The Right Stuff (film)
|The Right Stuff|
Theatrical release poster
|Directed by||Philip Kaufman|
|Produced by||Irwin Winkler|
|Screenplay by||Philip Kaufman|
|Based on||The Right Stuff by Tom Wolfe|
|Narrated by||Levon Helm|
|Music by||Bill Conti|
|Edited by||Glenn Farr
Stephen A. Rotter
|The Ladd Company|
|Distributed by||Warner Bros.|
|Running time||192 minutes|
|Budget||$19 - 27 million|
The Right Stuff is a 1983 American drama film that was adapted from Tom Wolfe's best-selling 1979 book of the same name about the Navy, Marine and Air Force test pilots who were involved in aeronautical research at Edwards Air Force Base, California, as well as the seven military pilots who were selected to be the astronauts for Project Mercury, the first attempt at manned spaceflight by the United States. The Right Stuff stars Ed Harris, Scott Glenn, Sam Shepard, Fred Ward, Dennis Quaid and Barbara Hershey. Levon Helm is the narrator in the introduction and elsewhere in the film, as well as having a co-starring role as Air Force test pilot Jack Ridley. In 2013 the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
At the start of the film, a theme is introduced in the format of a black and white 35 mm stock footage of test flights. In this small segment, Helm tells the audience, "There's a demon...that lives in the air. And they say whoever challenged him ... would die." The story contrasts the lives of the "Mercury Seven" and their families with rocket-powered aircraft test pilots like Chuck Yeager. In spite of the fact that he was never selected as an astronaut, Colonel (later Brigadier General) Yeager was considered by many test pilots to be the best of them all.
The story begins in 1947 at Muroc Army Air Field, an arid California military base where test pilots often die flying high-speed aircraft such as the rocket-powered Bell X-1. After a civilian pilot working for Bell Aircraft, Slick Goodlin, demands $150,000 to attempt to break the sound barrier, then-Captain Chuck Yeager receives the chance to fly the X-1...receiving only his standard active duty pay at the time, $283 a month. While on a horseback ride the day before the flight with his wife, Glennis, Yeager collides with a tree branch and breaks his ribs, which inhibits him from leaning over and locking the entry hatch to the X-1. Worried that his injury might become known, Yeager confides in friend and fellow test pilot then-Captain Jack Ridley. Ridley cuts off part of a broomstick and shows Yeager how to use it as a lever to help seal the hatch to the X-1. Yeager becomes the first man to fly at supersonic speed, defeating the "demon in the air".
In 1953, Muroc AAF, now Edwards Air Force Base, still attracts the best test pilots. Yeager (now a colonel) and friendly rival Scott Crossfield repeatedly break the other's speed records. They often visit the Happy Bottom Riding Club run by Pancho Barnes, who classifies the pilots at Edwards as either "prime" (such as Yeager and Crossfield) that fly the best equipment or newer "pudknockers" who only dream about it. Gordon Cooper, Virgil I. "Gus" Grissom, and Donald K. "Deke" Slayton, all then-captains in the U.S. Air Force, are among the pilots who hope to prove also that they have "The Right Stuff". The tests are no longer secret, as the military soon recognizes that it needs good publicity for funding, summarized by, "no bucks, no Buck Rogers". Cooper's wife, Trudy, and other wives were afraid of becoming widows, but they cannot change their husbands' ambitions and desire for success and fame.
In 1957, the launch of the Russian Sputnik satellite alarms the United States government. Politicians such as President Dwight D. Eisenhower and then-Senator Lyndon B. Johnson, as well as U.S. military leaders, demand that the National Aeronautics and Space Administration (NASA) help America defeat the Soviets in the new Space Race. The search for the first Americans in space excludes Yeager, because he lacks a college degree. Grueling physical and mental tests select the Mercury Seven astronauts, including John Glenn of the United States Marine Corps, Scott Carpenter, Alan Shepard, and Walter Schirra of the United States Navy, as well as Cooper, Grissom and Slayton of the United States Air Force. These men immediately became national heroes. Although many early NASA rockets explode during launch, the ambitious astronauts all hope to be the first in space as part of Project Mercury. Although engineers see the men as passengers, the pilots insist that the Mercury spacecraft have a window, a hatch with explosive bolts, and pitch-yaw-roll controls. However, Russia beats them on April 12, 1961 with the launch of Vostok 1 carrying Yuri Gagarin into space. The seven astronauts then decide they've been waiting long enough, and to "get the show on the road".
