The Purple Cloud
|The Purple Cloud|
Title illustration by J. J. Cameron
|Author||M. P. Shiel|
|Illustrator||J. J. Cameron|
|Publisher||Chatto and Windus and others|
|Media type||Print (hardback and paperback)|
The Purple Cloud is a "last man" novel by the British writer M. P. Shiel. It was published in 1901. H.G. Wells lauded The Purple Cloud as "brilliant"  and H. P. Lovecraft later praised the novel as exemplary weird fiction, "delivered with a skill and artistry falling little short of actual majesty."
The novel formed the basis for the 1959 American film The World, the Flesh and the Devil.
The novel exists in three distinct texts. It was first published as a serial, with illustrations by J. J. Cameron, in The Royal Magazine, Vol V, #27-#30, Vol VI, #31-32, January - June, 1901. This is the shortest version, and was photo-offset in Volume I of A. Reynolds Morse's monumental series, The Works of M. P. Shiel (1979–1983).
The original book text was published in London by Chatto & Windus in September 1901. This is the longest version, and is considered by many to be the preferred text. The 1901 text was reprinted in London by Tartarus Press in 2004 in a superb edition with all the Cameron illustrations from the serial and a new Introduction by Brian Stableford. Hippocampus Press included the 1901 text, but without the illustrations, in an omnibus volume, The House of Sounds and Others, edited by S. T. Joshi (2005). The 1901 text was also used in the edition published in 2012 in the Penguin Classics series with a new Introduction by John Sutherland (author).
Shiel revised the novel in the 1920s, by tightening the language, rather than changing the plot. This version was first published in London by Victor Gollancz Ltd. (1929), and in New York by Vanguard Press (1930). This, the final version, was the text most commonly reprinted in numerous subsequent editions. The novel has also been published in French, Italian, German and Spanish.
The story, a recording of a medium's meditation over the future writing of the text, details the narrator, Adam Jeffson, on an expedition to the North Pole during the 20th century on board the Boreal.
Jeffson's fiancée, the Countess Clodagh, poisons her own cousin in order to secure a place on the ship for Jeffson, because the expedition was known to be one of the best ever planned. A millionaire, who died some years previously, had provided in his will for the payment of $175,000,000 to the first person to stand at the North Pole.
Before Jeffson leaves, he hears a sermon by a Scottish priest named Mackay, speaking against Polar research, calling the failure of all previous expeditions the will of God, and prophesying a terrible fate for those who attempt to go against God's will in this.
The narrator at the same time remembers his meeting with a man who claimed that the universe is a place of strife between vague "powers", "The White" and "The Black", for dominance.
Throughout the events of the polar journey, the narrator gradually discovers that his course has been, for many years, guided by these forces, all the way up to the point where he reaches the pole first. He finds a huge, clear lake of spinning water with a rock island inlaid with inscriptions. Upon seeing this, Jeffson falls into a faint. When he returns to his camp he, along with his dogs, feels nauseous after having smelled a peculiar peach-like odour. He also notices a moving purple cloud, spreading in the far heavens.
During the progress of his journey, he discovers dead animals, all without the slightest sign of injury, and he gradually learns of the death of his entire crew on board the Boreal.
The ship being fairly easy to operate, he sets out by himself. First he travels towards northern islands, but upon seeing dead of all various races from around the world there (the result of an exodus, escaping the death-bringing cloud) and meeting ships crowded with corpses, he comes instead to the dead continent, walking through London, searching for news of the cloud.
Later, he looks for any survivors in shut land mines, but finds all barricades broken through by mad crowds. He travels the country by locomotive wherever possible, using cars for further progress. Later, he goes to the house of Arthur Machen (an actual close friend of Shiel's), whom he finds dead, having been writing a poem until the very end. There, he finds the notebook into which he writes his whole narrative.
The later parts of the book describe Jeffson's descent into mad pompousness: adopting Turkish attire, declaring himself monarch and burning down cities (including Paris, Bordeaux, London, and San Francisco) for pleasure. He then willingly puts his life into one task, the construction of a huge and colossal golden palace on the isle of Imbros, which he means to dedicate as an altar to God and a palace to himself. He spends seventeen years on the palace, several times abandoning the work, until its completion, when he recognizes the vanity of it.
Later, while going through Constantinople, which he also burns down, he stumbles upon a twenty-year-old naked woman who is without the slightest knowledge of anything in the world. She keeps on following him, however he shuns and mistreats her, going as far as throwing her into a locked chamber with her leg bleeding, while he himself goes to sleep on cushions in another part of the house, and many times meditates on killing her.
Gradually, he accepts her, but forces her to wear a veil over her mouth. But her speed at learning astonishes him. So he teaches her to speak, read, cook, fish, and dress.
The girl (who is unable to pronounce "r",instead saying "l") reveals that she had been living her whole previous life in a cellar below the royal palace of Turkey, and that she knew nothing of the world until she was freed when Jeffson burned down Constantinople. She becomes absorbed in the Bible and declares the humans who sought for riches as "spoiled".
Jeffson struggles mightily against his growing affection towards the girl, wishing to end the human race. At the very end, when he leaves to go to England, she telephones him about the re-appearance of the Purple Cloud over France. He rushes to her, embracing her as his wife and now hoping to find a way to escape the cloud. She tells him to trust that God will not allow her to die. He concludes his writing by saying that he has accepted his role and that after three weeks have passed no purple cloud has appeared, and he looks forward to the two of them becoming the progenitors of future humanity.
- H.G. Wells, The Discovery of the Future, London: Jonathan Cape, Ltd, 1925,(p.54).
- Lovecraft, H. P. (1938). "Supernatural Horror in Literature". Wikisource. Retrieved 2009-07-16.
- Georges T. Dodds, review of Volume I of the Morse series, including the serial text.
- R. D. Mullen, review of the Gregg Press edition of The Purple Cloud, Science Fiction Studies, November 1977.
- Marion Powell, review of the Gregg Press edition (1901 text).
- Jeff Gardiner, review of Tartarus edition. (1901 text).
- William P. Simmons, review of The House of Sounds and Others (includes 1901 text).
- Greg Beatty, review of The House of Sounds and Others.
- skullsinthestars, review of The House of Sounds and Others.
- Notice of Penguin Classics edition. (1901 text).
- Georges T. Dodds, review of the Bison Books edition (1929 text).
- A. Reynolds Morse, The Works of M. P. Shiel Updated, Vol II of The Works of M. P. Shiel, Cleveland: The Morse Foundation (1980), 18.
- Translated by Soledad Silio, "Foreword" by Antonio Iriarte, Madrid: Reino de Redonda, 2005.
- "Esta absurda aventura", El País, 23 Aug 2008
- John D. Squires, "Shiel's Liquid Air Engines in The Purple Cloud",The New York Review of Science Fiction, December 2009, # 256, Vol 22, No 4 (Dec 2009), 6.