The Jackal (1997 film)

The Jackal
Theatrical release poster
Directed by	Michael Caton-Jones
Produced by	James Jacks Sean Daniel Michael Caton-Jones Kevin Jarre
Screenplay by	Chuck Pfarrer
Story by	Chuck Pfarrer
Based on	screenplay The Day of the Jackal by Kenneth Ross and novel The Day of the Jackal by Frederick Forsyth (uncredited)
Starring	Bruce Willis Richard Gere Sidney Poitier Diane Venora
Music by	Carter Burwell
Cinematography	Karl Walter Lindenlaub
Editing by	Jim Clark
Studio	Mutual Film Company Alphaville Films
Distributed by	Universal Pictures
Release date(s)	November 14, 1997 (1997-11-14)
Running time	124 min.
Country	United States United Kingdom France Germany Japan
Language	English Russian
Budget	$60 million
Box office	$159,330,280

The Jackal is a 1997 American thriller film directed by Michael Caton-Jones, and starring Bruce Willis, Richard Gere, and Sidney Poitier. It is a loose remake of the 1973 film The Day of the Jackal, although the director of that film, Fred Zinnemann, fought with the studio to ensure that this remake did not share the first film's title, and Frederick Forsyth, the author of the novel asked for his name to be removed from the credits of this film. To date, it is the last appearance of Sidney Poitier in a theatrical release.

Plot

A joint mission of the American FBI and the Russian MVD leads to the death of the younger brother of an Azerbaijani mobster (David Hayman). In retaliation, the mobster hires an enigmatic assassin known only by the pseudonym "The Jackal" (Willis) to kill an unseen target. Meanwhile, the MVD capture one of the mobster's henchmen. During interrogation by torture, the henchman reveals the name "Jackal." This coupled with the documents recovered from the henchman's briefcase lead the FBI and MVD to assume the target for the retaliatory hit is FBI Director Donald Brown (John Cunningham).

As the Jackal begins his preparations for the assassination — utilising a series of disguises and stolen IDs in the process — the FBI learns of one person who can identify him. FBI Deputy Director Carter Preston (Sidney Poitier) and Russian Police Major Valentina Koslova (Diane Venora) turn to a former Irish Republican Army sniper named Declan Mulqueen (Richard Gere), who had a relationship with a Basque terrorist named Isabella Zanconia (Mathilda May), who they believe can identify The Jackal. Mulqueen eventually agrees to help in exchange for their best efforts to get him released from prison.

It becomes apparent that Mulqueen has a personal motive for hunting the Jackal: the assassin wounded Zanconia while she was pregnant with Mulqueen's child, causing a miscarriage. Zanconia provides information that can help identify the Jackal, including the fact that he is American and that he had acquired military training in El Salvador. Meanwhile, the Jackal hires gunsmith Ian Lamont (Jack Black) to design and build a mount for the weapon he intends to use for the assassination. Underestimating the danger posed by the Jackal, Lamont demands more money in exchange for keeping quiet; The Jackal responds by brutally murdering Lamont with the very equipment Lamont built. The FBI discovers Lamont's body and, with the help of Mulqueen, deduce that the Jackal intends to utilise a long-range heavy machine gun for the assassination.

With the help of a Russian mole in the FBI, the Jackal realizes he is being tracked by Mulqueen with assistance from Zanconia, he infiltrates Zanconia's house after receiving an FBI access code from his insider. Instead of Zanconia, however, he finds Koslova and Agents Witherspoon (J.K. Simmons) and McMurphy (Richard Lineback), promptly killing McMurphy and Witherspoon and mortally wounding Koslova. The Jackal gives Koslova a taunting message regarding Mulqueen — "He can't protect his women" — which she delivers to Mulqueen moments before her death.

As the Jackal makes his final preparations, Mulqueen realizes that his target is not Brown, but the First Lady (Tess Harper), who is due to give a major public speech. Arriving just in time, Mulqueen successfully disables the Jackal's weapon, while Preston saves the First Lady from a volley of gunfire. The Jackal attempts to escape into the subway, eventually having Mulqueen at his mercy; unbeknownst to the Jackal, however, Mulqueen has summoned Zanconia, who along with Mulqueen shoots the assassin dead.

A few days later, Preston and Mulqueen stand as the only witnesses to the Jackal's burial in an unmarked grave. Preston reveals that he is going back to Russia to pursue the mobsters who hired the Jackal. It is revealed that Mulqueen's request to be released was denied, but that he will likely be moved to a minimum security prison. Preston's heroics in saving the First Lady have made him a golden boy in the FBI: he can now "screw everything else up for the rest of his life and still be untouchable," for which he credits Mulqueen. After exchanging a farewell, and knowing his current clout will prevent any real backlash against him, Preston turns his back on Mulqueen, allowing him to go free.

Cast

• Bruce Willis as The Jackal
• Richard Gere as Declan Mulqueen
• Sidney Poitier as Preston
• Diane Venora as Valentina Koslova
• Mathilda May as Isabella
• J. K. Simmons as Witherspoon
• Richard Lineback as McMurphy
• John Cunningham as Donald Brown
• Jack Black as Lamont
• Tess Harper as The First Lady
• Leslie Phillips as Woolburton
• Stephen Spinella as Douglas
• David Hayman as Terek Murad

Production

Fred Zinnemann, director of The Day of the Jackal, fought with Universal Pictures to change the title of the movie so it wouldn't share the original's name. Frederick Forsyth, who wrote the novel on which the first film was based, also publicly distanced himself from the remake. As a result, the title of the film was shortened and Forsyth's name was removed from the credits; it is instead credited as being "based on the motion picture screenplay The Day of the Jackal by Kenneth Ross."

Much of the film was shot on location in Richmond, VA.

Reception

Critical response

The film received mostly negative reviews from critics. Roger Ebert of the Chicago Sun-Times called it a "glum, curiously flat thriller"; Ruthe Stein of the San Francisco Chronicle called it "more preposterous than thrilling"; and Russell Smith of the Austin Chronicle called it "1997's most tedious movie". The Jackal currently holds a 15% rating on Rotten Tomatoes based on 27 reviews.

Box office

The Jackal premièred on November 14, 1997 with an opening weekend totaling $15,164,595. It would go on to gross $159,330,280 worldwide. Against its $60m budget, the movie was a financial success.

Soundtrack

Main article: The Jackal (soundtrack)

See also

• The Jackal (The Day of the Jackal)

External links

• The Jackal at the Internet Movie Database
• The Jackal at Box Office Mojo
• The Jackal at Rotten Tomatoes