The Man Who Loved Children
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The Man Who Loved Children is a 1940 novel by Australian writer Christina Stead. It was not until a reissue edition in 1965, with an introduction by poet Randall Jarrell, that it found widespread critical acclaim and popularity. Time magazine included the novel in its TIME 100 Best English-language Novels from 1923 to 2005. The novel has been championed by novelists Jonathan Franzen and Angela Carter. Carter believed Stead's other novels Cotters England and A Little Tea, A Little Chat and For Love Alone to be as good, if not better than The Man Who Loved Children.
The novel tells the story of a highly dysfunctional family, the Pollits. The story centers on the father Sam, an idealistic man who provides well for his family, a situation destroyed by the shallow and selfish mother Henny's inability to budget for the household. Stead details the parents' marital battles and the various accounts of the blended family's affections and alliances. The character Sam is largely based on Stead's own father, marine biologist David Stead. The Man Who Loved Children was originally set in Sydney but the setting was altered to suit an American audience, to Washington, D.C., somewhat unconvincingly due to linguistic nuances. Unsparing and penetrating, Stead reveals, among other things, the danger of unchecked sentimentality in relationships and in political thought.
In his 1965 introduction to the novel—titled "An Unread Book"—the poet, novelist and critic Randall Jarrell writes: "no other novel makes so scrupulous, so passionate, and so convincing a study of a family — and with such generalizing force that one immediately expands that to the family." In a 2010 New York Times Book Review essay about the work, writer Jonathan Franzen calls it, "the kind of book that, if it is for you, is really for you. I’m convinced that there are tens of thousands of people in this country who would bless the day the book was published, if only they could be exposed to it." Franzen says of the novel's internal style, "Its prose ranges from good to fabulously good — is lyrical in the true sense, every observation and description bursting with feeling, meaning, subjectivity — and although its plotting is unobtrusively masterly, the book operates at a pitch of psychological violence that makes Revolutionary Road look like Everybody Loves Raymond And, worse yet, can never stop laughing at that violence!. . .The book intrudes on our better-regulated world like a bad dream from the grandparental past. Its idea of a happy ending is like no other novel’s, and probably not at all like yours."
- The Man Who Loved Children - ALL-TIME 100 Novels - TIME
- Christopher Ricks, "Domestic Matters," The New York Review of Books, 17 June 1965.
- Jonathan Franzen, "Rereading ‘The Man Who Loved Children'", The New York Times Book Review, 6 June 2010.