The Last Policeman
Cover of U.S. paperback original
|Author||Ben H. Winters|
|Cover artist||Doogy Horner|
|Genre||Soft science fiction,
|July 10, 2012|
|Media type||paperback original, ebook|
|Followed by||Countdown City: The Last Policeman II, World of Trouble: The Last Policeman III|
The Last Policeman is a 2012 American soft science fiction mystery novel by Ben H. Winters. It follows a police detective in New Hampshire as he investigates a suicide he believes was really a murder. His efforts are complicated by the social, political and economic effects of preparations for, and anticipation of, an asteroid impact six months in the future.
Winters describes the work as an "existential detective novel", turning on the question of why people do things in spite of their long-term unimportance. He consulted with experts not only in astronomy and police techniques but psychology and economics. The book was well received by critics, and won the 2012 Edgar Award in the category Best Paperback Original. Producer Lorenzo di Bonaventura has optioned it for a possible television series. It is the first in a trilogy; Winters published Countdown City, the second volume, in mid-2013. World of Trouble, the final Last Policeman novel, was released in July 2014.
The novel is divided into four parts—"Hanger Town", "Non-Negligible Probabilities", "Wishful Thinking" and "Soon, They Will"—of five chapters each, and an epilogue. Each part has an introductory graphic giving the date, and the asteroid's right ascension, declination, elongation and delta, or distance from Earth, in astronomical units. The first part is dated March 20; the epilogue, April 11.
In 2011, astronomers discover a new asteroid, 2011GV1. Analysis of its unusual orbit shows that it may come very close to Earth soon. By August, not only is that likely, the probability of an impact reaches 5%, triggering an economic panic that results in the bankruptcy of prominent corporations including McDonald's and Starbucks.
As the asteroid, now popularly named Maia, approaches, its diameter is measured at 6.5 kilometers (4.0 mi), enough to cause serious planetwide effects and the likely end of civilization should it strike the Earth. The probability of that is regularly revised upward, and in the face of increasing instability caused by the anticipation, governments enact strict emergency laws. The U.S. Congress passes the Impact Preparation Security and Stabilization Act (IPSSA), banning trade and production of firearms, imposing wage and price controls, and legalizing marijuana while toughening penalties for the possession or distribution of other drugs.
In early 2012 a tearful astronomer announces to the largest television audience ever that Maia will indeed collide with the planet on October 3. It is determined that this will be impossible to prevent. Social and economic order begins to collapse as people leave their jobs to do things they will never have a chance to again, and many commit suicide. Oil imports cease and the U.S. is limited to the Strategic Petroleum Reserve. After commercial supplies run out, only the police and military have fuel supplies, and civilians respond by converting their vehicles to run on biodiesel.
In late March 2012, Hank Palace, a young detective with the Concord, New Hampshire, police, is called to the scene of the latest suicide, the men's room at a former McDonald's that continues to operate. Peter Zell, like many others in Concord who have taken their own lives, hanged himself. While the case seems pretty clear-cut, Palace is struck by both the bruises on Zell's head, and the fact that he used an expensive belt to hang himself with yet was otherwise wearing bargain-basement clothes. He decides to consider this a possible murder, and investigate, despite the limited resources available and peer pressure to not waste them.
His investigation yields some leads, but nothing concrete. Zell's work at an insurance company, where some evidence suggests the decedent may have found evidence of fraud. His coworkers say he left that night with a man in a pickup truck. At Zell's apartment, Palace finds a stack of newspaper clippings about Maia, with extensive mathematical calculations in the margin. Zell had begun writing a note to his sister, Sophia Littlejohn, a midwife, but had said nothing beyond addressing it. At Sophia's house, her husband Erik tells Palace Zell was lately very depressed, but lies to him about the reason for his wife's absence.
Meanwhile, Palace must also deal with his sister Nico, who enlists his help to try to find her husband Derek, with whom she has a tumultuous relationship. Eventually Palace learns that Derek was arrested for driving an ATV onto closed military property. He is able to visit Derek in detention, where he claims the government is hiding information about the asteroid and some measures it has taken to ensure civilization's survival afterward, but cannot secure his release.
