The Long Blondes

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The Long Blondes
The Long Blondes Live, 2007
Background information
Origin	Sheffield, England
Genre(s)	Indie rock Indie pop Post-punk revival
Years active	2004–2008
Label(s)	Rough Trade
Website	thelongblondes.co.uk
Members
Kate Jackson Dorian Cox Reenie Hollis Emma Chaplin Screech Louder

The Long Blondes were a five-piece English indie rock band formed in Sheffield, United Kingdom circa 2003. They released their debut album, Someone to Drive You Home, on Rough Trade Records in November, 2006 after several critically-acclaimed singles. After an extended European tour, they entered the studio with DJ/producer Erol Alkan in late 2007 to record their second album, "Couples", which was released in the UK in April, 2008.^[1] On the 20th October 2008, due to the unexpected illness of their primary songwriter and lead guitarist, Dorian Cox, the band announced their amicable split via a message on their website.^[2]

Contents 1 Band members 2 Formation 3 Career 3.1 Someone to Drive You Home 3.2 "Couples" 3.3 "Singles" 4 Break up 5 Influences 6 Lyrics 7 Intertextual references 7.1 Lyrics 7.2 Artwork 7.3 Musical 8 Style 9 Side projects 10 Discography 10.1 Albums 10.2 Compilations 10.3 Singles 10.4 Unreleased songs 11 Music videos 12 Awards and nominations 13 References 14 External links 14.1 Interviews 14.1.1 Video

[edit] Band members

• Dorian Cox – lead guitar and keyboards
• Reenie Hollis (real name Kathryn Hollis) – bass guitar and backing vocals
• Emma Chaplin – rhythm guitar, keyboards and backing vocals
• Kate Jackson – lead vocals
• Screech Louder (real name Mark Turvey) ^[3] – drums

[edit] Formation

The band was formed in 2003 in Sheffield, UK. All the members were attending, or had attended university in the city. ^[4]. The following quote appeared on their website and served as an introduction to the Long Blondes; ”Our shared influences include The Mael Brothers, Marx Brothers and The Bewlay Brothers. We do not listen to The Beatles, The Rolling Stones, Jimi Hendrix, The Doors or Bob Dylan. We chose an instrument each and learnt to play it. Approximately three months after we formed, we played a victorious 25 minute set at Leeds Hi-Fi club. We inherit the aesthetics of early Roxy Music. We have a lot of influences, sometimes we sound a bit like them, sometimes we sound a lot like them. Sometimes we sound nothing like them at all".^[5]In another interview, the original goal of The Long Blondes was stated; to form a fantasy pop group: "Nico, Nancy Sinatra, Diana Dors and Barbara Windsor. Sexy and literate, flippant and heartbreaking all at once."^[6]

[edit] Career

In 2004, The Long Blondes released two singles on the Angular Recording Corporation based in New Cross, London. In late 2005, they released another single, Separated by Motorways, which was released through Paul Epworth's Good & Evil label. These releases were met with a positive critical reaction.^[7][8][9] In February 2006 they were recipients of the NME Philip Hall Radar Award (previously won by Franz Ferdinand and Kaiser Chiefs) and were named by The Guardian and Vogue as "the best unsigned band in the UK".^[10] During the early success of the band, the band remained working in various day jobs; Jackson sold vintage clothing on eBay, Cox was working in the University of Sheffield Department of Law, Hollis in the Media Studies department of a nearby college, Chaplin in a Leeds art library and Louder in the Home Office^[11].

