The Royal Tenenbaums

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The Royal Tenenbaums

Theatrical release poster
Directed by Wes Anderson
Produced by Wes Anderson
Barry Mendel
Scott Rudin
Written by Wes Anderson
Owen Wilson
Narrated by Alec Baldwin
Starring Gene Hackman
Anjelica Huston
Gwyneth Paltrow
Ben Stiller
Andrew Wilson
Luke Wilson
Owen Wilson
Danny Glover
Bill Murray
Music by Mark Mothersbaugh
Cinematography Robert Yeoman
Editing by Dylan Tichenor
Distributed by Touchstone Pictures
Release date(s) December 4, 2001 (2001-12-04)
Running time 109 minutes
Country United States
Language English
Budget $28 million
Gross revenue $52,307,676[1]

The Royal Tenenbaums is a 2001 American comedy-drama film directed by Wes Anderson about three gifted siblings who experience great success in youth, and even greater disappointment and failure after their eccentric father leaves them in their adolescent years. An ironic and absurdist sense of humor pervades the film.

Gene Hackman won a Golden Globe for his performance and Wes Anderson and Owen Wilson's screenplay was nominated for an Academy Award.

Contents

[edit] Plot

Royal Tenenbaum is explaining to his three children, Chas, Margot, and Richie, that he and his wife, Etheline, will soon separate. The scene then evolves into a short explanation of how each child experiences great success at a very young age. Chas is a math and business genius, from whom Royal steals money. Margot is adopted, and was awarded a $50,000 Braverman grant for a play that she wrote in the ninth grade. Richie is a tennis prodigy and artist. He expresses his love for adopted sister Margot through many paintings. Royal takes him on regular outings, to which neither of the other children is invited. Eli Cash is the Tenenbaums' neighbor, and Richie's best friend.

Twenty-two years later, Royal is kicked out of the hotel he has been living in since the separation. Meanwhile, all of the Tenenbaum children are in a post-success slump. Richie is traveling the world in a cruise ship following a breakdown; he writes a letter to Eli saying that he loves Margot romantically. Chas has become extremely overprotective of his two sons, Ari and Uzi, following his wife Rachael's death in a plane crash. Margot is married to a neurologist named Raleigh St. Clair, from whom she hides her smoking and most of her checkered past. Raleigh performs tests on Dudley Heinsbergen, to research his strange disorder. Etheline's accountant, Henry Sherman, proposes to her.

Being kicked out onto the street and given the news that Etheline is considering marrying Henry, Royal devises a plan to convince Etheline that he has stomach cancer in order to win her and his children's affections back. He tells Etheline of his "cancer", moves in, and sets up a large amount of medical equipment in Richie's room. Etheline calls each of the Tenenbaum children home. Royal learns of Chas' overprotective nature and decides to take his grandsons out on the town involving, but not limited to, shoplifting and dog fighting. Upon their return, Chas berates him for endangering his boys. Royal accuses Chas of having a nervous breakdown.

Eli, with whom Margot has been having an affair, tells her that Richie loves her. Royal discovers the affair and objects to Margot's treatment of Raleigh. Raleigh confides to Richie his suspicions of Margot and they hire a private investigator to spy on her. Henry observes Royal and decides to tell Etheline that he thinks that Royal may not have cancer. After a confrontation with Royal, Henry investigates him and discovers his hospital had closed years before, his doctor is fake, and that his cancer medication is just Tic Tacs. Henry then confronts Pagoda.

Henry gathers the whole family to tell them what he's discovered about Royal; after which, Royal and Pagoda leave. They then get jobs as elevator attendants. Richie and Raleigh get the private eye's report on Margot back. Upon hearing the report, Raleigh only comments on her smoking but the news has a much more profound effect on Richie. He goes into the bathroom, shaves off his beard and most of his hair, and calmly slits his wrists. Dudley finds him in a pool of his own blood, and Raleigh rushes him to the hospital. Soon after, as the Tenenbaums sit in the waiting room, Raleigh confronts Margot before leaving. Later, Richie escapes the hospital and meets with Margot. They share with each other their secret love and kiss.

