The Holy Mountain (1973 film)

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The Holy Mountain
Holy Mountain.gif
Film poster
Directed by Alejandro Jodorowsky
Produced by Alejandro Jodorowsky
Roberto Viskin
Executive:
Allen Klein
Robert Taicher
Written by Alexandro Jodorowsky
Starring Alexandro Jodorowsky
Horacio Salinas
Zamira Saunders
Music by Don Cherry
Ronald Frangipane
Alexandro Jodorowsky
Cinematography Rafael Corkidi
Edited by Alejandro Jodorowsky
Federico Landeros
Distributed by ABKCO Records
Release dates
  • May 1973 (1973-05) (Cannes)
  • 27 November 1973 (1973-11-27) (United States)
  • 11 July 1975 (1975-07-11) (Mexico)
Running time 115 minutes
Country Mexico
United States
Language English
Spanish
Budget $750,000
Box office $95,858 (re-issue)

La montaña sagrada (The Holy Mountain, reissued as The Sacred Mountain) is a 1973 Mexican-American surreal fantasy film directed by Alejandro Jodorowsky, who also participated as an actor, composer, set designer and costume designer on the film.[1] The film was produced by Beatles manager Allen Klein of ABKCO Music and Records, after Jodorowsky scored an underground phenomenon with El Topo and the acclaim of both John Lennon and George Harrison (Lennon and Yoko Ono put up production money). It was shown at various international film festivals in 1973, including Cannes,[2] and limited screenings in New York and San Francisco.

Plot[edit]

A man (later identified as a thief) representing The Fool, a Tarot card typically depicting a young man stepping off a cliff, lies on the ground with flies covering his face like excrement. He is befriended by a footless, handless dwarf (representing the Five of Swords: defeat) and goes into a city to make money from tourists. The thief's resemblance to Jesus Christ inspires some to use his likeness for the crucifixes that they sell by casting an impression of his face and body. After a dispute with a priest who rejects the thief's likeness of himself, the thief eats off the face of his wax statue and sends it skyward with balloons, symbolically eating the body of Christ and offering "himself" up to Heaven. Soon after, he notices a crowd gathered around a large tower, where a large hook with a bag of gold has been sent down in exchange for food. The thief, wishing to find the source of the gold, ascends the tower, finding the alchemist (played by Jodorowsky) and his silent female assistant.

After a confrontation with the alchemist, the thief defecates into a container. The excrement is transformed into gold by the alchemist, who proclaims: "You are excrement. You can change yourself into gold". The thief accepts the gold, but when shown himself in a mirror he angrily smashes the mirror with the gold, and the alchemist takes the thief as an apprentice.

The thief is introduced to seven people who will accompany him on his journey; they are said to be the most powerful but mortal, like himself. They are related to planets in astrological terms and portrayed with broad-brush satire, each personifying the worst aspects of his or her planet's supposed characteristics. The seven consist of: a cosmetics manufacturer (male, Venus), a weapons manufacturer (female, Mars), a millionaire art dealer (male, Jupiter), a war toy maker (female, Saturn), a political financial adviser (male, Uranus), a police chief (male, Neptune) and an architect (male, Pluto). They are gathered together by the alchemist who instructs them to burn their money and wax images of themselves. Together with the alchemist, the thief and the alchemist's assistant, they form a group of ten.

After several scenes wherein the characters are led by the alchemist through several death/rebirth rituals, they carry staffs topped with their planets' symbols; the alchemist's symbol is the Sun, the thief's is the Moon and the alchemist's silent assistant is Mercury. They all journey to Lotus Island to gain the secret of immortality from nine immortal masters who live on a holy mountain. Once on Lotus Island they are sidetracked by the "Pantheon Bar", a cemetery party where people have abandoned their quest for the holy mountain and instead engage in drugs, poetry or acts of physical prowess. Leaving the bar behind, they ascend the mountain and each have personal symbolic visions representing each character's worst fears and obsessions. Near the top, the thief is sent back to his "people" along with a young prostitute and an ape who has followed him to the mountain. The rest confront the cloaked immortals, who are shown to be only faceless dummies. The alchemist then breaks the fourth wall and reveals the film apparatus just outside the frame (cameras, microphone, lights and crew) and says "Zoom back camera!", instructing everyone, including the audience of the film, to leave the holy mountain. "Real life awaits us", he says, and the film ends.

Cast[edit]

Production[edit]

Inspiration[edit]

The film is based on Ascent of Mount Carmel by Saint John of the Cross and Mount Analogue by René Daumal, who was a student of George Gurdjieff. In this film, much of Jodorowsky's visually psychedelic story follows the metaphysical thrust of Mount Analogue. This is revealed in such events as the climb to the alchemist, the assembly of individuals with specific skills, the discovery of the mountain that unites Heaven and Earth "that cannot not exist", and symbolic challenges along the mountain ascent. Daumal died before finishing his allegorical novel, and Jodorowsky's improvised ending provides a way of completing the work (both symbolically and otherwise).

Preparation[edit]

Before the principal photography would commence, Jodorowsky and his wife spent a week without sleep under the direction of a Japanese Zen master.[3]

The central members of the cast spent three months doing various spiritual exercises guided by Oscar Ichazo of the Arica Institute. The Arica training features Zen, Sufi and yoga exercises along with eclectic concepts drawn from the Kabbalah, the I Ching and the teachings of George Gurdjieff. After the training, the group lived for one month communally in Jodorowsky's home before production.[3] Thereafter, the filming started in spring of 1972. The film was shot sequentially, and entirely in Mexico at a budget of $750,000.[3]

Jodorowsky was also instructed by Ichazo to take LSD for the purpose of spiritual exploration.[citation needed] He also administered psilocybin mushrooms to his actors during the shooting of the death-rebirth scene.

Release[edit]

The film was completed just in time for the 1973 Cannes Film Festival, where it was much awaited. Director Jodorowsky, edited out twenty minutes of dialogue from the film, with the intention of removing as many dialogues as he could.[3] The film had its premiere at Waverly Theatre, an art house movie theater in New York City on November 29, 1973, where it had restricted run on Friday and Saturday midnights for sixteen months. At a few places it was released as a double bill with Jodorowsky's 1970 film, El Topo, and eventually became a cult film with its influence on the popular culture.[3][4]

In 2010, the Alamo Drafthouse held a screening of The Holy Mountain as part of their "High for the Holidays" event. To commemorate this event, a limited-edition movie poster was designed by German artist Florian Bertmer.

Home media[edit]

The film was never given wide release until over 30 years following original release, when a restored print toured the United States, screening with El Topo, and released in DVD format from 1 May 2007. A Blu-ray was released on 26 April 2011.[5]

References[edit]

  1. ^ Verrone, William E.B. (11 October 2011). The Avant-Garde Feature Film: A Critical History. McFarland. pp. 197–. ISBN 978-0-7864-8881-0. 
  2. ^ "Festival de Cannes: The Holy Mountain". festival-cannes.com. Retrieved 20 April 2009. 
  3. ^ a b c d e Ernest, Mathijs,; Xavier, Mendik, (2007). The Cult Film Reader. McGraw-Hill International. pp. 291–292. ISBN 978-0-335-21923-0. 
  4. ^ Mazur, Eric Michael (2011). Encyclopedia of Religion and Film. ABC-CLIO. pp. 334–. ISBN 978-0-313-33072-8. 
  5. ^ Highdefdigest.com

External links[edit]