The detective finds the man Zell spent his last night with, J.T. Toussaint, but his story that Zell left his house later that evening after the two saw a movie and drank some beers checks out. Another detective figures that a mysterious "12.375" on the box containing Zell's clippings about Maia was what he had calculated would be the impact percentage at which he could safely indulge in something he might never have otherwise. Trish McConnell, a uniformed officer and friend of Palace's who also responded to the crime scene, retrieves Zell's cell phone. On it Palace finds that Zell regularly called a coworker, Naomi Eddes, who had denied knowing him well when Palace asked. When he confronts her, she explains that Zell had become addicted to morphine and needed her help getting clean.
When a computer check finds that Toussaint is the son of a onetime major local drug dealer, and that he may have been illegally using conventional diesel fuel in his truck, Palace returns with the other detectives. A confrontation ensues in which Palace suffers an eye injury and Toussaint admits to helping Zell use OxyContins that Zell had brought to his house, and is then fatally shot by one of the other detectives, after which a third kills himself by stepping in front of an illegally operated bus. While his injury is being treated, Palace learns that midwives can write prescriptions, and then asks Sophia Littlejohn if her brother had stolen her prescription pad—which he had, months before, although he had returned it after she figured that out.
Nico then disappears, and he can find no trace of her husband, so he reaches out to Alison Koechner, a former high school girlfriend who now works with the Justice Department. He travels to Boston to see her, and what she tells him suggests some truth behind the conspiracy theories Derek and Nico had accepted. Palace searches Toussaint's house and finds a large stash of drugs hidden in the doghouse; while he is there he hears someone else flee the scene.
Naomi Eddes contacts Palace to give him more information about the fraud investigation Zell was working. She spends the night at his apartment, then leaves early in the morning. A toxicology screen on Zell's blood finally proves that Palace was right to suspect murder: prior to his death, he had been drugged with GHB. Nico calls and quickly tells her brother she'll be leaving for a long time but she'll see him again, then hangs up. He drives to the military base where Derek was detained, but finds not only that Derek is not there and the military personnel there deny that he ever was. Just after that, he learns that Naomi has been found in her office, shot dead, apparently while searching for a file she promised to get him. Morphine sulfate is found in her blood during the autopsy.
When Naomi's father hangs up on him as soon as he identifies himself as a police officer, Palace realizes she had a long history of substance abuse. He realizes that the insurance-fraud angle on the case was a red herring, planted by the man who killed both Zell and Eddes—Erik Littlejohn. He is arrested and taken to the station house, where the detectives learn that the department has been federalized, and their department is being shut down.
In the epilogue, Palace, who has now been granted early retirement, bicycles to the New Hampshire shore. Since the case was closed it has been announced that Maia will hit Indonesia, far away from the U.S. With the chances of post-impact survival a little higher, the public mood is less gloomy. At the beach, he tidies up one loose end from the case, then returns home, where he finds his sister waiting for him. She confesses that she used both him and Derek to help a group she was part of determine whether the military facility her husband was held in was in fact the one where they believe the government is working on its plans for a lunar habitat, and then leaves.
- Det. Hank Palace, the protagonist of the novel. He decided to become a police officer in his teens, after his mother, a longtime civilian employee of the Concord police, was killed in a robbery and his grief-stricken father, a professor of philosophy at St. Anselm College, hanged himself. After 16 months as a patrolman, during which the buildup to Maia began having social and economic effects, he was promoted to detective.
- Ritchie Michelson, a uniformed officer recently hired under streamlined training procedures. Palace was promoted to detective following a confrontation with him over rough treatment of a suspect. There is lingering animosity between them.
- Trish McDonnell, one of the few uniformed officers Palace still has respect for. She is a friend and helps him solve the Zell murder.
- Det. Culverson, one of the remaining detectives and the only African American left on the force. In his earlier years he became friends with Palace when he investigated his mother's murder.
- Det. McGully, a jokester who does not take Palace's theories seriously. He has begun to dress very casually at work and sometimes smokes marijuana to dull his anxieties, especially after he kills J.T. Toussaint.
