The Procuress (Vermeer)
||This article may be expanded with text translated from the corresponding article in the German Wikipedia. (August 2011)|
|Type||Oil on canvas|
|Dimensions||143 cm × 130 cm (56 in × 51 in)|
|Location||Gemäldegalerie Alte Meister, Dresden|
The Procuress is a 1656 oil-on-canvas painting by the 24-years-old Jan Vermeer. It can be seen in the Gemäldegalerie Alte Meister in Dresden. It is his first genre painting and shows a scene of contemporary life, an image of mercenary love perhaps in a brothel. It differs from his earlier biblical and mythological scenes. It is one of only three paintings Vermeer signed and dated (the other two are The Astronomer and The Geographer).
It seems Vermeer was influenced by earlier works on the same subject by Gerard ter Borch, and The Procuress (c. 1622) by Dirck van Baburen, which was owned by Vermeer's mother-in-law Maria Thins and hung in her home.
The woman in black, the leering coupler, "in a nun's costume", could be the eponymous procuress, while the man to her left, "wearing a black beret and a doublet with slashed sleeves", has been identified as a self portrait of the artist. Vermeer just juxtaposed a beer glass. There is a resemblance with the painter in Vermeer's The Art of Painting.
The man, a soldier, in the red jacket is fondling her breast and dropping a coin into the young woman's outstretched hand. According to Benjamin Binstock the painting could be understood as a psychological portrait of his adopted family. Vermeer is in the painting as a musician, in the employ of the madam. In his rather fictional book Binstock explains Vermeer used his family as models; the whore could be Vermeer's wife Catherina and the lewd soldier her brother Willem.
The three-dimensional jug on the oriental rug is a piece of Westerwald Pottery. The kelim thrown over a barrister, probably produced in Uşak, covers a third of the painting and showes medaillons and leaves. The instrument is probably a cittern. The dark coat with five buttons was added by Vermeer in a later stage.
In 1696 the painting, being sold on an auction in Amsterdam, was named "A merry company in a room". According to Binstock this "dark and gloomy" painting does not represent a didactic message.
Some critics have thought the painting is atypical of Vermeer's style and expression, because it lacks the typical light.
Pieter Swillens wrote in 1950 that—if the work was by Vermeer at all—it showed the artist "seeking and groping" to find a suitable mode of expression. Eduard Trautscholdt wrote 10 years before that "The temperament of the 24-year-old Vermeer fully emerges for the first time" 
Provenance and Exhibitions
- The Practice of Cultural Analysis: Exposing Interdisciplinary Interpretation, p. 50. Mieke Bal, Bryan Gonzales
- John Michael Montias, Vermeer and His Milieu: A Web of Social History, Princeton University Press, 1991, p.146.
- Binstock, p. 224.
- Binstock, p. 172.
- "The Procuress: Evidence for a Vermeer Self-Portrait" Retrieved September 13, 2010
- W. Liedtke (2007) Dutch Paintings in the Metropolitan Museum of Art, p. 873.
- B. Binstock (2009) "Vermeer's Family Secrets. Genius, Discovery, and the Unknown Apprentice", p. 81.
- Binstock, p. 231
- Binstock, p. 81-82.
- Onno Ydema (1991) Carpets and their Datings in Netherlandish Paintings, 1540 - 1700, p. 43, 44, 145. ISBN 90-6011-710-7
- Binstock, p. 123, 85.
- In the catalogue of Essentian Vermeer (click on the woman in black)
- Liedtke, Walter; Michiel C. Plomp and Axel Ruger (2001) Vermeer and the Delft School. New Haven and London: Yale University Press. pp. 372, 374. ISBN 0-87099-973-7.
- Liedtke, Walter A. (2001). Vermeer and the Delft School. Metropolitan Museum of Art. ISBN 9780870999734.
- Wheelock, Arthur K., Jr., Johannes Vermeer, 1995, New Haven: Yale University Press, ISBN 0-300-06558-2
|Wikimedia Commons has media related to The procuress by Johannes Vermeer.|
- The Procuress - Essential Vermeer website
- The Milkmaid by Johannes Vermeer, exhibition catalog fully online as PDF from The Metropolitan Museum of Art, which contains material on the painting