The Rapture (film)
theatrical release poster
|Directed by||Michael Tolkin|
|Produced by||Karen Koch
|Written by||Michael Tolkin|
|Music by||Thomas Newman|
|Editing by||Suzanne Fenn|
|Studio||New Line Cinema
|Distributed by||Fine Line Features|
|Running time||100 minutes |
The Rapture is a 1991 drama film written and directed by Michael Tolkin. It stars Mimi Rogers as a woman who converts from a swinger to a born-again Christian after learning that a true Rapture is upon the world.
In time, she comes to accept this belief herself and becomes a born-again Christian. She begins a new, pious lifestyle, eventually marrying and having a daughter, Mary. When her husband Randy is killed in a senseless murder, however, she begins to question the benevolence of God. She believes she must wait with Mary in the desert for the coming of the Rapture. A police officer named Foster is concerned for their well-being, but Sharon is persistent that the end is near.
After a period of time Sharon eventually loses patience and at her daughter's urging, decides to hasten their ascendance to heaven. She kills Mary with a gunshot but is she is unable to take her own life afterwards, afraid she'll be condemned as a suicide. She confesses to what she had done to Foster and is arrested and placed in the local jail.
After an apparition of Mary (accompanied by two angels) in the night, the Rapture occurs. While Sharon sits in her cell early the next morning, a loud trumpet blast is heard all over the world, signaling the start of the Rapture. Later on, Sharon and Foster, after driving out into the desert, are both raptured to a purgatory-like landscape. Foster, who had been an atheist his whole life, accepts God and is allowed entrance to Heaven, but Sharon refuses to renounce her anger at God for His cruelty. Mary pleads with her to accept God back into her heart so she can join her and Randy in Heaven, but Sharon declines, preferring to remain alone in the purgatory-like landscape for eternity.
Prior to Rogers' involvement, Sissy Spacek, Meg Ryan, and Rachel Ward passed on taking the role of Sharon. Tolkin noted that Rogers' Scientology beliefs played no bearing on her casting: "Mimi's background in Scientology played no role in my casting her, nor did I see it as a problem — we never even discussed it." Rogers added that "my own religious views didn't affect my approach to the picture at all." Although in another interview, she noted that the role was easier by way of not having a traditional view of Jesus: "I don't, for example, have a Jesus Christ definition of God ... and I have no views on heaven or hell. To me they're alien concepts. If I were a practicing Christian or a Jew, with all the hang-ups of those religions, I don't think I could have done Sharon justice."
The film received average reviews from critics, currently holding a 64% "fresh" rating on review aggregate website Rotten Tomatoes. Rogers especially won praise for her performance, with the Los Angeles Times calling it an "astonishingly stunning performance." Entertainment Weekly noted that Rogers "delivers a subtle and complex performance."
- "THE RAPTURE (18)". British Board of Film Classification. 1992-04-15. Retrieved 2012-06-16.
- Her Salvation? : Mimi Rogers has taken a chance with a role in a movie about faith and sin. The question: Will 'The Rapture' redeem a career bedeviled by typecasting? Los Angelese Times. 6 October 1991
- The Rapture at Box Office Mojo
- Cult Encounters Entertainment Weekly. 29 November 1991
- Her Salvation? : Mimi Rogers has taken a chance with a role in a movie about faith and sin. The question: Will 'The Rapture' redeem a career bedeviled by typecasting? Los Angeles Times. 6 October 1991. p/2
- Masullo, Robert A. (1991-12-22). "Mimi Rogers Finds Strength in "Rapture's" Heavy Role". Sacramento Bee. p. EN14.
- The Rapture at Rotten Tomatoes
- The Rapture Los Angeles Times. 28 May 1995
- Litch, Mary M. (2010) [1st ed. 2002]. "8. THE PROBLEM OF EVIL – The Seventh Seal (1957) and The Rapture (1991) [pp. 188-208]". Philosophy Through Film (2nd ed.). London: Routledge. ISBN 0415938759. ISBN 978-0-20386-332-9.