Shepard is the first American to reach space on the 15-minute sub-orbital spaceflight of Mercury-Redstone 3 on May 5. After Grissom's similar flight of Mercury-Redstone 4 on July 21, the capsule's hatch blows open and quickly fills with water. Grissom escapes, but the spacecraft, overweight with seawater, sinks. Many criticize Grissom for possibly panicking and opening the hatch prematurely. When Glenn's first flight attempt is scrubbed, the head of the program, John P. Ryan, wants Glenn's wife Annie to allow Vice President Lyndon Johnson to "console" her, despite her fear of public speaking due to a stutter. The astronauts back Glenn up, when he refuses to let Johnson and the TV cameras to "so much as set one toe inside (our) house." Glenn eventually became the first American to orbit the Earth on Mercury-Atlas 6 on February 20, 1962, surviving a possibly loose heat shield, and receives a ticker-tape parade. He, his colleagues, and their families become celebrities, including a gigantic celebration, sponsored and emceed by Vice President Johnson, in the Sam Houston Coliseum to announce the opening of the Manned Space Center in Houston, where astronauts from all over the world now train.
Although test pilots at Edwards AFB mock the Mercury program for sending "spam in a can" into space, they recognize that they are no longer the fastest men on Earth, and Yeager states that, "It takes a special kind of man to volunteer for a suicide mission, especially when it's on national TV." While testing the new Lockheed NF-104A, Yeager attempts to set a new altitude record at the edge of space, but is nearly killed in a high-speed ejection when his engine ran out of air at altitude and failed to restart, causing the airplane to go into a flat spin.
According to Yeager the actual failure was in hydrogen peroxide thrusters intended to control attitude for main engine restart. Although badly burned, after reaching the ground Yeager gathered up his parachute and walked to the ambulance, proving that he still has "the right stuff".
Cooper's successful launch on May 15, 1963 on Mercury-Atlas 9, ends the Mercury program. As the last American to fly into space alone, he "went higher, farther, and faster than any other American ... for a brief moment, Gordon Cooper became the greatest pilot anyone had ever seen."
- Fred Ward as Gus Grissom, USAF
- Dennis Quaid as Gordon Cooper, USAF
- Ed Harris as John Glenn, USMC
- Scott Glenn as Alan Shepard, USN
- Sam Shepard as Chuck Yeager, Colonel, USAF
- Barbara Hershey as Glennis Yeager
- Lance Henriksen as Walter Schirra, USN
- Veronica Cartwright as Betty Grissom
- Jane Dornacker as Nurse Murch
- Harry Shearer and Jeff Goldblum as the NASA recruiters sent to find astronaut candidates
- Kim Stanley as Pancho Barnes
- Pamela Reed as Trudy Cooper
- Scott Paulin as Donald K. Slayton, USAF
- Charles Frank as Scott Carpenter, USN
- Donald Moffat as U.S. Senator and Vice President Lyndon B. Johnson
- Levon Helm as Jack Ridley, USAF and the narrator
- Mary Jo Deschanel as Annie Glenn
- Scott Wilson as Scott Crossfield, a civilian test pilot for the North American Aviation Company
- Kathy Baker as Louise Shepard
- Mickey Crocker as Marge Slayton
- Susan Kase as Rene Carpenter
- Mittie Smith as Jo Schirra
- Royal Dano as a Minister
- David Clennon as a Liaison Man
- John P. Ryan as the Head of the Manned Space Program
- Eric Sevareid as himself
- William Russ as Slick Goodlin
- Robert Beer as President Dwight D. Eisenhower
- Peggy Davis as Sally Rand
- John Dehner as Henry Luce
- Royce Grones as the first X-1 pilot, who was Jack Woolams
- Brigadier General Chuck Yeager, USAF (Ret) as Fred, the bartender at Pancho's saloon
- Anthony Munoz as Gonzales
The following real people also appeared in archive footage in uncredited cameos: Ed Sullivan with Bill Dana (playing his character José Jiménez). Yuri Gagarin and Nikita Khrushchev are seen embracing at a review, along with Georgi Malenkov, Nikolai Bulganin, Kliment Voroshilov, and Anastas Mikoyan in attendance. Lyndon B. Johnson and John F. Kennedy are also seen.
