan" is a novella written by Arthur Machen. A version of the story was published in the magazine The Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism. The title was possibly inspired by the poem "A Musical Instrument" published in 1862 by Elizabeth Barrett Browning, in which the first line of every stanza ends "... the great god Pan."
Dr. Raymond's ultimate goal is to devise a way to open the mind of man so that he may experience all the world has to offer. He calls this, "seeing the great god Pan." After much study of the human mind he devises an experiment which involves minor brain surgery. He performs this experiment on a young woman named Mary, but when she awakes she is terrified and mentally crippled. Years later, the beautiful but sinister-looking Helen Vaughan is reported to have caused a series of mysterious happenings in a small nameless town. She spends all her days in the woods, scares a boy so much he is hospitalized, and leads to the rape of her best friend Rachel. Helen then moves to the London social scene and marries a man name Herbert. Years later Herbert is found by his former friend Villiers to be a beggar and vagrant. When asked how he had fallen so low, Herbert replies that he had been "corrupted body and soul" by his wife. Helen disappears for some time, supposedly taking part in disturbing orgies somewhere in the Americas. When she returns as Mrs. Beaumont she is followed by a series of suicides. Villiers discovers that she is in fact Helen and goes to confront her. He persuades her to hang herself and she has a very abnormal death, transforming between man and beast before finally dying. Ultimately, it is discovered that Helen is the child of Mary and Pan, who was let in when Raymond opened her mind up to him.
Critical opinion 
In "Supernatural Horror in Literature" (1926; revised 1933), H. P. Lovecraft praised the story, saying: "No one could begin to describe the cumulative suspense and ultimate horror with which every paragraph abounds"; he added that "the sensitive reader" reaches the end with "an appreciative shudder." Lovecraft also noted, however, that "melodrama is undeniably present, and coincidence is stretched to a length which appears absurd upon analysis." The Encyclopedia of Science Fiction (1993) notes "The story begins with an sf rationale (brain surgery) which remains one of the most dramatically horrible and misogynistic in fiction."
The Great God Pan was brought to the stage in 2008 by WildClaw Theatre Company in Chicago. It was adapted and directed by WildClaw artistic director Charley Sherman.
The story's depiction of a monstrous half-human hybrid inspired the plot of Lovecraft’s "The Dunwich Horror", which refers by name to Machen’s story. According to Lovecraft scholar Robert M. Price, "The Dunwich Horror is in every sense an homage to Machen and even a pastiche. There is little in Lovecraft's wonderful story that does not come directly out of Machen's fiction." It also inspired Peter Straub's Ghost Story.
The book was translated into French by Paul-Jean Toulet (Le grand dieu Pan, Paris, 1901). It was a major influence on his first novel, Monsieur du Paur, homme public.
Stephen King wrote in the endnotes for his story collection Just After Sunset (2008) that his newly published novella N. was "strongly influenced" by Machen's piece, which he noted, "surmounts its rather clumsy prose and works its way relentlessly into the reader's terror-zone. How many sleepless nights has it caused? God knows, but a few of them were mine. I think 'Pan' is as close as the horror genre comes to a great white whale." In another interview he stated: "Not Lovecraft; it’s a riff on Arthur Machen’s The Great God Pan, which is one of the best horror stories ever written. Maybe the best in the English language. Mine isn’t anywhere near that good, but I loved the chance to put neurotic behavior—obsessive/compulsive disorder—together with the idea of a monster-filled macroverse." 
- Price, pp. ix-x.
- Bosky, Bernadette (1988). "Peter Straub: From Academe to Shadowland". In Schweitzer, Darrell. Discovering Modern Horror Fiction II. San Bernardino: Borgo Press. p. 8. Retrieved 8 April 2013.
- "SELF-INTERVIEW By Stephen King 10:50am September 4th, 2008
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