[edit] Someone to Drive You Home

On April 13, 2006 they signed to Rough Trade Records^[12] and recorded their debut album, Someone to Drive You Home over the summer ready for its release on November 6. The album was produced by former Pulp bassist Steve Mackey. The album was preceded by their second single for the label, "Once and Never Again", which was released on October 23 and debuted at number 30 in the UK Singles Chart.^[13] The song was named the 15th best track of 2006 by NME. In June 2006, they released their first single for the label, "Weekend Without Makeup", which reached number 28. The predominant theme of the album is relationships from a female perspective, although 10 of the tracks on the album were written by male guitarist Dorian Cox. Themes dealt with include competition between females, isolation, sexual exploration and deceit. Influences of Pulp, Elastica, Morrissey and Blondie have been frequently quoted when the album is discussed in the media.^[14] The albums artwork is a painting by lead singer Kate Jackson; it is an image of Faye Dunaway in the film Bonnie and Clyde, with a Ford Cortina (Mark three) as her getaway car. They appeared at a number of UK festivals over summer 2006, including the Carling Weekend, Leicester's Summer Sundae and the Electric Picnic. In the summer of 2007, they played the Other Stage at Glastonbury and performed live at the Radar festival in Istanbul.

[edit] "Couples"

In October 2007, The Long Blondes started working on their second album with producer Erol Alkan in London. On December 19, 2007, it was announced that the new album's title would be "Couples". Before the album was released, all five members created their own cryptic promo videos "explaining" what the inspiration behind "Couples" was.^[15] The album was released on April 7, 2008, preceded by the first single from the album "Century" which was released on March 24, 2008.^[16] The album reached number 48 in the UK album chart. The album was well received by critics. Click Music for example gave the album a 4.5 out of 5 and said it was "a worthy contender for record of the year".^[17] The next song to be taken off "Couples" was "Guilt" and it was a 7" only release. The video for "Guilt" is set in a dog show.^[18] The band agreed to their suggestion to set the video in a dog show after receiving numerous literal interpretations of the lyrics.^[19] It was accompanied by one b-side called "Melville Farr" which was based on Dirk Bogarde's character in the 1961 British film Victim.^[20] On the 9 June, the band posted on their official website that Dorian had fallen ill and that he had to be rushed to hospital, which meant that they had to cancel all their live appearances until the end of July.^[16] The band were due to play a support slot on Duran Duran's Red Carpet Massacre tour at the Birmingham NIA and the O2 Arena in London and on the John Peel stage at Glastonbury.

[edit] "Singles"

After "Couples", The band decided to release a compilation of their rare early 7" singles, which was titled "Singles" on October 20, 2008 on Angular Records.^[21] The twelve-tracker collects all of the songs from the band's first four 7" vinyls, which were released by different labels including Thee Sheffield Phonographic Corporation, Filthy Little Angels and Angular Records. The version of "Separated By Motorways" differs from the vinyl version, as the group opted to include the demo version instead. The compilation also featured one previously unreleased song - "Peterborough". "Singles" was named the 25th best album of 2008 by Artrocker magazine^{[citation needed]}.

[edit] Break up

On 20 October 2008, Guitarist Dorian Cox posted a message on their official website that the band had split-up. The main motivation for the break up was Cox's stroke last June, which resulted in a swathe of cancelled gigs.^[22] It also left Cox unsure whether he would ever be able to play the guitar again. Cox thanked fans for their support and goodwill. "We have decided to call it a day," he wrote. "The main reason for this is that I suffered from a stroke in June and unfortunately I do not know when/if I will be well enough to play the guitar again". He went on to say that the band would like to say a big thank you to anyone who ever came to one of our shows, bought one of our records or danced to one of our songs in a club. The announcement was made the same day their compilation "Singles" was released.

It was reported on 1 December 2008 that Cox is undergoing physiotherapy for his paralysis, and it seems as though he is still hoping to get back to playing guitar.^[23]

