The Phantom of the Opera

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This article is about the novel. For the musical and other uses, see The Phantom of the Opera (disambiguation).
The Phantom of the Opera
Gaston Leroux - Le Fantôme de l'Opéra.jpg
1920 edition [France]
Author Gaston Leroux
Original title Le Fantôme de l'Opéra
Country France
Language Originally French, translated into English
Subject romance, mystery
Genre Gothic novel
Publisher Pierre Lafitte and Cie.
Publication date
September 23, 1909 to January 8, 1910
Published in English
1911
Media type Print (Serial)
Pages ~190
OCLC 15698188

The Phantom of the Opera (French: Le Fantôme de l'Opéra) is a novel by French writer Gaston Leroux. It was first published as a serialisation in Le Gaulois from September 23, 1909 to January 8, 1910. It was published in volume form in April 1910 by Pierre Lafitte.[1] The novel is partly inspired by historical events at the Paris Opera during the nineteenth century and an apocryphal tale concerning the use of a former ballet pupil's skeleton in Hector Berlioz's 1841 production of Der Freischütz.[1] Nowadays, it is overshadowed by the success of its various stage and film adaptations. The most notable of these are the 1925 film depiction featuring Lon Chaney, Sr and Andrew Lloyd Webber's 1986 musical.

Plot summary[edit]

Opera singer Christine triumphs at the gala on the night of the old managers' retirement. Her old childhood friend, Raoul, hears her sing and recalls his love for Christine. At this time there are rumors of a phantom living at the Opera and he makes himself known to the managers through letters and malevolent acts. Some time after the gala, the Paris Opera performs Faust, with the prima donna Carlotta playing the lead, against the Phantom's wishes. During the performance Carlotta loses her voice and the grand chandelier plummets into the audience.

After the accident, Christine is kidnapped by the phantom, and taken to his home in the cellars of the Opera and he reveals his true identity to her simply as Erik, though not his real name. He plans to keep her there for a few days, hoping she will come to love him. But she causes Erik to change his plans when she unmasks him and, to the horror of both, beholds his eyeless, lipless face which resembles a skull dried up by the centuries and covered in yellowed dead flesh. Fearing that she will leave him, he decides to keep her with him forever, but when Christine requests release after two weeks, he agrees on condition that she wear his ring and be faithful to him.

On the roof of the opera house, Christine tells Raoul that Erik abducted her. Raoul promises to take Christine away to a place where Erik can never find her. Raoul tells Christine he shall act on his promise the next day, to which Christine agrees. She, however, has pity for Erik and will not go until she has sung a song for him one last time. Neither is aware that Erik has been listening to their conversation and that he has become extremely jealous.

The following night, Erik kidnaps Christine during a production of Faust and tries to force Christine to marry him. He states that if she refuses, he will use explosives (which he has planted in the cellars) to destroy the entire opera house. Christine refuses, until she realizes that Erik learned of Raoul's attempt to rescue her and has trapped Raoul in a hot torture chamber (along with the Persian, an old acquaintance of Erik who was going to help Raoul). To save them and the people above, Christine agrees to marry Erik. Erik initially tries to drown Raoul, using the water which would have been used to douse the explosives. But Christine begs and offers to be his "living bride", promising him not to kill herself after becoming his bride, as she had both contemplated and attempted earlier in the novel. Erik eventually rescues Raoul from his torture chamber. When Erik is alone with Christine, he lifts his mask to kiss her on her forehead, and is given a kiss back. Erik reveals that he has never received a kiss (not even from his own mother) or has been allowed to give one and is overcome with emotion. He lets Christine go and tells her, "Go and marry the boy whenever you wish", explaining, "I know you love him." She leaves on the condition that when he dies she will come back and bury him.

Characters[edit]

  • Erik: The "Phantom," "Angel of Music" and "Opera-Ghost."
  • Christine Daaé: A young Swedish soprano singer at the Paris Opera House whom "The Phantom", Erik, falls in love with.
  • Raoul, Vicomte de Chagny: Christine's childhood friend and love interest.
  • The Persian: A mysterious man from Erik's past.
  • Philippe, Comte de Chagny: Raoul's older brother.
  • Armand Moncharmin and Firmin Richard: The managers of the opera house.
  • Madame Giry: Little Meg's mother, box keeper.
  • Meg Giry: Madame Giry's only daughter, a ballet girl. Later becomes Mme. la Baronne de Castelot-Barbezac.
  • Debienne and Poligny: The previous managers of the opera house.
  • Joseph Buquet: The chief scene-shifter.
  • La Carlotta: A spoiled prima donna; the lead soprano of the Paris Opera House.
  • Mercier: The acting manager of the opera house.
  • Gabriel: The superstitious chorus master.
  • Mifroid: The commissary of police called in for Christine's disappearance.
  • Remy: The manager's secretary.
  • The inspector: An inspector hired to investigate the strange affairs in Box Five.
  • Shah and the sultan: The two kings that tried to kill Erik after he made them a palace.
  • La Sorelli: the lead ballerina and woman with whom Comte de Chagny spent time.
  • Little Jammes: A mentioned Ballerina at the Opera House.

References[edit]

  1. ^ a b Shah, Raj (2014). "No Ordinary Skeleton: Unmasking the Secret Source of Le Fantôme de l'Opéra". Forum for Modern Language Studies 50 (1): 16–29 (17; 25n11). doi:10.1093/fmls/cqt048.