The Loved One

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For the film based on this novel, see The Loved One (film). For the song, see The Loved One (song).
The Loved One
EvelynWaugh TheLovedOne.jpg
First edition (UK)
Author Evelyn Waugh
Illustrator Stuart Boyle
Country United Kingdom
Language English
Genre Satirical, Novel
Publisher Little, Brown (USA) & Chapman & Hall (UK)
Publication date
February 1948
Media type Print (hardback & paperback)
OCLC 26887851

The Loved One: An Anglo-American Tragedy (1948) is a short satirical novel by British novelist Evelyn Waugh about the funeral business in Los Angeles, the British expatriate community in Hollywood, and the film industry.

Conception[edit]

The Loved One was written as a result of Evelyn Waugh's trip to Hollywood in February and March 1947. MGM was interested in adapting Waugh's novel Brideshead Revisited (1945). Waugh had written that "I should not think six Americans will understand it" and was baffled and angered by its popularity in America,[1]:143–44 referring to it as "my humiliating success in [the] U.S.A."[2]:224

Waugh had no intention of allowing MGM to adapt Brideshead Revisited, but allowed MGM to bring him and his wife to California and pay him $2000 a week during negotiations. MGM was offering $140,000 if he allowed them the film rights, but Waugh was careful to ensure that the weekly stipend was paid regardless of the results of the negotiation.[1]:153 Waugh was negotiating with MGM producer Leon Gordon, a British playwright and screenwriter, and British screenwriter Keith Winter, whom Waugh had previously known in Europe, was to write the adaptation. Waugh complained that Winter "sees Brideshead purely as a love story" and that no one at MGM was able to grasp the "theological implication" of the novel. MGM abandoned its pursuit of the novel after Waugh explained to Gordon "what Brideshead was about" and he seemed to "lose heart", citing aspects highlighted by the censor.[1]:153–4[3]:673–75

In Hollywood, Waugh enjoyed meeting Charlie Chaplin and Walt Disney ("the two artists of the place") but complained about the accommodations, the quality of food and the lack of wine at meals, the relaxed dress and informal manners, and the small talk of service workers – "the exact opposite of the English custom by which the upper classes are expected to ask personal questions of the lower".[3]:674–5 His trip to Hollywood was very successful, however, in a literary way. He wrote "I found a deep mine of literary gold in the cemetery of Forest Lawn and the work of the morticians and intend to get to work immediately on a novelette staged there."[3]:675 Forest Lawn's founder, Dr. Hubert Eaton, and his staff gave Waugh tours of the facility and introduced him to their field. Waugh also had a copy of Eaton's book Embalming Techniques, which Waugh annotated. Since the eschatological aspects of Brideshead Revisited had escaped Americans, Waugh was determined to highlight the eschatological aspects of American society.[1]:152–4

Plot summary[edit]

Chapter one: Sir Ambrose Abercrombie visits housemates Dennis Barlow and Sir Francis Hinsley to express his concern about Barlow's new job and how it reflects on the British enclave in Hollywood, which is also taken as an announcement of Barlow's impending exclusion from British society. Barlow reports to his job at the Happier Hunting Ground, a pet cemetery and funeral service, and picks up a couple's dead Sealyham Terrier.

Chapter two: Because of the difficulty he is having rebranding actress Juanita del Pablo as an Irish starlet (having previously rebranded Baby Aaronson as del Pablo), Hinsley is sent to work from home. After his secretary stops showing up, he ventures to Megalopolitan Studios and finds a man named Lorenzo Medici in his office. After working his way through the bureaucracy he finds he has been unceremoniously fired. In the next scene, Abercrombie and other British expatriates are discussing Hinsley's suicide and the funeral arrangements.

Chapter three: Barlow, tasked with making Hinsley's funeral arrangements, visits Whispering Glades. There he is transfixed by the cosmetician Aimée Thanatogenos, though he has yet to learn her name.

Chapter four: Barlow continues with the funeral arrangements while Hinsley's body arrives at Whispering Glades and is tended to by Thanatogenos and the senior mortician Mr. Joyboy.

Chapter five: Barlow visits Whispering Glades seeking inspiration for Hinsley's funeral ode. While touring a British-themed section of the cemetery, he meets Thanatogenos and begins his courtship of her when she learns he is a poet.

Chapter six: Six weeks later, Thanatogenos is torn between her very different affections for Barlow and Joyboy. She writes to the advice columnist "The Guru Brahmin" for advice. Joyboy invites her over for dinner and she meets his mother.

Chapter seven: The office of the Guru Brahmin consists of "two gloomy men and a bright young secretary." Tasked with responding to Thanatogenos' letters is Mr. Slump, a grim drunk who advises that she marry Joyboy. She instead decides to marry Barlow.

Chapter eight: Joyboy learns that the poems Barlow has been wooing Thanatogenos with are not his own, and arranges that Thanatogenos, who still does not know Barlow works for a pet cemetery, attend the funeral of his mother's parrot at the Happier Hunting Ground.

Chapter nine: Some time after Thanatogenos' discovery of Barlow's deceptions, Barlow reads the announcement of her engagement to Joyboy. Barlow meets with her and she is again torn between the two men. She tracks down Mr. Slump to seek the advice of the Guru Bramin and finds him, via telephone, in a bar after he has been fired. Slump tells her to jump off a building. She commits suicide by injecting herself with cyanide in Joyboy's workroom at Whispering Glades.