- Det. Andreas, an older detective who commits suicide after the Toussaint shooting.
- Denny Dotseth, an assistant state attorney general, whose responsibility it would be to prosecute the murder.
- Dr. Alice Fenton, forensic pathologist at Concord Hospital who autopsies Zell's body. At first she is irritated with Palace for forcing her to miss one of her daughter's remaining piano recitals, but then when she finds proof that he was murdered in the blood toxicology report she goes as far as to help him arrest the murderer.
- Alison Koechner, high-school girlfriend of Palace's who now works in an unspecified federal law enforcement capacity "several orders of magnitude" above him.
- Nico Palace, Hank's sister. Hastily married on the day after the impact date was announced, she was adversely affected by her parents' death and has had a troubled life since then. Hank has often had to help her out of her difficulties.
- Derek, Nico's husband. He is arrested for trespassing onto a New Hampshire National Guard post and then, after Palace visits him in jail, disappears.
- Naomi Eddes. A coworker of Pete Zell, the murder victim, she has shaved her head bald to avoid having to take care of her hair in the remaining months. She had resumed a longtime drug habit when the asteroid impact date was announced. Late in the novel she is found shot to death in her office.
- Theodore Gompers, manager of the insurance company's regional office.
- Sophia Littlejohn, Zell's sister, a midwife.
- Erik Littlejohn, her husband, Concord Hospital's director of spiritual services.
- J.T. Toussaint, a local man who turned to odd jobs and then, at Zell's prompt, dealing drugs like his father when he was laid off from the local quarry. He is shot dead during a police confrontation.
- Victor France, a local drug dealer Palace uses as an informant.
Winters describes The Last Policeman as an "existential detective novel." In a Wired interview with Ethan Gilsdorf, he responded to a question about why he had written it with "Why does anybody do anything? (Hey, what do you know? That's the theme of the book!)" Publicity material for the book put the question in more specific terms: "What's the point in solving murders if we're all going to die?" In a prepublication interview with a British website, Winters elaborated on the book's themes: "Moral behavior. The inevitability of death, and what to do about it. How true character is revealed through adverse circumstances."
Rahul Kanakia, reviewing the novel for Strange Horizons, says the novel's major theme changes as the reader learns midway through the book that there is a chance at least some people will survive the immediate impact and perhaps live long enough through the aftermath to begin repropogating humanity and rebuilding civilization. "Suddenly, we're dealing with a familiar disaster theme: the story of mankind's indomitable will to survive," he writes. "[Palace']s struggle is not absurd; it is purposeful. In holding civilization together, he is increasing the chance that something will survive the catastrophe."
For a long time, Winters had wanted to take on the challenge of writing a detective story. "The great books of that genre have some levels to them, some resonances beyond the X to Y to Z of clue tracking," he told Gilsdorf. To give his story that depth, "it occurred to me to give my hero the challenge of solving his case in the midst of some earth-shaking calamity, and from there it was a short trip to the end of the world."
He undertook extensive research to make the pending impact event scenario realistic. Since he and his family were living in Cambridge, Massachusetts, at the time, it was easy for him to get in touch with asteroid expert Timothy Spahr, director of the Minor Planet Center at the Harvard–Smithsonian Center for Astrophysics. When Winters outlined his scenario, the astrophysicist responded "Oh, sure. I can get you your asteroid."
He further consulted with experts in police procedure and forensics, as well as economists and psychologists, to create a realistic model of a "world on the brink." However, one expert he spoke with was not enthused about his proposed novel. Former NASA astronaut Rusty Schweickart, now chair emeritus of the B612 Foundation, which raises awareness of the threat posed by asteroid impacts and plans ways to prevent them, urged Winters to consider instead building his novel around what Schweickart said was the more likely scenario of a sub-apocalyptic impact. However, "I needed my detective, and the world around him, to be dealing with the impending death of all and everything." Winters apologized to him in the acknowledgements at the end of the book and urged readers to visit B612's website.