In 1979, independent producers Robert Chartoff and Irwin Winkler outbid Universal Pictures for the movie rights to Tom Wolfe's book, hiring William Goldman to write the screenplay. At Winkler's suggestion, Goldman's adaptation focused on the astronauts, entirely ignoring Chuck Yeager. Goldman was inspired to accept the job because he wanted to say something patriotic about America in the wake of the Iran hostage crisis.
In June 1980, United Artists agreed to finance the film up to $20 million and the producers began looking for a director. Michael Ritchie and John Avildsen were originally attached but both fell through. They approached director Philip Kaufman who agreed to make the film but did not like Goldman's script, disliking the emphasis on patriotism and wanting Yeager put back in the film. Eventually Goldman quit the project in August 1980 and United Artists pulled out.
When Wolfe showed no interest in adapting his own book, Kaufman wrote a draft in eight weeks. His draft restored Yeager to the story because "if you're tracing how the future began, the future in space travel, it began really with Yeager and the world of the test pilots. The astronauts descended from them".
Actor Ed Harris auditioned twice in 1981 for the role of John Glenn. Originally, Kaufman wanted to use a troupe of contortionists to portray the press corps, but settled on the improvisational comedy troupe Fratelli Bologna, known for its sponsorship of "St. Stupid's Day" in San Francisco. The director created a snake-like hiss to accompany the press corps whenever they appear, which was achieved through a sound combination of (among other things) motorized Nikon cameras and clicking beetles.
Shot between March and October 1982, with additional filming continuing into January 1983, most of the film was shot in and around San Francisco, where a waterfront warehouse was transformed into a studio.[N 1] Location shooting took place primarily at the abandoned Hamilton Air Force Base north of San Francisco which was converted into a sound stage for the numerous interior sets. No location could substitute for the distinctive Edwards Air Force Base landscape which necessitated the entire production crew move to the Mojave Desert for the opening sequences that framed the story of the test pilots at Muroc Army Air Field, later Edwards AFB.
Yeager was hired as a technical consultant on the film. He took the actors flying, studied the storyboards and special effects, and pointed out the errors. To prepare for their roles, Kaufman gave the actors playing the seven astronauts an extensive videotape collection to study.
The efforts at making an authentic feature led to the use of many full size aircraft, scale models and special effects to replicate the scenes at Edwards Air Force Base and Cape Canaveral Air Force Station. According to special visual effects supervisor Gary Gutierrez, the first special effects were too clean and they wanted a "dirty, funky, early NASA look." K Gutierrez and his team started from scratch, employing unconventional techniques—like going up a hill with model airplanes on wires and fog machines to create clouds, or shooting model F-104s from a crossbow device and capturing their flight with up to four cameras. Avant garde filmmaker Jordan Belson created the background of the Earth as seen from high-flying planes and from orbiting spacecraft.
Kaufman gave his five editors a list of documentary images the film required and they searched the country for film from NASA, the Air Force, and Bell Aircraft vaults. They also discovered Russian stock footage not viewed in 30 years. During the course of the production, Kaufman met with resistance from the Ladd Company and threatened to quit several times. In December 1982, 8,000 feet of film portraying John Glenn's trip in orbit and return to Earth disappeared or was stolen from Kaufman's editing facility in Berkeley, California. The missing footage was never found but the footage was reconstructed from copies.
