The Night of the Iguana
The Night of the Iguana is a stageplay written by American author Tennessee Williams, based on his 1948 short story. The play premiered on Broadway in 1961. Two film adaptations have been made, including the Academy Award-winning 1964 film of the same name.
In 1940s Mexico, an ex-minister, Reverend T. Lawrence Shannon, has been locked out of his church after characterizing the Occidental image of God as a "senile delinquent", during one of his sermons. Shannon is not de-frocked, but institutionalized for a "nervous breakdown". Some time after his release, Rev. Shannon obtains employment as a tour guide for a second-rate travel agency. Shortly before the opening of the play, Shannon is accused of having committed statutory rape of a sixteen-year old girl, named Charlotte Goodall, who is accompanying his current group of tourists.
As the curtain rises, Shannon is arriving with a group of women at a cheap hotel on the coast of Mexico that had been managed by his friends Fred and Maxine Faulk. The former has recently died, and Maxine Faulk has assumed sole responsibility for managing the establishment.
Struggling emotionally, Shannon tries to manage his tour party, who have turned against him for entering into sexual relations with the minor, and Maxine, who is interested in him for purely carnal reasons. Adding to this chaotic scenario, a spinster Hannah Jelkes appears with her moribund grandfather, Nonno, who, despite his failing, is composing his last poem. Jelkes, who scrapes by as traveling painter and sketch artist, is soon at Maxine's mercy. Shannon, who wields considerable influence over Maxine, offers Hannah Jelkes shelter for the night. The play's main axis is the development of the deeply human bond between Hannah Jelkes and Lawrence Shannon.
Like the iguana, captured and tied to a pole by the Mexicans in the play, Hannah and they have come to the end of their rope. This metaphor is intensified when Shannon tears at his golden cross on his neck, lacerating himself, as if to free himself from its constraints.
Minor characters in the play include: a) a group of German tourists whose Nazi marching songs paradoxically lighten the heavier themes of the play, but suggest the horrors of World War II, b) the Mexican "boys" Maxine employs to help run the hotel who ignore her laconic commands, and c) Judith Fellowes, the "butch" vocal teacher charged with Charlotte's care during the trip. Fellowes is one of Williams' few overtly lesbian characters.
Original Broadway stage production 
The play premiered on Broadway at the Royale Theatre on December 28, 1961, and ran for 316 performances. It starred Patrick O'Neal as Rev. Shannon, two-time Oscar winner Bette Davis as Maxine and Margaret Leighton as Hannah. Davis left the production after four months and was replaced by Shelley Winters.
Davis' role was Maxine, a lusty life-force of a woman, with some good comic lines, who is offstage for a significant part of the play, while Hannah is on. Hannah is a role along the lines of Williams' greatest female characters, like Blanche DuBois and Summer and Smoke's Alma Winemuller, women possessed of extraordinarily refined sensibilities and grace. But for her intrinsic strength of character, Hannah is a departure for Williams. Hannah, a single woman in service to others, serves as an inspiration to Shannon for her inner strength, a strength denied the Blanche and Alma in their plays, although they share other similarities. The play featured Alan Webb as the dying grandfather to whom Hannah is devoted, Louis Guss, Bruce Glover and James Farentino. The production was directed by Frank Corsaro (Bette Davis in her memoir Dark Victory, wrote that she banned Corsaro from rehearsals shortly before opening). The play was nominated for a Tony Award for Best Play. Leighton, as Hannah, won the Tony Award for Best Actress in a Play.
Film versions 
The 1964 film version was directed by John Huston and starred Richard Burton as Rev. Shannon, Ava Gardner as Maxine and Deborah Kerr as Hannah. It also featured Sue Lyon, Cyril Delevanti, Grayson Hall (who received an Academy Award nomination for Best Supporting Actress for her performance) and Barbara Joyce (later an acclaimed artist). The screenplay was written by Huston and Anthony Veiller.
The film won the Academy Award for Best Costume Design (B&W), and in addition to Ms. Hall's nomination, was also nominated for Cinematography (by Gabriel Figueroa) and for Art Direction. The film removed the Nazi tourist characters from the original stage version. The character of Jake Latta is also eliminated and Shannon is fired through a comical telephone call.
There was a 2000 Serbo-Croatian film version that was directed by Janusz Kica.
1976 Broadway revival 
The 1976 Broadway revival at the Circle in the Square Theatre was directed by Joseph Hardy, scenery and lighting H. R. Poindexter, costumes by Noel Taylor, production stage manager Randall Brooks, and stage manager James Bernadi.
The opening night cast featured Richard Chamberlain (Rev. Shannon), Gary Tacon (Pedro), William Paulson (Pancho), Ben Van Vacter (Wolfgang), Jennifer Savidge (Hilda), John Rose (Herr Fahrenkopf), Amelia Laurenson (Frau Fahrenkopf), Matt Bennett (Hank), Barbara Caruso (Judith Fellows), Allison Argo (Charlotte Goodall), William Roerick (Nonno), Benjamin Stewart (Jake Latta), Dorothy McGuire (Hannah), and Sylvia Miles (Maxine).
More stage productions 
In 1996, a Broadway revival was directed by Robert Falls featuring William Petersen as Rev. Shannon, Marsha Mason as Maxine and Cherry Jones as Hannah. This was based on a 1994 production staged by the Goodman Theatre in Chicago.
A critically acclaimed 2005 London production at Lyric Theatre starred Woody Harrelson as Rev. Shannon, Clare Higgins as Maxine and Jenny Seagrove as Hannah. This production was directed by Anthony Page.