[edit] Influences

The Long Blondes' songs reflect a number of influences, including 60s pop, Buzzcocks, The Fall, The Ramones, Suede^[24], post-punk and new wave. Traces of work by another Sheffield band, Pulp can also be seen in their recordings, their debut album was produced by Steve Mackey, bassist of Pulp. Jackson's vocals have been compared to Ari Up of The Slits, Deborah Harry of Blondie and Lesley Woods of Au Pairs^{[citation needed]}. Dorian Cox's backing vocals are also similar to those of former Pulp frontman Jarvis Cocker. The music features angular guitars and prominent bass guitar lines. However, the band themselves claim somewhat more eclectic influences than their sound suggests, citing Burt Bacharach, Holland-Dozier-Holland, Chinn and Chapman, and Stock, Aitken and Waterman as influences ^[25]. In 2004, the band named some of their actual influences and favourite bands. Chaplin's were The Smiths, The Sweet and The Jesus and Mary Chain. Hollis's were Belle and Sebastian, ELO and The Eagles. Dorian's were Abba and The Fall. Louder's were Scott Walker, The Slits and Captain Beaky. Jackson's were The Smiths, The Fall and Nancy Sinatra and Lee Hazelwood.^[26] Their second album drew vocal influences from recent Italo-Disco revival acts such as Glass Candy^[27][28] and the Italians Do It Better label.^[29] Other influences for "Couples" were Abba, Cox stated that "...there’s something really innocent about Abba videos... really kinda funny, futuristic but old fashioned at the same time and that’s how we see our music on this album.”^[30]

[edit] Lyrics

A prominent theme across much of the Long Blondes' output is a concern with intimate relationships. This is expressed from different perspectives;

• A female who has been disappointed by, or mistreated by, her male lover (e.g. "New Idols" - "Johnny gets drunk and Johnny gets loud/And Jenny wonders why she ever had him around", Once and Never Again - "19. you're only 19 for God's sake,/Oh, you don't need a boyfriend.", "Heaven Help The New Girl" - "No more fights in the car, in the back of his car/A car that never started and the rows they never stopped").
• Relationship roles (e.g. Weekend Without Makeup - "Well I feed you but I need you to make a little more effort")
• Lust (e.g. "Lust in the Movies" - "my doctor said that I should give it up because I'm clinically obsessed", "Big Infatuation" - "I caught his eye/He said be there this evening/The rooom began to spin", "I've Got a Picture of You (In My Room) - "It's not a means to an end but it will get you my friend")
• Sexual jealousy (e.g. Giddy Stratospheres - "She'll never take you to giddy stratospheres/I’ll confirm your fears", "You Could Have Both" - "She's away and you get by without her very well/If I'm around you get by without her even better", "Five Ways To End It" - "He wanted a woman to cling to you see/...She'd make him happy when he could be with me", Only Lovers Left Alive - "You don't need her/It's better that you come and see about me", Too Clever By Half - "You thought that you were pretty smart/But when you and her were out I would go round to his house/And I don't have to tell you what we did next")
• Loneliness - (e.g. The Couples "You're not lonely/I am, baby")

Other themes include escapism (e.g. "Separated by Motorways", "I Liked The Boys", "Erin O'Connor"), femme fatales (e.g. "Long Blonde", "All Bar One Girls") and nostalgia (e.g. "Nostalgia"). In "Once And Never Again", the lyric goes "I know how it feels to be your age / Oh how I'd love to feel a girl your age / Once and never again". Some have interpreted these lines as alluding to homosexual feelings between the singer and the subject.^[31]

[edit] Intertextual references

The Long Blondes are known for referencing films, singers, starlets and artists in their music. Screech Louder said that Alfred Hitchcock was a big inspiration when it came to referencing films in their music, he said "the whole film noir thing is very important because it's stylish but there's depth to it as well".^[32]