Although The Right Stuff was based on historical events and real people, as chronicled in Wolfe's book, some substantial dramatic liberties were taken. Neither Yeager's flight in the X-1 to break the sound barrier early in the film or his later, nearly-fatal flight in the NF-104A were spur-of-moment, capriciously decided events, as the film seems to imply - they actually were part of the routine testing program for both aircraft. Yeager had already test-flown both aircraft a number of times previously and was very familiar with them. Jack Ridley had actually died in 1957, even though his character appears in several key scenes taking place after that, most notably including Yeager's 1963 flight of the NF-104A.
The Right Stuff depicts Cooper arriving at Edwards in 1953, reminiscing with Grissom there about the two of them having supposedly flown together at the Langley Air Force Base and then hanging out with Grissom and Slayton, including all three supposedly being present at Edwards when Scott Crossfield flew at Mach 2 in November 1953. They talk about being recruited together there for the astronaut program in late 1957, with Grissom supposedly expressing keen interest in becoming a "star-voyager". According to their respective NASA biographies, none of the three was posted to Edwards before 1955 (Slayton) or 1956 (Grissom and Cooper), and neither of the latter two had previously trained at Langley. By the time astronaut recruitment began in late 1957 after the Soviets had orbited Sputnik, Grissom had already left Edwards and returned to Wright-Patterson Air Force Base, where he had served previously and was happy with his new assignment there. Grissom did not even know he was under consideration for the astronaut program until he received mysterious orders "out of the blue" to report to Washington in civilian clothing for what turned out to be a recruitment session for NASA.
A large number of film models were assembled for the production; for the more than 80 aircraft appearing in the film, static mock-ups and models were used as well as authentic aircraft of the period. Lieutenant Colonel Duncan Wilmore, USAF (Ret) acted as the United States Air Force liaison to the production, beginning his role as a technical consultant in 1980 when the pre-production planning had begun. The first draft of the script in 1980 had concentrated only on the Mercury 7 but as subsequent revisions developed the treatment into more of the original story that Wolfe had envisioned, the aircraft of late-1940s that would have been seen at Edwards AFB were required. Wilmore gathered World War II era "prop" aircraft including:
- Douglas A-26 Invader
- North American P-51 Mustang
- North American T-6 Texan and
- Boeing B-29 Superfortress
The first group were mainly "set dressing" on the ramp while the Confederate Air Force (now renamed the Commemorative Air Force) B-29 "Fifi" was modified to act as the B-29 "mothership" to carry the Bell X-1 and X-1A rocket-powered record-breakers.
Other "real" aircraft included the early jet fighters and trainers as well as current USAF and United States Navy examples. These flying aircraft and helicopters included:
- Douglas A-4 Skyhawk
- LTV A-7 Corsair II
- North American F-86 Sabre
- Convair F-106 Delta Dart
- McDonnell Douglas F-4 Phantom II
- Sikorsky H-34 Choctaw
- Sikorsky SH-3 Sea King
- Lockheed T-33 Shooting Star
- Northrop T-38 Talon
A number of aircraft significant to the story had to be recreated. The first was an essentially static X-1 that had to at least roll and even realistically "belch flame" which was accomplished by a simulated rocket blast from the exhaust pipes. A series of wooden mock-up X-1s were used to depict interior shots of the cockpit, the mating up of the X-1 to a modified B-29 fuselage and bomb bay and ultimately to recreate flight in a combination of model work and live-action photography. The "follow-up" X-1A was also an all-wooden model.
The U.S. Navy's Douglas D-558-2 Skyrocket that Crossfield duelled with Yeager's X-1 and X-1A was recreated from a modified Hawker Hunter jet fighter. The climactic flight of Yeager in a Lockheed NF-104A was originally to be made with a modified Lockheed F-104 Starfighter but ultimately, Wilmore made the decision that the production had to make do with a repainted Luftwaffe F-104G, which lacks the rocket engine of the NF-104.
Wooden mock-ups of the Mercury space capsules also realistically depicted the NASA spacecraft and were built from the original mold.
For many of the flying sequences, scale models were produced by USFX Studios and filmed outdoors in natural sunlight against the sky. Even off-the-shelf plastic scale models were utilized for aerial scenes. The X-1, F-104 and B-29 models were built in large numbers as a number of the more than 40 scale models were destroyed in the process of filming. The blending together of miniatures, full-scale mock-ups and actual aircraft was seamlessly integrated into the live-action footage. The addition of original newsreel footage was used sparingly but to effect to provide another layer of authenticity.
