The Lute Player (Hals)
The theme of a lute player painted at half length originated in Italy, and the Dutch painter Dirck van Baburen first introduced this theme in the Northern Netherlands with his lute player of 1622. Baburen's player is pointing his lute towards the viewer with his mouth open in song. Hals' player is looking up and smiling naturally, as if he is playing with a singer or another musician not in view. This painting is a good example of Hals' "rough style" of painting with loose brush strokes.
Hals was not the only painter to be influenced by Baburen. Hendrik ter Brugghen painted several lute players in the 1620s, and a few of them seem to merge aspects of Baburen and Hals, though his later version seems to follow Hals more closely.
This painting has been copied by other artists, most notably by David Bailly in his 1651 self-portrait with his artist's influences, and by Adriaan de Lelie with his 1813 self-portrait with Josephus Augustinus Brentano, including this painting on the wall of Brentano's collection. Aspects of the painting have also been copied, such as the pose of the hands and the upward smiling face, such as Jan Steen's self-portrait as a smiling lute player.
Herengracht 542-544, location of the former gallery of the art collector Josephus Augustinus Brentano
The painting was purchased by Gustave de Rothschild (1829–1911) in 1873 and remained in the family over a century until 1984.
- Frans Hals: Exhibition on the Occasion of the Centenary of the Municipal Museum at Haarlem, 1862-1962., pp 35-36, publication Frans Hals Museum, 1962
- De luitspeler, ca. 1623 - 1624 by unknown copyist in the Rijksmuseum
- Record for the copy of the Lute player in the RKD
- Brentano's art collection by Lelie in the RKD
- Artwork record for the Lute player in the RKD