||This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. (June 2009)|
L-R Don Gallucci, Jack Ely, Lynn Easton, Mike Mitchell, and Bob Nordby
|Origin||Portland, Oregon, United States|
|Genres||Beat music, Surf music, Garage rock|
|Labels||Jerden, Wand, Sundazed|
|Members||Mike Mitchell (1959-present)
Dick Peterson (1963-present)
Steve Peterson (1988-present)
Todd McPherson (1992-present)
Dennis Mitchell (2006-present)
|Past members||Lynn Easton (1959-1967)
Jack Ely (1959-1963)
Bob Nordby (1959-1963)
Don Gallucci (1962-1963)
Gary Abbott (1962-1963)
Norm Sundholm (1963-1967)
Barry Curtis (1963-2005)
Kerry Magness (1966-1967)
J.C. Reick (1966-1967)
Turley Richards (1967)
Pete Borg (1967)
Jeff Beals (1967-1968)
Steve Friedson (1967-1973)
Yank Barry (1968-1970)
Fred Dennis (1972-1984)
Andy Parypa (1982-1984)
Kim Nicklaus (1982-1984)
Marc Willett (1984-1992)
Keith Blake (1994-1999)
The Kingsmen are a 1960s Beat / garage rock band from Portland, Oregon, United States. They are best known for their 1963 recording of Richard Berry's "Louie Louie", which held the No. 2 spot on the Billboard charts for six weeks. The single has become an enduring classic.
Early years 
In 1959, Lynn Easton invited Jack Ely to play with him at a Portland Hotel gig, with Ely singing and playing guitar and Easton on the drum kit. The two teenagers grew up together, as their parents were close friends. Easton and Ely performed at yacht club parties, and soon added Mike Mitchell on guitar and Bob Nordby on bass to round out a band. They called themselves The Kingsmen, taking the name from a recently disbanded group. The Kingsmen began their collective career playing at fashion shows, Red Cross events, and supermarket promotions, generally avoiding rock songs on their setlist.
"Louie Louie" 
In 1962, while playing a gig at the Pypo Club in Seaside, Oregon, the band noticed Rockin' Robin Roberts's version of "Louie Louie" being played on the jukebox for hours on end. The entire club would get up and dance. Ely convinced the Kingsmen to learn the song, which they played at dances to a great crowd response. Unknown to him, he changed the beat because he misheard it on a jukebox. Ken Chase, host of radio station KISN, formed his own club to capitalize on these dance crazes. Dubbed the "Chase", the Kingsmen became the club's house band and Ken Chase became the band's manager. On April 5, 1963, Chase booked the band an hour-long session at the local Northwestern Inc. studio for the following day. The band had just played a 90-minute "Louie Louie" marathon.
Despite the band's annoyance at having so little time to prepare, on April 6 at 10 AM the Kingsmen walked into the three-microphone recording studio. In order to sound like a live performance, Ely was forced to lean back and sing to a microphone suspended from the ceiling. "It was more yelling than singing," Ely said, "'cause I was trying to be heard over all the instruments." In addition, he was wearing braces at the time of the performance, further compounding his infamously slurred words. Ely sang the beginning of the third verse several bars too early, but realized his mistake and waited for the rest of the band to catch up. In what was thought to be a warm-up, the song was recorded in its first and only take. The Kingsmen were not proud of the version, but their manager liked the rawness of their cover. The B-side was "Haunted Castle", composed by Ely and Don Gallucci, the new keyboardist. However, Lynn Easton was credited on both the Jerden and Wand releases. The entire session cost $50, and the band split the difference.
"Louie Louie" was kept from the top spot on the charts in late 1963 and early 1964 by the Singing Nun and Bobby Vinton, who monopolized the No. 1 slot for four weeks apiece. The Kingsmen single reached No. 1 on the Cashbox chart and No. 2 on the Billboard Hot 100 chart. Additionally in the UK it reached No. 26 on the Record Retailer chart. It sold over one million copies, and was awarded a gold disc.
