The Little Humpbacked Horse (ballet)

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Important Ballets & *Revivals of Marius Petipa
Marius Petipa -1898.JPG

*Paquita (1847, *1881)
*Le Corsaire (1858, 1863, 1868, 1885, 1899)
The Pharaoh's Daughter (1862, *1885, *1898)
Le Roi Candaule (1868, *1891, *1903)
Don Quixote (1869, *1871)
La Bayadère (1877, *1900)
*Giselle (1884, 1899, 1903)
*Coppélia (1884)
*La fille mal gardée (1885)
*La Esmeralda (1886, 1899)
The Talisman (1889)
The Sleeping Beauty (1890)
The Nutcracker (1892)
Cinderella (1893)
The Awakening of Flora (1894)
*Swan Lake (1895)
*The Little Humpbacked Horse (1895)
Raymonda (1898)
The Seasons (1900)
Harlequinade (1900)

The Little Humpbacked Horse, or The Tsar Maiden (aka Konyok Gorbunok ili Tsar-Devitsa, or Le Petit cheval bossu, ou La Tsar-Demoiselle) is a ballet in four Acts and eight scenes with apotheosis. The original choreography was by Arthur Saint-Léon, and was set to music by Cesare Pugni. The libretto is by Arthur Saint-Léon, based on the fairy tale The Little Humpbacked Horse by Pyotr Yershov. The ballet was first presented by the Imperial Ballet on December 3/15 (Julian/Gregorian calendar dates), 1864 at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia. The principal dancers were Marfa Muravieva (as the Tsar Maiden) and Timofei Stukolkin (as Ivanushka). But Timofei Stukolkin was a broken leg, and his role was given to Nilolay Troitskiy, who had not played the main roles.

[edit] Revivals, restagings and alternate versions

  • Revival by José Mendez for the Ballet of the Moscow Imperial Bolshoi Theatre. First presented at the Moscow Imperial Bolshoi Theatre on December 26, 1893 in Moscow, Russia.
  • Restaging by Alexander Gorsky of his 1901 revival for the Imperial Ballet, with musical additions and revisions to Pugni's score by Riccardo Drigo. First presented at the Imperial Mariinsky Theatre on December 16, 1912. Principal Dancers - Tamara Karsavina (as the Tsar Maiden) and Nikolai Legat (as Ivanushka).

[edit] Notes

  • In an effort to appeal to the tastes of his Imperial Russian audience, Saint-Léon concluded the ballet with a Grand divertissement celebrating all the different nations of Russia, beginning with a Grand cortège to a march by the composer titled The Peoples of Russia. The Grand divertissement included the choreographer's own balletic version of Russian national dance.
  • Petipa's 1895 revival included a new prologue and apotheosis, as well as additional variations for the Ballerina Legnani written by Riccardo Drigo.

[edit] External links

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