The film was originally rated "R" (Restricted, which means no one under 17 admitted) by the Motion Picture Association of America because of some strong language (the word "fuck" is used 5 times, which meant a near-impossible chance of it not being rated "R") a scene of implied masturbation and other hard content; but it was given a "PG" rating on appeal (the PG-13 rating did not exist then; it was created the year after this film was released).
The Right Stuff had its world premiere on October 16, 1983, at the Kennedy Center in Washington, D.C., to benefit the American Film Institute. It was given a limited release on October 21, 1983, in 229 theaters, grossing $1.6 million on its opening weekend. It went into wide release on February 17, 1984, in 627 theaters where it grossed an additional $1.6 million on that weekend.
As part of the promotion for the film, Veronica Cartwright, Chuck Yeager, Gordon Cooper, Scott Glenn and Dennis Quaid appeared in 1983 at ConStellation, the 41st World Science Fiction Convention in Baltimore.
The Right Stuff was well received by critics and currently holds a 97% approval rating on Rotten Tomatoes. Film critic Roger Ebert named The Right Stuff best film of 1983, and wrote, "it joins a short list of recent American movies that might be called experimental epics: movies that have an ambitious reach through time and subject matter, that spend freely for locations or special effects, but that consider each scene as intently as an art film". He later named it one of the best films of the decade and wrote, "The Right Stuff is a greater film because it is not a straightforward historical account but pulls back to chronicle the transition from Yeager and other test pilots to a mighty public relations enterprise". He later put it at #2 on his 10 best of the 1980s, behind Martin Scorsese's Raging Bull. Gene Siskel, Ebert's co-host of At the Movies, also named The Right Stuff the best film of 1983, and said "It's a great film, and I hope everyone sees it." Siskel also went on to include The Right Stuff at #3 on his list of the best films of the 1980s, behind Shoah and Raging Bull.
In his review for Newsweek, David Ansen wrote, "When The Right Stuff takes to the skies, it can't be compared with any other movie, old or new: it's simply the most thrilling flight footage ever put on film". Gary Arnold in his review for the Washington Post, wrote, "The movie is obviously so solid and appealing that it's bound to go through the roof commercially and keep on soaring for the next year of so". In his review for The New York Times, Vincent Canby praised Shepard's performance: "Both as the character he plays and as an iconic screen presence, Mr. Shepard gives the film much well-needed heft. He is the center of gravity". Pauline Kael wrote, "The movie has the happy, excited spirit of a fanfare, and it's astonishingly entertaining, considering what a screw-up it is".
Yeager said of the film: "Sam [Shepard] is not a real flamboyant actor, and I'm not a real flamboyant-type individual ... he played his role the way I fly airplanes". Deke Slayton said that none of the film "was all that accurate, but it was well done". Slayton later described the film as being "as bad as the book was good, just a joke". Walter Schirra said, "They insulted the lovely people who talked us through the program - the NASA engineers. They made them like bumbling Germans". Scott Carpenter felt that it was a "great movie in all regards".
Robert Osborne, who introduced showings of the film on Turner Classic Movies, was quite enthusiastic about the film. The cameo appearance by the real Chuck Yeager in the film was a particular "treat" which Osborne cited. The recounting of many of the legendary aspects of Yeager's life was left in place, including the naming of the X-1, "Glamorous Glennis" after his wife and his superstitious preflight ritual of asking for a stick of Beemans chewing gum from his best friend, Jack Ridley.[N 2]
While the film took liberties with certain historical facts as part of "dramatic license", criticism focused on one: the portrayal of Gus Grissom panicking when his Liberty Bell 7 spacecraft sank following splashdown. Most historians, as well as engineers working for or with NASA and many of the related contractor agencies within the aerospace industry, are now convinced that the premature detonation of the spacecraft hatch's explosive bolts was caused by mechanical failure not associated with direct human error or deliberate detonation at the hands of Grissom.[N 3] This determination had, in fact, been made long before the film was completed, and both Schirra and Gordon Cooper were critical of The Right Stuff for its treatment of Grissom. However, Kaufman was closely following Tom Wolfe's book, which focused not on how or why the hatch actually blew, but how NASA engineers and some of Grissom's colleagues (and even his own wife) did perceive him to be the cause of the accident; much of the dialogue in this sequence was in fact, taken directly from Wolfe's prose.
