The Great War (documentary)
|The Great War|
This image, from the Imperial War Museum photo archive, formed part of The Great War's opening titles.
|Narrated by||Michael Redgrave|
|Theme music composer||Wilfred Josephs|
|Country of origin||United Kingdom|
|No. of episodes||26|
|Running time||40 minutes|
|Original run||30 May 1964 – November 1964|
The Great War is a 26-episode documentary series from 1964 on the First World War.
This documentary was a co-production involving the resources of the Imperial War Museum, the British Broadcasting Corporation, the Canadian Broadcasting Corporation and the Australian Broadcasting Corporation.
Each episode is approximately forty minutes long.
In August 1963, at the suggestion of Alasdair Milne, producer of the BBC's current affairs programme Tonight, the BBC resolved to mark the fiftieth anniversary of the outbreak of the First World War with a major television project. The series was the first to feature veterans - many of them still relatively fit men in their late sixties or early seventies - speaking of their own experiences, and a public appeal for veterans was published in the national press.
The series title sequence used a rostrum camera to create montage of three images; the first showing a British soldier standing over the grave of a comrade, the second showing a uniformed, skeletal corpse by the entrance to a dugout, and the last showing a seated British soldier looking directly into camera. The image of the staring soldier, taken from photograph Q 1 in the Imperial War Museum's photograph archive, has been described as having quickly become iconic of the First World War.[nb 1] This title sequence was set against the series' theme music, composed by Wilfred Josephs and performed by the BBC Northern Symphony Orchestra.
The episode titles are taken from quotations, the origins of which are shown in parenthesis. With few exceptions, successive blocks of episodes are devoted to each year of the war: episodes 1-6 to 1914, 7-10 to 1915, 11-14 to 1916, 15-19 to 1917, 20-23 and 26 to 1918.
- "on the idle hill of summer..." (A. E. Housman)
- "for such a stupid reason too..." (Queen Mary)
- "we must hack our way through" (Theobald von Bethmann-Hollweg)
- "our hats we doff to General Joffre" (1914 jingle)
- "this business may last a long time" (Rudolf Binding)
- The stabilization of the fronts. The First Battle of the Marne, the Race to the Sea, the Siege of Antwerp, and the First Battle of Ypres in the West; Austrian defeats in Serbia and in Galicia in the East. Reprisals against Germans in Britain, mass enlistment in the British Empire, and Christmas at the front lines.
- "so sleep easy in your beds" (Admiral Fisher)
- The first months of war at sea. Naval supremacy of the Royal Navy and its vulnerabilities to mine and submarine warfare. The seizure of German overseas colonies, the Siege of Tsingtao, the raids of the Emden and the pursuit of von Spee. The naval battles of Heligoland Bight, of Coronel, of Falkland Islands and of Dogger Bank.
- "we await the heavenly manna..." (Nikolai Yanushkevich, Russian General)
- War in Europe in the first half of 1915. German success at Masurian Lakes, Russian victory in Przemyśl, German relief counteroffensive, and Russian collapse due to severe shortage of materiel. German use of poison gas at Ypres, British munitions shortage, and the role of wartime industrial production.
- "why don't you come and help!" (Lloyd George)
- "please God send us a victory..." (soldiers prayer)
- "what are our Allies doing ?" (Russian General)
- The war in the latter half of 1915, marked by successes of Central Powers. German and Austrian advance in the East, Russian withdrawal. Italy enters the war on the Allied side, attacking Austria, and is stopped at the river Isonzo. The Allied offensive in Champagne and Artois falters. Serbia is overrun by German and Austrian troops with Bulgaria joining the war in this operation on the side of the Central Powers. Allied relief troops land in Salonika but are delayed by Greek internal politics, while Serb and Montenegrin forces and civilians flee through Albania to Corfu.
- "hell cannot be so terrible" (a French soldier)
- The Battle of Verdun through June 1916, with a brief look at the civilian life in France at the time.