[edit] Lyrics

• "Appropriation (By Any Other Name)" is a homage to Hitchcock's 1958 film Vertigo. It has been said that the song is told from Judy's perspective, due to lines such as "When I met you, I never wore dresses like that" & "You can't have me, make me act the same". Lead singer Kate Jackson painted two different portraits for the CD single and 7" Vinyl, they both depicted Kim Novak's characters Madeleine Elster and Judy Barton ^[33].
• "Darts" mentions British darts player Bobby George and darts commentator Sid Waddell.
• "Erin O'Connor" is a homage to Erin O'Connor which also mentions fellow model, Lily Cole. It begins with a line by Ronnie Corbett and David Swift from the BBC play No Sex Please, We're British.^[34]
• "Five Ways To End It" mentions Carry On star Hattie Jacques and also the producer of the Carry On films, Peter Rogers.
• "I Liked The Boys" ends with "Not the most original sentiment I've ever heard, so what's new" which is a line from a radio show by Terry Wogan.^[30] Whilst recording the second album, they found an old radio recording form the 50's in one of the old reel-to-reel tape recorders and decided to use parts of the show in some of their songs.^[34]
• "I'm Going To Hell" ends with a line by Peter Sellers.
• "Long Blonde" mentions punk band Ramones.
• "Lust In The Movies" mentions underground actresses such as 60's art star Edie Sedgwick, American actress Arlene Dahl & French actress Anna Karina. Also the repeated line "Nag nag nag" is a reference to the same repeated lyric in the song Nag Nag Nag by Sheffield band Cabaret Voltaire.^[35]
• "Madame Ray" is inspired by Lee Miller, the photographer and muse of avent-garde artist Man Ray.^[36]
• "Never To Be Repeated" references film-star Greta Garbo.
• "Only Lovers Left Alive" is a homage to the 1950s film From Here To Eternity.^[37]
• "Round The Hairpin" begins with a line by British comedian Kenny Everett.
• "Swallow Tattoo" has a lyric ("you fill me with inertia") which is a reference to the parody pop band fronted by Peter Cook in Bedazzled.
• "You Could Have Both" namechecks American singer Scott Walker. The song also alludes to the Morrissey song "My Love Life", with the line "And who was it who sang, I know you love one, so why can't you love two?" referencing the line "I know that you love one, So why can't you love two?". ^[38] The song also mentions C.C. 'Bud' Baxter from The Apartment.

[edit] Artwork

• Before "Couples" was released, all five members created their own cryptic promo videos "explaining" what the inspiration behind "Couples" was. Kate explained who inspired the album cover, she found artist Richard Hamilton, videos by Abba, Lee Miller and Le Corbusier to be the main inspiration.^[15]
• The two front covers of "Weekend Without Makeup" are paintings of Diana Dors.^[39][40]
• The front cover of their debut album Someone To Drive You Home is a painting of Faye Dunaway in the film Bonnie and Clyde, with a Mark 3 Ford Cortina as her getaway car.^[41] The artwork inside the album sleeve is a painting of Nicolas Cage & Laura Dern in the film Wild At Heart.^[42]
• The front cover of "New Idols" is a painting of Diana Dors in Yield to the Night.^[43]

[edit] Musical

• The opening drum beat to "New Idols" is reminiscent of "Be My Baby" by The Ronettes.
• "Christmas Is Cancelled" bears resemblance to "Oliver's Army" by Elvis Costello. A cover of the Long Blondes' track by The Vichy Government makes reference to the similarity between the two songs.

[edit] Style

Front-woman Kate Jackson was featured in The Guardian's style section and the NME cool list, moving from 39 in 2005 to 7 in 2006. When questioned about her place in the first NME list by The Guardian, Jackson remarked "Probably because they didn't have enough girls. It was so overrun with boring boys, they needed someone to bring a touch of glamour."^[44] Kate describes her style as "Bonnie Parker meets a Carry On girl".^[45]

[edit] Side projects

Before "Couples" was released, The Long Blondes decided to preview the new album under the name The Dead Eyed Bitches. The name of the "band" is part of a lyric from "Giddy Stratospheres". They only played a handful of gigs across the UK.^[46]

Reenie and Screech have a side band called The Bon Bon Club.^[47] Their debut single features three cover versions—"Lullaby" by The Cure, "Love Is Blind" by Pulp and "Romantic Rights" by Death From Above 1979. It was released through Thee Sheffield Phonographic Corporation on 23 June 2008. The 7" single was limited to 500 copies.^[48]

[edit] Discography

[edit] Albums

Year	Album information	Chart positions
		UK	UK Indie Chart
2006	Someone to Drive You Home 1st Studio Album Released: November 6, 2006 Label: Rough Trade	44	1
2008	"Couples" 2nd Studio Album Released: April 7, 2008 Label: Rough Trade	48	2