Chapter ten: Joyboy discovers Thanatogenos' body and seeks assistance from Barlow. Then Barlow meets with Abercrombie, who, fearing Barlow's plans to become a non-sectarian funeral pastor will further damage the image of the British enclave, pays his passage back to England. Joyboy returns, unaware of Barlow's impending departure, and in exchange for all his savings, Barlow says he will leave town so it will appear that he ran away with Thanatogenos. After cremating the body, Barlow signs Joyboy up for the Happier Hunting Ground annual postcard service so every year Joyboy will receive a card reading "Your little Aimée is wagging her tail in heaven tonight, thinking of you."

Characters[edit]

Dennis Barlow, a celebrated 28-year old British poet who is brought to Hollywood to write a script for a film biography of Percy Bysshe Shelley. He is fired from his job and, as the novel opens, he is working for the Happier Hunting Ground, a funeral service for pets. He frequently quotes lines of poetry in his speech and writing, especially when he is wooing Aimée Thanatogenos, whom he allows to believe he is the author of those lines. The sources include Alfred Lord Tennyson, Edgar Allan Poe, and others. One quotation, from the poet Richard Middleton, was not publicly identified until 1981, 33 years after the publication of The Loved One.[4]:62

Aimée Thanatogenos, a cosmetician at Whispering Glades. She was named for evangelist Aimee Semple McPherson. Her first name is French for "loved one" while her last name is Greek for "born of death".[4]:195 Waugh describes her eyes as "greenish and remote, with a rich glint of lunacy."

Mr. Joyboy, senior mortician at Whispering Glades. His trademark is a beaming smile he leaves on the faces of embalmed bodies. He lives with his mother, Mrs. Joyboy, and is dominated by her.

Sir Francis Hinsley, Barlow's Hollywood housemate. In his youth, Hinsley authored the widely acclaimed novel A Free Man Greets the Dawn, but has long since abandoned writing. Former chief scriptwriter for Megalopolitan Pictures, as the novel opens he works for their publicity department and is struggling with rebranding an actress named Juanita del Pablo into an Irish starlet. He is fired from Megalopolitan and hangs himself.

Sir Ambrose Abercrombie, a distinguished British actor and leader of the British enclave in Hollywood, primarily concerned about keeping up the image of his country in the eyes of Hollywood. It is believed that he is based on actor Sir C. Aubrey Smith.[4]:115

Publication and reception[edit]

Waugh began writing The Loved One in May 1947.[3]:679 After initial "very slow" going,[3]:679 he finished the first draft in early July[3]:681 and completed the novel in September.[1]:154. It was published in its entirety by Cyril Connolly in the February 1948 issue of Horizon.[1]:154 (Hinsley is seen reading a copy of Horizon in the opening chapter of The Loved One.) It was enthusiastically greeted by readers who thought Waugh had returned to early form with this short comic novel, but later critics have felt that this caused audiences to overrate the book.[1]:155

The novel was successfully published in America as well, though Waugh had feared lawsuits so much that he employed his friend Lord Stanley of Alderley to add a codicil to his will instructing that he be buried at Forest Lawn.[1]:154–5. Waugh also claimed that American morticians would refuse to service his body should he die in the US.[1]:156 The novel was well-reviewed, however, and sales were good.[1]:156

The New Yorker, though, refused to publish the novel because they thought the themes of the novel had already been well-handled by American authors, such as S. J. Perelman, Sinclair Lewis, and Nathaniel West, the latter of whom had written two novels on themes (Hollywood studios and advice columnists) Waugh tackled in The Loved One. The magazine wrote "The freshest part of Mr. Waugh's story is the part which refers to the English in Hollywood, and we wish, wistfully, that he had concerned himself more exclusively with that theme."[1]:156

Film adaptation[edit]

Main article: The Loved One (film)

The book was adapted in 1965 by Terry Southern into a sprawling film of the same name, billed as The motion picture with something to offend everyone! Not particularly true to the book, the film features many in-joke cameos and familiar California filming locations like the Greystone Mansion. Christopher Isherwood worked on an early version of the screenplay and can be glimpsed as one of 'Uncle Frank's' mourners.

Allusions/references from other works[edit]

The 1985 Doctor Who television serial "Revelation of the Daleks" is loosely based on "The Loved One" and "Soylent Green," as noted by scriptwriter Eric Saward on the 2005 DVD commentary for the story. The serial, which sees the swanky space-age necropolis Tranquil Repose turned into a front for the Dalek breeding activities of the maniacal Davros, has set designs and scenes which clearly reference the 1965 film, while the characters Joyboy, Thanatogenos and The Blessed Reverend all have direct analogues in the episode. The story was widely criticised for its sick humour and unorthodox structure, but today is seen as one of the more successful productions of its era.

Tom Paxton mentions The Loved One, along with Jessica Mitford's book The American Way of Death, as one of the inspirations for his satirical song "Forest Lawn".[5]

Footnotes[edit]

  1. ^ a b c d e f g h i j k Wykes, David (1999). Evelyn Waugh: A Literary Life. Macmillan Press. ISBN 0-333-61137-3. 
  2. ^ Amory, Mark (1980). The Letters of Evelyn Waugh. Ticknor & Fields. ISBN 0-89919-021-9. 
  3. ^ a b c d e f Davie, Michael (1976). The Diaries of Evelyn Waugh. Boston: Little, Brown and Company. 
  4. ^ a b c Doyle, Paul A. (1988). A Reader's Companion to the Novels and Short Stories of Evelyn Waugh. Norman, Oklahoma: Pilgrim Books. ISBN 0-937664-78-2. 
  5. ^ Paxton, Tom. The Compleat Tom Paxton [Even Compleater]. Compact Disc. Rhino Handmade, 2004.