- "for Gawd's sake don't send me" (1916 song)
- "the Devil is coming..." (German soldier)
- "all this it is our duty to bear" (Lord Lansdowne)
- War weariness across Europe. In Britain, conscription, loss of shipping to German U-boats, Easter Rebellion in Dublin, the Battle of Jutland, and the death of Earl Kitchener. In Germany and Austria, loss of morale, construction of the Hindenburg Line, and the death of Emperor Franz Joseph. In Russia, discontent bordering on revolution. A change of guard in Britain, Germany and France, favoring continuation of war.
- "we are betrayed, sold, lost" (French soldier)
- "right is more precious than peace" (President Wilson)
- United States enters the war. U.S. foreign policy in early 20th century. Non-interventionism at war's outset, swings of public opinion, industrial production favoring the Allies. Wilson's reelection and the declaration of war on Germany, prompted by the Zimmerman Telegram and unrestricted submarine warfare. Preparations for war, conscription, General Pershing's arrival in Europe.
- "surely we have perished" (Wilfred Owen)
- British and Dominion offensives in Flanders in 1917, originating from the Ypres Salient. The successful capture of Messines Ridge is followed by a partial breach of German defenses at Passchendaele, with immense loss of life at both sides. Rainy weather sets in early and armies bog down in mud.
- "fat Rodzianko has sent me some nonsense" (Czar Nicholas II)
- Russian revolutions of 1917. Overview of life in imperial Russia and of consequences of war. Food revolts lead to February Revolution, the Czar abdicates. The Provisional Government continues the war, Germany helps Vladimir Lenin return to Petrograd. Failure of Kerensky Offensive, widespread desertions, October Revolution. Germany supports independence of Ukraine and Finland, forces a punitive treaty on the Bolsheviks.
- "the hell where youth and laughter go" (Siegfried Sassoon)
- The Western Front at the end of 1917. Experiences: artistic portrayals, sounds and smells of the war, aerial photographs. The discrepancy in perceptions between soldiers and civilians, psychological breakdowns, sense of belonging to the unit. Georges Clemenceau becomes French Prime Minister, the Battle of Cambrai ends in stalemate.
- "only war, nothing but war" (Clemenceau)
- Impact of war on everyday life. Shell shock. Censorship and propaganda. British naval blockade leads to starvation diets in Germany. German submarine warfare, countermeasures, food shortages and rationing in Britain. Use of women's labour, better labour policies, women's suffrage. Zeppelin air raids, air defense, Gotha Raids. Mustard gas, railway guns, Paris Gun.
- "it was like the end of the world" (German soldier)
- "damn them, are they never coming in?" (F. S. Oliver)
- "when must the end be?" (Hindenburg)
- "Allah made Mesopotamia - and added flies" (Arabian proverb)
- War in the Middle East. British capture Basra and mount an unsuccessful campaign toward Baghdad. Ottomans fail to capture Suez, but check the British advance in Palestine. Britain encourages Arab Revolt against the weakened Ottomans, then captures Baghdad, Jerusalem and, in 1918, Damascus. The dissolution of the Ottoman Empire, the seeds of future conflicts.
- "the iron thrones are falling" (British officer)
- War on the frontiers of Austria-Hungary – in the Balkans and in Italy. Allied troops in Greece establish the Macedonian Front but do not advance, the Central Powers occupy Romania. Allied intervention brings Greece to their side. Austrian and German troops breach the Italian front and stop just short of Venice, but Austrian next assault at the Piave fails. Allies breach the Macedonian Front, Bulgaria capitulates. Czechoslovakia and South Slavs declare independence, Italy captures Vittorio Veneto, Austria-Hungary capitulates and dissolves.
- "...and we were young" (A. E. Housman)
- War's end. Allied offensives in the West continue, U.S. President Wilson offers Fourteen Points as peace terms. Germany's allies capitulate after defeats on other fronts. Revolution in Germany, Kaiser Wilhelm abdicates, Germany accepts peace terms. Human costs of war, reception and celebration of the armistice.
Two "Extra" episodes exist (only on the dual layer DVD edition):
- Voices from the Western Front
- The Finished Fighter
The music for the series was composed by Wilfred Josephs. It was performed by the BBC Northern Symphony Orchestra conducted by George Hurst. His expressive yet unsentimental score was widely acclaimed at the time, and many have recalled the strong contribution it made to the series: in August 2007, Guardian columnist Ian Jack remembered how at the start of each episode Josephs' 'ominous music ushered the audience into the trenches'.