[edit] Compilations

Year	Album information	Chart positions
		UK	UK Indie Chart
2008	"Singles" Compilation album Released: October 20, 2008 Label: Angular Records

[edit] Singles

Date	Single	Backed with	Record label	UK Chart position	Other details
July 2004	"New Idols"	"Long Blonde"	Thee Sheffield Phonographic Corporation		Double A Side 7" single
September 30, 2004	"Autonomy Boy"	"Long Blonde"	Filthy Little Angels		Split 7" single with The Boyfriends
November 29, 2004	"Giddy Stratospheres"	"Polly", "Darts"	Angular Recording Corporation		7" single
June 2005	"Giddy Stratospheres"	"Polly", "Autonomy Boy", "Darts"	What's Your Rupture?		12" EP
June 13, 2005	"Appropriation (By Any Other Name)"	"My Heart Is Out of Bounds", "Lust in the Movies"	Angular Recording Corporation	83	7" and CD single
December 12, 2005	"Separated By Motorways"	"Big Infatuation"	Good and Evil Records		7" single
June 26, 2006	"Weekend Without Makeup"	"Fulwood Babylon", "Platitudes", "Last Night On Northgate Street"	Rough Trade Records	28	2X7" and CD single
October 23, 2006	"Once And Never Again"	"Five Ways To End It", "The Whippet Fancier", "Who Are You To Her?"	Rough Trade Records	30	2X7" and CD single
February 5, 2007	"Giddy Stratospheres"	"All Bar One Girls", "Never To Be Repeated", "I'm Coping"	Rough Trade Records	37	2X7" and CD single
March 24, 2008	"Century"	"The Unbearable Lightness of Buildings"	Rough Trade Records		7" single and download
June 30, 2008	"Guilt"	"Melvin Farr", "Good As Gold", "Too Happy"	Rough Trade Records		7" single and download

[edit] Unreleased songs

• Serpentine
• Not For The Want Of Trying
• Christmas Is Cancelled
• Marianne Marianne

[edit] Music videos

The Long Blondes were also known for their cheap and glamourous music videos. Their first proper music video was "Appropriation (By Any Other Name)" which was directed by Rupert Noble, a music video director they regularly made videos with after.

Date	Video	Director
July 2004	"New Idols"	Reenie Hollis
September 2004	"Autonomy Boy"	Reenie Hollis
September 2004	"Long Blonde"	Reenie Hollis
November 2004	"Giddy Stratospheres"	Reenie Hollis
June 2005	"Appropriation (By Any Other Name)"	Rupert Noble
December 2005	"Separated By Motorways"	Rupert Noble
June 2006	"Weekend Without Makeup"	Gina Birch
October 2006	"Once And Never Again"	Rupert Noble
February 2007	"Giddy Stratospheres"	Rupert Noble
March 2008	"Century"	Minsu Song
June 2008	"Guilt"	Abby Warrilow

[edit] Awards and nominations

In 2006 The Long Blondes received the Philip Hall Radar Award at the NME Awards honouring rising talent, which in previous years has accurately predicted big things for Kaiser Chiefs and Franz Ferdinand.^[49][50]

Year	Award	Category	Result
2006	NME Awards	Philip Hall Radar Award	Won

[edit] References

[edit] External links

• Official website
• The Long Blondes at MySpace
• The Long Blondes at Last.fm

[edit] Interviews

• Kate Jackson, The Long Blondes The Guardian, December 19, 2005
• The Long Blondes Interview - Plan B magazine, June 2006
• The Long Blondes: Blondes have more fun Subculture magazine, October 2006
• Incendiary interview The Long Blondes Incendiary Mag, November 2007
• Interview with Dorian from the Long Blondes God Is In The TV Zine May 2008
• June 2008 Interview with L.A. Record
• "Couples" Song by Song Stories interview with the whole band, March 08

[edit] Video

• PUNKCAST#773 Vid of Long Blondes @ Cake Shop NYC - June 22, 2005 (Realplayer, mp4)