The Magician of Lublin (film)

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The Magician of Lublin

VHS cover
Directed by Menahem Golan
Produced by Menahem Golan
Yoram Globus
Harry N. Blum
Screenplay by Menahem Golan
Sheldon Patinkin
Irving S. White
Based on The Magician of Lublin by
Isaac Bashevis Singer
Starring Alan Arkin
Louise Fletcher
Shelley Winters
Music by Dov Seltzer
Maurice Jarre
Cinematography David Gurfinkel
Editing by Dov Hoenig
Studio Golan-Globus Productions
Distributed by Cannon Films
Release date(s) October 1979 (C.I.F.F.)
Running time Germany: 114 min
USA: 105 min
Country  Israel
 West Germany
Language English
German
Budget $6,000,000

The Magician of Lublin is a 1979 film co-written and directed by Menahem Golan. The film is based on The Magician of Lublin by Isaac Bashevis Singer. The title song The Magician was performed by Kate Bush.[1][2]

Contents

[edit] Plot

Yasha Mazur (Arkin) is a turn-of-the-20th-century Jewish stage magician, conman and mystic. He tours through eastern Europe for his show while at the same time destroying his own career progressively through his personal problems. Nearly everywhere he goes, Yasha has a local girlfriend, from the youthful Zeftel (Perrine), to the feisty Elizabeta (Winters). His burned out manager/impressario Wolsky (Jacobi) arranges for him to have one more chance at theatrical success, which requires that he pull off a never seen before trick in a Warsaw theater.

[edit] Principal cast

Actor Role
Alan Arkin Yasha Mazur
Louise Fletcher Amelia
Valerie Perrine Zeftel
Shelley Winters Elzbieta
Lou Jacobi Wolsky
Maia Danziger Magda
Warren Berlinger Herman

[edit] Reception

The film was a box office and critical failure.[3] As an example, Time Out London wrote:

The subject matter is rare enough to be beguiling. Unfortunately Golan's treatment, with its mixture of art house pretensions and vulgarity, founders at precisely those points where it departs from Isaac Bashevis Singer's original Yiddish novel. Where that used clear-eyed tender realism to point toward ambiguity of experience and mystery, Golan overdramatises, tips into hysteria, and substitutes a specious mysticism that is sadly literal.[4]


[edit] References

[edit] External links

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