In addition to Joseph's original score, much use was made of some great 20th Century symphonies; Shostakovitch's 11th and Vaughan Williams' Sinfonia Antartica, to name two. Such musical references do not appear in the credits, therefore a full list of these extra musical elements would be welcome.
Each episode of The Great War was seen by an average audience of over eight million people, a 17% share of the estimated viewing population. The fourth episode, the most popular of the series, reached an audience of over eleven million (22.6% of the audience).
First World War centenary
On 16 October 2013, fifty years after the release of the series, the BBC announced that previously unseen interview material, recorded during the making of The Great War, will be used in a new programme, My Great War, to be shown as part of the BBC's programming during the First World War centenary.
There appear to be two releases as of mid-2007, both in the UK, both Region 2.
The other shows copyright 2002 and consists of seven DVDs — six containing the original 26 episodes and one with the two Extras. These discs are dual-layer. It is distributed by DD Video.
|This section requires expansion. (March 2008)|
- Hanna, Emma (February 2007). "A small screen alternative to stone and bronze: The Great War series and British television". European Journal of Cultural Studies 10 (1): 94–95.
- Hanna 2007, pp. 95.
- Hanna 2007, pp. 97.
- Hanna 2007, pp. 101.
- Hanna 2007, pp. 99.
- David Lloyd George, War Memoirs of David Lloyd George, vol. 1 (Little, Brown, 1937 edition), p. 389: [Yanushkevitch to Sukhomlinoff] "There are no rifles and 150,000 are without rifles... From hour to hour it is worse. We await the heavenly manna from you."
- Ian Jack (11 August 2007). "Historical anniversaries obliterate the kingdom of individuals". The Guardian. Retrieved 14 October 2013.
- Episode 12: "Land of Hope and Glory", "For Gawd's Sake Don't Send Me", "The British Grenadiers", "Abide With Me", Shostakovich, Sym. 11, mov. 2; Episode 14: Shostakovich: Sym. 11, mov. 2, Chopin: Marche funebre, "Abide With Me", "Noel", "Keep the Home Fires Burning"
- Todman, Dan (2002). "The Reception of The Great War in the 1960s". Historical Journal of Film, Radio and Television 22 (1): 29. doi:10.1080/01439680220120264.
- The Irish Times, "Television awards presented", December 2, 1964
- BBC (16 October 2013). "Marking the centenary of World War One across the BBC: Documentaries". Retrieved 17 October 2013.
- Cdcovers.cc / DVD / The Great War Disk 1-2 / front
- Cdcovers.cc / DVD / The Great War Disk 3-4 / front
- Cdcovers.cc / DVD / The Great War Disk 5-6 / front
- Cdcovers.cc / DVD / The Great War Disk 7-8 / front
- Cdcovers.cc / DVD / The Great War Disk 9-10 / front
- Correlli Barnett (12 October 2007). "Fought on the bloody French battlefields nearly 100 years ago, how the Great War still impacts on us today". Mail Online. Retrieved 24 October 2013.
- Badsey, Stephen (2002). "The Great War Since The Great War". Historical Journal of Film, Radio and Television, 22 (1): 37–45. doi:10.1080/01439680220120273.
- Ramsden, J A (2002). "The Great War: The making of the series". Historical Journal of Film, Radio and Television 22 (1): 7–19. doi:10.1080/01439680220120246.
- Connelly, M L (2002). "The Great War, Part 13: The Devil is coming". Historical Journal of Film, Radio and Television 22 (1): 21–28. doi:10.1080/01439680220120255.
- Kuehl, Jerome (2003). "The Great War on DD Video (Review Essay)". Historical Journal of Film, Radio and Television 23 (3). doi:10.1080/0143968032000095613.
- How the Great War Was Lost - and Found, First World War.com (N.b. This review wrongly implies the score for the series was either indebted to, or possibly written by Sir William Walton, whom it also erroneously cites as having written the score for 'Scott of the Antarctic' - in fact by Ralph Vaughan Williams).
- The Great War at the Internet Movie Database