The band attracted nationwide attention when "Louie Louie" was banned by the governor of Indiana, Matthew E. Welsh, also attracting the attention of the FBI because of alleged indecent lyrics in their version of the song. The lyrics were, in fact, innocent, but Ely's baffling enunciation permitted teenage fans and concerned parents alike to imagine the most scandalous obscenities. All of this attention only made the song more popular. In April 1966 "Louie Louie" was reissued and once again hit the music charts, reaching No. 65 on the Cashbox chart and No. 97 on the Billboard Hot 100 chart.
Over the years the Kingsmen's version of "Louie Louie" has been recognized by organizations and publications worldwide for its influence on the history of rock and roll. Rankings and recognition in major publications and surveys are shown in the table below.
|Rock & Roll Hall of Fame||500 Songs That Shaped Rock and Roll||1995||None|
|National Academy of Recording Arts and Sciences||Grammy Hall of Fame||1999||None|
|National Public Radio||The 300 Most Important American Records of the 20th Century||1999||None|
|The Wire Magazine||The 100 Most Important Records Ever Made||1992||None|
|Mojo Magazine||Ultimate Jukebox: The 100 Singles You Must Own||2003||#1|
|Rolling Stone Magazine||40 Songs That Changed The World||2007||#5|
|VH1||100 Greatest Songs of Rock and Roll||2007||#11|
|Dave Marsh - The Heart of Rock and Soul||The 1001 Greatest Singles Ever Made||1989||#11|
|Rolling Stone Magazine||The 100 Best Singles of the Last 25 Years||1989||#18|
|Mojo Magazine||100 Greatest Singles of All Time||1997||#51|
|Rolling Stone Magazine||The 500 Greatest Songs of All Time||2004||#54|
|NEA and RIAA||Songs of the Century||1999||#57|
|Mojo Magazine||Big Bangs: 100 Records That Changed The World||2007||#70|
|WCBS-FM||Top 1001 Songs of the Century||2005||#184|
The Kingsmen name and history 
After the success of "Louie Louie", the members of the Kingsmen took varied paths. Easton, whose mother had registered the name of the group and therefore owned it, declared that from this point on he intended to be the singer, forcing Ely to play the drums. This led Jack Ely and Bob Nordby to quit the group.
Ely would later form his own "Jack Ely & the Courtmen". Don Gallucci was forced out because he wasn't old enough to tour and later formed Don and the Goodtimes, which morphed into the short-lived Touch. Later, Gallucci would become a record producer with Elektra Records, with his most famous production being The Stooges' seminal second album Fun House. ("Louie Louie" was frequently performed at Stooges concerts; the song appears on their live album as well as an Iggy Pop solo record.) The two remaining original Kingsmen, Lynn Easton and Mike Mitchell, toured as the official band.
Following legal action on both sides, Easton established his right to the "Kingsmen" name. Thus Ely was forced to stop using it, and Easton was forced to stop lip syncing to Ely's vocals. This initially hurt the Easton Kingsmen's popularity, after audiences realized that this was no longer the band they had come to see. Eventually, though, the official band (with Easton on vocals) charted several more singles in the 1960s.
The Kingsmen's 1964 follow up to "Louie Louie" was a party version of "Money (That's What I Want)" which hit the Billboard Hot 100 at No. 16 and on Cashbox at No. 17. Then came "Little Latin Lupe Lu" peaking on Billboard at No. 46 and Cashbox at No. 49. After that it was "Death of An Angel" No. 33 on Cashbox and No. 42 on Billboard.
1965 saw the Kingsmen return to the Top 10 nationally with "The Jolly Green Giant" reaching No. 4 on Billboard and No. 8 on Cashbox. The follow-up song was "The Climb" No. 45 on Cashbox and No. 65 on Billboard. "Annie Fanny" was released next reaching No. 43 on Cashbox & No. 47 on Billboard. Next came "(You Got) The Gamma Goochee" No. 98 on Cashbox & No. 122 on Billboard. The group also appeared in the beach party movie How To Stuff A Wild Bikini singing "Give Her Lovin'". Their recording of the title song was also on the soundtrack album.