Originally, he was going to set the story in Brooklyn, which he knew well. "[B]ut something about a New York City crime novel seemed wrong for this idea." He decided instead that his hero would be cop in a smaller city, but still one large enough that the social dimensions of an impending apocalypse would be apparent. His brother had lived in nearby New Hampshire for years, and he found his city there. "Concord's population is well under 100,000, but it still houses the state government, it still has a decent-sized downtown, it still has a spread of neighborhoods and industries and economic classes. Just felt perfect."
Having chosen his setting, it was important to Winters that he be able to describe it realistically. "It was important to me that this not be a Concord of my imagination, first of all because I love road-map novels, books where you feel like you could read it and know your way around the world where it's set." So he drove to Concord from Cambridge many times to get a feel for the city. "I think I got things mostly right, although I do mention a dive bar called The Green Martini, which has apparently burned down."
Early drafts of the novel were in the third person, in the past tense. But Winters soon realized this was not working, given the underlying premise of the story. "What I realized is that when you’re writing a series that builds up to most of mankind being destroyed, the whole convention, the literariness of the past tense becomes really glaring. I kept wondering, who is telling this story? And when?" So he changed to the first person and the present tense, which also increased the suspense since the reader only knows what Hank knows. That change, and his request for more time to complete the book, coincided with the birth of his daughter, a break which helped him understand the character better.
To accompany the book's release, publisher Quirk Books included two unusual promotional techniques on its website. One was a video trailer for the book, with a variety of speakers focusing on the question of what they would do in such a situation. Elsewhere on the site, various other writers, including Gilsdorf and Steve Hockensmith, provided their responses to the same question.
Possible television series
Shortly after the book's publication, Deadline.com reported that Lorenzo di Bonaventura, producer of the Transformers movies, had optioned The Last Policeman for development as a TV series. An editor at Quirk was tapped to serve as a producer of the series. Winters said it posed an interesting challenge for any writers since it would necessarily have a limited timeframe for episodes to take place.
Around the same time, My Book, The Movie, a blog where authors are asked to say who they'd imagine playing characters in their works, asked Winters who he saw playing the parts in The Last Policeman. While he didn't imagine a sensible movie producer trying to waste a lot of time finding a tall, gangly young actor to play Hank, in his mind he saw Jim True-Frost in the part, based on his performance as Prez in The Wire. "[H]e plays like I imagine Palace—thin, wiry, hunched, interesting looking, inward, unconventionally handsome."
He imagined another actor from that show, Wendell Pierce, as Culverson and Rose Byrne as Nico. "She's got this kind of angular toughness that emerges in Nico towards the end of the novel." As stunt casting, he envisioned Tom Waits playing the police chief, who has only two short scenes in the book, "[b]ut only because I'd really, really like to meet [him]."
Most reviews of The Last Policeman were favorable. Many focused as much on the story's setting rather than the mystery. "What's more interesting than the mystery surrounding Zell's death is Winters' vision of a pre-apocalyptic world, one where laws are both absolute and irrelevant and even minor players have major control over what could be a new future," wrote Kirkus Reviews. At Slate, Dan Kois was effusive. "Winters' plotting is sure-footed and surprising," he wrote. "[He] reveals himself as a novelist with an eye for the well-drawn detail."
At Strange Horizons, months after publication, Kanakia took a more measured view, calling it "more of a premise than a novel" but admitting he was intrigued enough by that. The background scenario was an "inspired juxtaposition" against stock crime-novel characters. But, he regretted, it makes use of that "just barely enough." While he said Winters' exploration of how people might continue on with the things they've always been doing in the face of imminent doom "adds a few hills to the psychogeography of the planet-busting asteroid trope," the rest of the book undercut its themes, especially as it starts to become apparent that Maia's impact may not be the end, after all.
Nonetheless, the story was still "a fun and competent police procedural story. The working-out of the murder offers enough twists to make the book an enjoyable experience." He particularly praised the novelist for setting the story in a smaller city.