Awards and nominations
The Right Stuff won four Academy Awards: for Best Sound Effects Editing (Jay Boekelheide); for Best Film Editing; for Best Original Score; and for Best Sound (Mark Berger, Tom Scott, Randy Thom and David MacMillan).
The film was also nominated for Best Actor in a Supporting Role (Sam Shepard), Best Art Direction-Set Decoration (Geoffrey Kirkland, Richard Lawrence, W. Stewart Campbell, Peter R. Romero, Jim Poynter, George R. Nelson), Best Cinematography (Caleb Deschanel) and Best Picture. The movie was also nominated for the Hugo Award in 1984 for Best Dramatic Presentation.
On June 23, 2003, Warner Bros. released a two-disc DVD Special Edition that featured scene-specific commentaries with key cast and crew members, deleted scenes, three documentaries on the making of The Right Stuff including interviews with Mercury astronauts and Chuck Yeager, and a feature-length PBS documentary, John Glenn: American Hero. These extras are also included in the Nov. 5, 2013 release of the 30th Anniversary edition, which also includes a 40-page book binding case, the film in Blu-ray format. The extras are in standard DVD format.
In addition, the British Film Institute published a book on The Right Stuff by Tom Charity in October 1997 that offered a detailed analysis and behind-the-scenes anecdotes.
The soundtrack to The Right Stuff was released on September 20, 2013.
|1.||"Breaking The Sound Barrier"||Bill Conti||4:46|
|2.||"Mach I"||Bill Conti||1:23|
|3.||"Training Hard / Russian Moon"||Bill Conti||2:17|
|5.||"Mach II"||Bill Conti||1:58|
|6.||"The Eyes Of Texas Are Upon You / The Yellow Rose Of Texas / Deep In The Heart Of Texas / Dixie"||Bill Conti||2:50|
|7.||"Yeager and the F104"||Bill Conti||2:26|
|8.||"Light This Candle"||Bill Conti||2:45|
|9.||"Glenn's Flight"||Bill Conti||5:08|
|10.||"Daybreak in Space"||Bill Conti||2:48|
|11.||"Yeager's Triumph"||Bill Conti||5:39|
|12.||"The Right Stuff (Single)"||Bill Conti||3:11|
- Downtown San Francisco doubled for Lower Manhattan in the ticker-tape parade scene after John Glenn's return to Earth. The scene was shot at the intersection of California and Montgomery Streets in the Financial District, and the Pacific Stock Exchange on the corner of Sansome and Pine Streets can be spotted doubling for the New York Stock Exchange in the final part of the scene.
- This allusion to Beemans chewing gum was later included in The Rocketeer (1991).
- Schirra proved that activating the hatch explosives would have left a large welt on any part of the body that came in contact with the trigger. He proved this on his Mercury flight when he intentionally blew the hatch on October 3, 1962 when his spacecraft was on the deck of the recovery carrier.
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- Buckbee, Ed and Walter Schirra. The Real Space Cowboys. Burlington, Ontario: Apogee Books, 2005. ISBN 1-894959-21-3.
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- Conti, Bill (with London Symphony Orchestra). The Right Stuff: Symphonic Suite; North and South: Symphonic Suite. North Hollywood, California: Varèse Sarabande, 1986 (WorldCat).
- Cooper, Gordon. Leap of Faith. New York: Harper Collins Publishers, 2000. ISBN 0-06-019416-2.
- Farmer, Jim. "Filming the Right Stuff." Air Classics, Part One: Vol. 19, No. 12, December 1983, Part Two: Vol. 20, No. 1, January 1984.
- Glenn, John. John Glenn: A Memoir. New York: Bantam, 1999. ISBN 0-553-11074-8.
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