In 1966 the Kingsmen continued to hit the charts, with "Killer Joe" reaching No. 77 on Billboard & No. 81 on Cashbox. In 1967 they made the chart for the last time with "Bo Diddley Bach" reaching No. 128 on Billboard.
On November 9, 1998, The Kingsmen were awarded ownership of all their early recordings released on Wand Records from Gusto Records, including "Louie Louie." They had not been paid royalties on the songs since the 1960s.
Other uses of the name 
Prior to this group's formation, another group called The Kingsmen operated in 1958 and was made up of members of Bill Haley & His Comets who were moonlighting from their regular work with Haley. This group scored a hit record (#35) on Billboard with the instrumental entitled "Week End", written by Rudy Pompilli, Franny Beecher, and Billy Williamson, backed with "Better Believe It" as the B side. They released a follow-up single on East West Records featuring "The Catwalk" backed with "Conga Rock". Although the Comets did the actual recordings, when The Kingsmen went on tour a different set of musicians performed instead of Haley's people. The band made at least one appearance on American Bandstand in 1958.
Various other groups have used the name "The Kingsmen", including a gospel vocal group formed in 1956 (also referred to as The Kingsmen Quartet) and bands that were later renamed as Flamin' Groovies, The Gants and The Statler Brothers. An a cappella group at Columbia University is traditionally known as The Kingsmen; one incarnation of that group became Sha Na Na; also circa 1962-63, Bruza / Magnoli / Nofz / Tomczyk adopted that name in SE MI until dis-banding during the late-1970s.
U.S. singles and albums released from 1963 through 2003, plus major compilation releases.
Listed in chronological release order with peak chart position (Billboard Hot 100) noted.
- Louie Louie/Haunted Castle (Jerden 712) 1963
- Louie Louie/Haunted Castle (Wand 143) 1963 (#2) -- B-side changed to Little Green Thing on later pressings; Re-released in 1966 as Louie Louie 64-65-66 w/ Haunted Castle B-side
- Money/Bent Scepter (Wand 150) 1964 (#16)
- Little Latin Lupe Lu/David's Mood (Wand 157) 1964 (#46)
- Death Of An Angel/Searching For Love (Wand 164) 1964 (#42)
- The Jolly Green Giant/Long Green (Wand 172) 1964 (#4)
- The Climb/The Waiting (Wand 183) 1965 (#65)
- Annie Fanny/Give Her Lovin’ (Wand 189) 1965 (#47)
- (You Got) The Gamma Goochee/It's Only The Dog (Wand 1107) 1965 (#122)
- Little Green Thing/Killer Joe (Wand 1115) 1966 (#77)
- The Krunch/The Climb (Wand 1118) 1966
- My Wife Can't Cook/Little Sally Tease (Wand 1127) 1966
- If I Needed Someone/Grass Is Green (Wand 1137) 1966
- Trouble/Daytime Shadows (Wand 1147) 1967
- Children's Caretaker/The Wolf of Manhattan (Wand 1154) 1967
- (I Have Found) Another Girl/Don’t Say No (Wand 1157) 1967
- Bo Diddley Bach/Just Before the Break of Day (Wand 1164) 1968 (#128)
- Get Out of My Life Woman/Since You’ve Been Gone (Wand 1174) 1968
- On Love/I Guess I Was Dreamin’ (Wand 1180) 1968
- You Better Do Right/Today (Capitol 3576) 1973
Studio albums 
Listed in chronological order with peak chart position (Billboard) noted.
