The Magnificent Seven (song)

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This article is about the punk rock song by The Clash. For the theme to the 1960 western film, see The Magnificent Seven#Score.
"The Magnificent Seven"
Single by The Clash
from the album Sandinista!
B-side "The Magnificent Dance"
Released 10 April 1981 (U.K.)
Format 7" single
Recorded 1980 at Electric Lady Studios, New York
Genre Dance-punk, funk rock, post-punk, rap rock, reggae rock
Length 5:33
Label CBS
Writer(s) The Clash
Producer(s) The Clash
The Clash singles chronology
"Hitsville U.K."
(1981)
"The Magnificent Seven"
(1981)
"This Is Radio Clash"
(1981)

"The Magnificent Seven" is a song and single by the English punk rock band The Clash. It was the third single from their fourth album Sandinista!. It reached number 34 on the UK Singles Chart.[1]

The song was inspired by raps by old school hip hop acts from New York City, like the Sugarhill Gang and Grandmaster Flash & The Furious Five.[2] Rap was still a new and emerging music genre at the time and the band, especially Mick Jones, was very impressed with it, so much so that Jones took to carrying a boombox around and got the nickname "Whack Attack". The song was recorded in April 1980 at Electric Lady Studios in New York City, built around a bass loop played by Norman Watt-Roy of the Blockheads. Joe Strummer wrote the words on the spot, a technique that was also used to create Sandinista!'s other rap track, "Lightning Strikes (Not Once But Twice)". "The Magnificent Seven" represents the first attempt by a rock band to write and perform original rap music, and one of the earliest examples of hip hop records with political and social content. It is the first major white rap record, predating the recording of Blondie's "Rapture" by six months.

Though it failed to chart in America, the song was an underground hit and received heavy play on underground and college radio. Also popular were various dance re-mixes, both official B-side, ("The Magnificent Dance"), and original DJ remixes such as WBLS's remix known as "Dirty Harry", after the film of same name, which can be found on various Clash's bootlegs, including Clash on Broadway Disc 4: The Outtakes.

The single was reissued in 1981 with "Stop the World" as its B-side and with different sleeve art.

Lyrics[edit]

Thematically, "The Magnificent Seven" is somewhat similar to the punkier "Career Opportunities", in that it takes the drudgery of the working life as its starting point. Unlike "Career Opportunities", however, in stream of consciousness fashion it also deals with consumerism, popular media, historical figures, and addresses these subjects with great exuberance and humor. The first verses of "The Magnificent Seven" follow a nameless worker (narrated in the second person) as he wakes up and goes to work, not for personal advancement but to buy his girlfriend consumer goods:

Working for a rise to better my station / Take my baby to sophistication / She's seen the ads, she thinks it's nice / Better work hard, I seen the price

The nameless worker then goes off for a cheeseburger lunch-break, and the lyrics devolve into a blur of fleeting images from television, movies and advertising:

Italian mobster shoots a lobster / Seafood restaurant gets out of hand / A car in the fridge or a fridge in the car? / Like cowboys do in TV land!

Finally, the song takes historical figures, including Karl Marx, Friedrich Engels, Martin Luther King, Mahatma Gandhi, Richard Nixon and Socrates, and places them in modern America, before asking sarcastically whether "Plato the Greek" or Rin Tin Tin is more famous to the masses.

An exclaimed "newsflash" near the end of the song, "Vacuum Cleaner Sucks Up Budgie!", was in fact a headline in the News of the World newspaper at the time of the song's mixing in England, according to Joe Strummer.

The Magnificent Dance[edit]

"The Magnificent Dance", released on 12 April 1981 by CBS in 12-inch single format,[1] is the dance remix of "The Magnificent Seven". The maxi single was released in the UK featuring an edited version of "The Magnificent Seven" on side-A, and in the U.S., where it was backed with the extended version of "The Cool Out".[1] It is credited to "Pepe Unidos", a pseudonym for Strummer, Paul Simonon and manager Bernie Rhodes. "Pepe Unidos" also produced "The Cool Out", a remix of "The Call Up". This dance version "definitely capitalized on the funky groove of the original, adding in some very cool drumming."[3]

Cover versions[edit]

The song was played by The Max Weinberg 7 on Late Night with Conan O'Brien on its first show since the Writer's Strike. An instrumental version of the song was used with sampled vocals from Basement Jaxx's "Romeo" by 2 Many DJs to create the track "The Magnificent Romeo".[4]

Personnel[edit]

Charts[edit]

Year Chart Peak
position
1981-04-251981 UK Singles Chart[5] 34
1981-05-301981 Belgium (Ultratop 50 Flanders)[6] 18
1981-07-181981 Dutch Single Chart[7] 21
1982-??-??1982 US Billboard Club Play Singles[8] 21

References[edit]

  1. ^ a b c The Clash discography.
  2. ^ a b D’Ambrosio 2003.
  3. ^ "The Clash - Super Black Market Clash". Punknews.org. Retrieved 16 November 2010. 
  4. ^ "2 Many DJs: The Magnificent Romeo - Basement Jaxx vs The Clash". Retrieved 27 November 2010. 
  5. ^ "Chart Stats - The Clash - The Magnificent Seven". chartstats.com. Retrieved 16 November 2010. 
  6. ^ "Ultratop.be – The Clash – The Magnificent Seven" (in Dutch). Ultratop 50.
  7. ^ "THE CLASH - THE MAGNIFICENT SEVEN (NUMMER)". dutchcharts.com. Retrieved 16 November 2010. 
  8. ^ Whitburn, Joel (2004). Hot Dance/Disco: 1974–2003. Record Research. p. 59. 

Sources[edit]

Books
Journals and magazines
Web

External links[edit]