The Monitor (film)
||This article's plot summary may be too long or excessively detailed. (July 2012)|
|Directed by||Pål Sletaune|
|Produced by||Turid Øversveen|
|Written by||Pål Sletaune|
Vetle Qvenild Werring
|Music by||Fernando Velázquez|
|Cinematography||John Andreas Andersen|
|Editing by||Jon Endre Mørk|
|Distributed by||SF Norge|
|Release dates||October 7, 2011 (Norway)|
|Running time||96 minutes|
|Budget||25 million kr
The Monitor (original title: Babycall; titled The Monitor under US release) is a 2011 Norwegian thriller film written and directed by Pål Sletaune and starring Noomi Rapace. The original title, Babycall, is the Norwegian/Swedish term for a baby monitor; the film maintained this title upon release in Europe and Australia. The film was released on October 7, 2011 in Norway, and was released direct-to-video in the United States on July 24, 2012.
Anna moves with her 8-year-old son Anders to a big flat with secret address outside Oslo to get away from her violent husband. Anna is scared stiff that they will be found, and is under heavy watch by a couple of child care workers. She doesn't want Anders to sleep in his own room, for fear that somebody will break in and get him. The child care workers force him to sleep in his own room.
Anna eventually goes looking for a babycall (baby monitor), and in the electronics store strikes up an awkward conversation with Helge (Kristoffer Joner), a shy gentleman whose mother is dying in a hospital. The basis for this fragile relationship is that while Anna is an over-protective mother, Helge is an over-protected son who is unwilling to acknowledge the negative feelings he has about the way his mother treated him as a child. Compelled to feel charitable towards over-protective mothers, Helge is only too eager to ‘understand’ Anna’s refusal to let go of Anders. Similarly, Anna is only too eager to believe that an over-protected son might grow up to understand why his mother would not let him go.
The first night that Anders slept in his own room, Anna hears some voices on the babycall, including a lot of screaming, almost as if somebody was being murdered. Anna is terrified and runs into Anders' room, to find that he's sound asleep, not making as much as a murmur. The next day, Anna returns to the electronics store and once again speaks to Helge, who said that her monitor could pick up other frequencies if they were close enough, meaning that the screams were emanating from somewhere inside the building. Anna thinks that she should home-tutor Anders, but the Child care workers insist that he needs to go to school.
The first day Anders went to school, Anna waited outside all day for Anders until she could take him home again. Unfortunately, the next day she tried the same thing, and the headmaster asks her to leave. When she returns to the school, Anders tells her that he has a friend that he's going to take home with them. Anna is fairly suspicious of the boy before she even knew his name. The boy hardly speaks at all, let alone to Anna.
The next day after hearing more noise from the babycall, and dropping Anders off at school, she gets on a bus and goes to the Café where Helge told her about his past. She then leaves to go to a lake near her flats, following a woman she believes had something to do with the screaming. While she's there, she sees a man drowning a little boy, who is in fact Anders' friend. When they leave, Anna jumps into the water to try and retrieve the boy. She stays underwater for too long and blacks out.
She wakes up in a hospital, with a nurse telling her she was found unconscious in a car park, though her clothes were soaking wet. She then goes to Anders' school to get him, but she's told to leave. She returns to the electrical store, where she asks Helge for a voice recorder so she can record the voices and sounds she hears on the babycall (monitor). He asks her to try it out, but she doesn't know what to say. Instead, he speaks into the recorder, asking Anna if she'd like to go to dinner with him, only if she wanted to. He then plays it back to her, where Anna tells him she'd love to but she can't leave Anders on his own. This is when she suggests that Helge should come over for dinner at her flat. They go for a drink in the Cafe, where she tells Helge that her mind is playing tricks on her, and she remembers things that never happened. Helge then proceeds to take a picture of her, telling her that way she would be able to remember the conversation they had.
When Anna gets home with Anders, he suddenly gets angry, telling Anna that they don't need Helge, ripping the picture of her off the fridge and ripping it to pieces.
One day Anna returns home from Ander's school, and the front door is open. She suspects an intruder has entered the flat. She finds a knife and holds it in front of herself while she advances in slowly, she then sees that the male social worker is there. He had let himself into Anna's flat, telling her that the female care worker had quit her job. He sees her with the knife and says "Are you going to kill me now?". Anna lowers the knife afraid of his accusations. The social worker then makes provocatively suggestive comments about returning later while pressing on her against the wall.
Hours later, Helge visits Anna at her flat for their dinner arrangement, where they then have a meal and talk about things. Anna turns on the Babycall and they both hear some very frightful screaming. They hear knocking on the door, and Anna, thinking that it's the male social worker, asks Helge to answer the door and tell the man that Anna was out. Helge does what she says, but there is nobody at the door. Helge turns around to see Anders' "Friend" whom Helge actually mistakes for Anders himself. The boy the tells Helge things about what happened to him, showing him bruises on his arm. Helge asked what happened, and the boy replied with "The same thing that happened to you as a child". Helge storms into the kitchen and demands that Anna tell him what she had told Anders, not knowing that it wasn't really him. Anna replies that she hasn't told him anything, and Helge decides to get Anders and ask him again, in front of Anna. Anna screams at Helge that Anders is her son, and he has no right to go barging in. Helge leaves the flat, leaving Anna terrified.
The next day, Anna turns up at the electronics store to apologies, but the shop worker tells her that Helge is at the hospital, because his mother is dying.
Anders tells Anna that he's seen his father, and they hear a knocking on the door. Anna picks up a knife and answers it, seeing that it's the male care worker. She then stabs him in the throat, and Helge turns up. When he sees the careworker, he tells him that he's a caretaker. Helge runs into the apartment, to see Anna sitting on the windowsill with Anders' arms wrapped around her. Just as he reaches Anna, she leans forward and falls off the windowsill deliberately. When Helge rushes to the bottom, he sees Anna on the floor, but no Anders. When he asks her where he is, she can't answer. He is told that Anna's husband killed Anders years ago, and that her husband had killed himself as well. The ending scene shows Anders and the boy sitting on the bed, and Anders tells the boy that his mum will look after them from now on.
The film received generally positive reviews; it maintains a 73% "Fresh" score from 22 reviews on review aggregator Rotten Tomatoes. Several critics singled out Rapace's performance for praise while giving mixed reviews to the film.
Kim Newman of Empire called it "genuinely creepy" and summarised it as "another Scandinavian thriller that will nestle uncomfortably in your head", while Philip French of The Observer judged "The film and Rapace command our attention, though at the end one feels Norway has used up the whole of this year's quota of red herrings." Peter Bradshaw of The Guardian was less positive, writing "It's a great idea for a thriller - but then other plotlines get muddled in, and everything unravels into a cop-out." Henry Fitzherbert of the Daily Express shared a similar sentiment, opining "It's a great idea but there are too many confusing sup-plots and no satisfactory resolution."