- The Kingsmen In Person (Wand WDM/WDS-657) 1963 (#20)
- The Kingsmen, Volume II (Wand WDM/WDS-659) 1964 (#15)
- The Kingsmen, Volume 3 (Wand WDM/WDS-662) 1965 (#22)
- The Kingsmen on Campus (Wand WDM/WDS-670) 1965 (#68)
- 15 Great Hits (Wand WDM/WDS-674) 1966 (#87)
- Up and Away (Wand WDM/WDS-675) 1966
- The Kingsmen – A Quarter To Three (Picc-A-Dilly PIC-3329) 1980
- The Kingsmen - Ya Ya (Picc-A-Dilly PIC-3330) 1980
- The Kingsmen - House Party (Picc-A-Dilly PIC-3346) 1980
- Live and Unreleased (Jerden 7004) recorded 1963, released 1992
- Since We’ve Been Gone (Sundazed 6027) recorded 1967, released 1994
- The Kingsmen – Plugged (Kingsmen CD No. 1) 1995
- Garage Sale (Louie Louie Records – no catalog #) 2003
Compilation albums 
- The Kingsmen Greatest Hits (Wand WDM/WDS-681) 1967
- The Best of the Kingsmen (Scepter/Citation Series CTN-18002) 1972
- The Kingsmen Greatest Hits (Picc-A-Dilly PIC-3348) 1981
- The Best of the Kingsmen (Rhino RNLP 126) 1985
- Rock & Roll – Kingsmen (Starday N5-2125) 1985
- Louie Louie – The Kingsmen (Prime Cuts 1322) 1986
- The Kingsmen – 12 Greatest (Golden Circle CS 57582) 198?
- The Kingsmen – Louie, Louie (Golden Circle GC57881) 1987
- The Jolly Green Giant (Richmond 2125) 1988
- The Kingsmen – Louie Louie (Highland Music/Richmond 2138) 1988
- The Best of the Kingsmen (Rhino 70745) 1989
- The Kingsmen – Louie Louie and More Golden Classics (Collectables 5073) 1991
- The Kingsmen – 20 Greats (Highland Music/Festival FST FCD 4417) 1991
- The World of the Kingsmen/Louie Louie (Trace 0400612) 1992
- The Best of the Kingsmen (Laserlight/Delta 124 24) 1995
- The Very Best of the Kingsmen (Varese Sarabande/Varese Vintage 5905) 1998
- The Kingsmen’s Greatest Hits (K-tel K4185-2) 1998
- Louie Louie: The Very Best of the Kingsmen (Collectables 5628) 1999
- The Kingsmen – America’s Premier 60s Garage Band (Edel America 70172) 2000
Further reading 
- Marsh, Dave (1993). Louie Louie: The History and Mythology of the World's Most Famous Rock 'n' Roll Song. New York City: Hyperion Books. ISBN 1562828657.
- Blecha, Peter (2009). Sonic Boom! The History of Northwest Rock: From Louie Louie to Smells Like Teen Spirit. Milwaukee, Wisconsin: Backbeat Books. ISBN 0879309466.
- Peterson, Dick (2005). Louie Louie: Me Gotta Go Now. Sherwood, Oregon: Thalian Press. ISBN 1420856103.
- Official Kingsmen webpage
- Ace Records (UK); 'Love that Louie' CD sleevenotes.
- Rhino Records; 'The Best of Louie Louie' CD sleevenotes.
- Renaissance Records; 'Touch' CD sleevenotes.
- Marsh 1993, p. 85
- Marsh 1993, p. 86
- Marsh 1993, p. 87
- Blecha 2009, p. 134
- Blecha 2009, p. 135
- Marsh 1993, p. 83
- Blecha 2009, p. 136
- Blecha 2009, p. 137
- Marsh 1993, p. 88
- Hayes, Ron (August 13, 1993). "Rock's Rumored Dirtiest Song Turns 30". Lewiston Morning Tribune. Retrieved July 19, 2012.
- Blecha 2009, p. 138
- Blecha 2009, p. 136.
- Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 161. ISBN 0-214-20512-6.