It's not terribly common, in fiction, to be treated to a story set in one of America's small cities. Its Bellinghams and Green Bays and Wilmingtons don't seem to get much love from writers. I enjoyed the expansive claustrophobia of Winters's Concord. It's a place that has the architecture and anonymity of a city, but a smallness that allows for interesting juxtapositions ... One really gets the sense that this tiny group of people is responsible for the continued functioning of this city: there is no off-stage machinery that will take up the slack if they fail.
Awards and recognition
The Last Policeman is the first book in a trilogy. Some reviewers, aware of this, appropriately noted that the Nico plotline is unresolved at the end of the novel, and her last appearance shows there might be more to her character than the story had previously suggested. Winters published the second volume, Countdown City, in July of 2013.
Originally titled Incoming, it was later changed to Disasterland. However, in February 2013 Quirk found that title had already been used, and they, Winters and his editor settled on Countdown City. "[W]e ... all decided we liked [it] better anyway."
Countdown City is set in June, midway between the events of the first book and Maia's impact. Hank, unemployed since the Concord police were federalized at the end of The Last Policeman, is asked by his former babysitter to search for her husband, who has abandoned her. The case appears impossible given the large numbers of people abandoning their lives as the asteroid looms, but Hank is dogged in his attempts to track the man down. It is set along the East Coast, where the breakdown of society has continued, and armed vigilante groups attempt to prevent immigrants fleeing the Indonesian impact zone from coming ashore. The same themes will be explored further.
Winters announced on his blog on January 10, 2014 that the title of the third book in the series will be called World of Trouble. He did not announce an expected date of publication, although it was later disclosed as July 2014. " As for the plot and themes, Winters says it will have those in common with the first two. "[It] will have at its center a crime that Palace is trying to solve," he said. "But, also like this one, each will be at least equally interested in the details of the disintegrating world, and in plumbing the psyche of this lawman." The final novel ends with Maia's long-dreaded collision with Earth.
- "The Last Policeman". Quirk Books. 2011. Retrieved February 12, 2013.
- "2013 Edgar winners". Boston Globe. May 3, 2013. Retrieved June 13, 2013.
- Fleming Jr., Mike (July 23, 2012). "'The Last Policeman' Going TV Series Route With Lorenzo di Bonaventura". Deadline.com. Retrieved February 14, 2013.
- Winters, Ben H. (February 7, 2013). "What's in a name? Has anyone asked that before? I feel like maybe somebody has.". benhwinters.com. Retrieved February 14, 2013.
- Gilsdorf, Ethan (July 12, 2012). "Solving Murders at the End of the World: An Interview with Ben H. Winters". Wired. Retrieved February 14, 2013.
- Mulrooney, Marty (May 12, 2012). "Interview – In Conversation With Ben H. Winters (Author, The Last Policeman)". Alternative Magazine Online. Retrieved February 14, 2013.
- Kanakia, Rahul (January 18, 2013). "The Last Policeman by Ben H. Winters". Strange Horizons. Retrieved February 14, 2013.
- Smith, Eric (June 25, 2012). "A Q&A With Ben H. Winters, Author of The Last Policeman". Quirk Books. Retrieved February 17, 2013.
- "About the Books". Quirk Books. 2012. Retrieved February 15, 2013.
- "What Would You Do?". Quirk Books. 2012. Retrieved February 15, 2013.
- Zeringue, Marshal (July 16, 2012). "Ben H. Winters' "The Last Policeman"". blogspot.com. Retrieved February 16, 2013.
- "The Last Policeman by Ben H. Winters". Kirkus Reviews. April 30, 2012. Retrieved February 15, 2013.
- Kois, Dan (August 3, 2012). "Here Comes the Big One". Slate. Retrieved February 15, 2013.
- "Summer selections". Concord Monitor. July 8, 2012. Retrieved February 16, 2013.
- Staggs, Matt (May 21, 2012). "My Top Five Picks for Fantastic Beach Reads". Suvudu. Retrieved February 16, 2013.
- "Best Books of the Month: July 2012". Amazon.com. Retrieved February 16, 2013.
- "Disasterland: The Last Policeman II". Quirk Books. Retrieved February 16, 2013.