The People's Key

From Wikipedia, the free encyclopedia
Jump to: navigation, search
This article is about the Bright Eyes album. For the musical key, see G major.
The People's Key
Studio album by Bright Eyes
Released February 1, 2011 (Saddle Creek online pre-order)
February 15, 2011
Recorded Omaha, Nebraska
Genre Indie rock, Indie pop
Length 46:58
Label Saddle Creek
Producer Mike Mogis
Bright Eyes chronology
Cassadaga
(2007)
The People's Key
(2011)
Professional ratings
Review scores
Source Rating
Allmusic 3.5/5 stars[1]
BBC (mixed)[2]
BLARE Magazine 3.5/5 stars[3]
Consequence of Sound 3.5/5 stars[4]
Drowned in Sound 9/10 stars[5]
NME 8/10 stars[6]
One Thirty BPM (70%)[7]
Paste Magazine (7.5/10)[8]
Pitchfork Media (5.0/10)[9]
Popmatters 6/10 stars[10]
Rolling Stone 3.5/5 stars[11]
Spin 7/10 stars[12]
Sputnikmusic 4/5 stars[13]
Tiny Mix Tapes 4/5 stars[14]

The People's Key is the eighth studio album by Bright Eyes, the Nebraska band of Conor Oberst, Mike Mogis, and Nate Walcott. The album was recorded in Omaha, NE at ARC Studios, produced by Mogis, and engineered by Mogis and Andy LeMaster. The album was released on February 15, 2011, Conor Oberst's birthday, on Saddle Creek Records.[15] Before then, it was streaming online in its entirety as part of NPR's "First Listen" series.[16]

The album features guest artists Andy LeMaster of Now It's Overhead, Matt Maginn of Cursive, Carla Azar of Autolux, Clark Baechle of The Faint, Shane Aspegren of The Berg Sans Nipple, Laura Burhenn of The Mynabirds, and Denny Brewer of Refried Ice Cream.[17] The lyrics make mention of Haile Selassie, the Lion of Judah and I and I; all things associated with Rastafari.

The first 50,000 copies of this album came with a limited-edition packaging similar to that of all copies of the LP record, in a 6-panel tri-fold die-cut digipak printed on iridescent foil, and including an O-card, full-color CD inner sleeve and a 20-page booklet.

Artwork[edit]

In January 2011, it was announced that The People's Key had won the Best Art Vinyl award.

“The basic idea for the artwork came from Conor (Oberst). He wanted it to look like a wall of fire, as this was one of the themes/images of the album. He left the execution up to me, but he said he wanted it to be visually striking. I used cut paper, as this was the technique I did for the first release I worked on for him--the "Every Day and Every Night" EP from 1999. I thought it would be fitting to return to the original style of artwork I did for Bright Eyes, since at that time the word was that it would be their final album. It was made at roughly actual size as it appears on the LP jacket (three panels wide for the deluxe version). I cut the flames out using a surgical scalpel and glued them onto a board. This was scanned and pieced together in Photoshop. The deluxe version of the LP and CD were printed on an iridescent foil, which gave a shimmering effect to the inside and outside of the jackets. They were done at Stoughton Printing, and are the old style "tip on" jackets, tri-fold, with the front flap having die cut flames along the top. I think first about the vinyl format when designing an album package. I couldn't care less what something looks like as a tiny thumbnail on someone's phone. At that point, does it even matter? Music packaging should be designed for vinyl first, then CD, and MP3 last, because that's the order in which viewing it matters. In my opinion, listening to an LP while viewing jacket artwork is the ideal way to experience an album. Anything other than that is a compromise--for convenience, for cost, etc.”
 
Zack Nipper, Designer [18]

Reception[edit]

The People's Key has received mixed to positive critical reception. Allmusic praised its smaller scale and gave the album 3 and a 1/2 out of 5 stars. Pitchfork gave the album 5 out of 10 and criticized the 'impersonal' feel of the songs, yet praised "Ladder Song". Slant Magazine gave the album 2 out of a possible 5 stars. No Ripcord gave the album a 60 and commented, "There's not a lot fundamentally wrong with The People's Key; it's just that we know Bright Eyes can do better." However, Drowned In Sound and NME gave the album 9 out of 10 and 8 out of 10 respectively, with NME calling it a "sleek electro-tinged classic" and praising Oberst's more electric musical direction, saying it brought a "fresh strain of Bright Eyes record". The album debuted at number 13 on the Billboard 200, and made it to number 7 on the Alternative Albums chart. The People's Key also reached number 46 on the UK Albums Chart.

Track listing[edit]

All songs written by Conor Oberst, except where noted.

No. Title Length
1. "Firewall"   7:16
2. "Shell Games"   3:55
3. "Jejune Stars"   4:10
4. "Approximate Sunlight" (Oberst, Nate Walcott) 4:24
5. "Haile Selassie"   4:33
6. "A Machine Spiritual (In the People's Key)"   4:19
7. "Triple Spiral"   3:51
8. "Beginner's Mind"   3:55
9. "Ladder Song"   3:58
10. "One for You, One for Me"   6:37
Total length:
47:02

A limited edition deluxe packaging edition contains mp3 file samples of various Saddle Creek artists.

Personnel[edit]

  • Conor Oberst - lead vocals, guitars, pianos & keys
  • Mike Mogis - guitars, pedal steel, sound effects, drum programming & percussion
  • Nate Walcott - synths, pianos, organs & Mellotron
  • Andy LeMaster - background vocals on tracks 1, 2, 3, 4, 6, 8, guitar on tracks 4, 10, bass guitar on track 10
  • Matt Maginn - bass guitar on tracks 1, 2, 3, 4, 5, 6, 7, 8
  • Carla Azar - drums, percussion on tracks 2, 6, 8
  • Clark Baechle - drums on tracks 1, 3, 4, 5, 7
  • Shane Agsperen - drums on track 10, additional drums on track 3, additional percussion on track 2
  • Laura Burrhenn - background vocals on tracks 4, 7, 8
  • Denny Brewer - shamanic vocals

Charts and certifications[edit]

Chart (2011) Peak
position
Australian Albums Chart[19] 55
UK Albums Chart 46
Billboard 200 13
Canadian Albums Chart 38

References[edit]

External links[edit]