Royal decides that he wants Etheline to be happy and has arranged for the two of them to sign divorce papers. Before Henry and Etheline's wedding, Eli, high on mescaline, crashes his car into the side of the house. He crashes through a window in the house, narrowly avoiding Ari and Uzi, whom Royal moves out of the way, but killing the boys' dog, Buckley. Enraged, Chas chases Eli through the house; when he catches up to him, the two wrestle and end up on the ground. Eli realizes that he needs serious help and Chas agrees that they both need help. Chas then thanks Royal for saving his sons. Royal buys a dalmatian from the firefighters that are at the scene for Ari and Uzi. Forty-eight hours later, Etheline and Henry are married in a judge's chambers.

Time passes and Margot releases a new play based on her family. Raleigh publishes a book on Dudley's condition, Eli checks himself into rehab somewhere in North Dakota, and Richie starts a junior tennis program. Royal has a heart attack and dies; Chas is the only witness to his death. The family attends his funeral and leave together after the service.

[edit] Cast of characters

[edit] Inspirations and influences

The Tenenbaum children, all highly intelligent and disillusioned, are loosely based on the similarly disillusioned siblings from J. D. Salinger's Glass family stories, as director Wes Anderson revealed in a January 2001 interview with Premiere. The Glass children, seven child prodigies who turned into miserable adults, are the central subject of three of Salinger's four published books. The name Tenenbaum also resembles the married name of Beatrice "Boo Boo" Glass Tannenbaum. In one scene, Etheline Tenenbaum urges her daughter Margot to get out of the bathtub. A similar scene takes up a large part of Franny and Zooey, in which Bessie Glass spends quite a bit of time bothering her son Zooey.

Another key influence is Orson Welles' film The Magnificent Ambersons, the story of the moral and financial decline of the titular family. Additionally, the opulent Amberson house is central to the visual style of the film.

Etheline was modeled after Anderson's mother, who also adopted archaeology after divorcing her husband. Etheline's glasses are actually Mrs. Anderson's.

Two of the film's characters are thought to be modeled after the musician Nico. The blonde hair and dark mascara of Nico is reflected in the styling of Margot; additionally, Chas's son Ari shares a name with Nico's son. Her songs "These Days" and "The Fairest of the Seasons" are featured in the movie.

According to Anderson's DVD commentary, E. L. Konigsburg's book From the Mixed-Up Files of Mrs. Basil E. Frankweiler, in which the characters Claudia and Jamie run away to live in the Metropolitan Museum of Art in New York, inspired the story of Margot and Richie hiding out in a museum.

The paintings in Eli's apartment are by Mexican artist Miguel Calderón.

[edit] Soundtrack

The score to The Royal Tenenbaums was composed by Mark Mothersbaugh. The soundtrack also features rock songs from the 1960s, 1970s, and 1980s.

There have been two soundtrack album releases for the film. The first, in 2001, was well-received by most critics, though some songs were omitted; notably, Paul Simon's "Me and Julio Down by the Schoolyard", Van Morrison's "Everyone", John Lennon's "Look at Me", The Mutato Muzika Orchestra version of The Beatles' "Hey Jude" and two tracks by The Rolling Stones. Erik Satie's "Gymnopédie" was also used in the film, but never appeared on either soundtrack.

In 2002, the soundtrack was re-released with three songs not found on the 2001 release, but the two songs by The Rolling Stones ("She Smiled Sweetly" and "Ruby Tuesday") were not included, because, while the band allow their music to be used in films, they rarely allow the songs to appear on soundtracks. The Van Morrison track, which served as the closing credits song, was also still missing. Additionally, the "Lindbergh Palace Hotel Suite," credited as original music by Mark Mothersbaugh on the 2001 release, was retitled on the 2002 soundtrack release as "Sonata for Cello and Piano in F Minor," performed by The Mutato Muzika Orchestra.

Elliott Smith's song "Needle in the Hay" is heard during the scene in which Richie Tenenbaum attempts suicide by slitting his wrists.

[edit] Typography

In common with Anderson's other films he makes extensive and careful use of typography, in particular Futura and its variation Futura Bold.[2] It is suggested that the typography is used to identify the characters, with Futura used almost entirely in scenes featuring members of the Tenenbaum family, but other typefaces such as Helvetica used with people outside the family e.g. on Raleigh St. Clair's books.[2] Anderson also uses the Futura typeface widely in Bottle Rocket, Rushmore and in the title of The Life Aquatic.

[edit] Reception

The film was met with mostly positive reviews, viewed by many as a worthy follow-up to Anderson's previous film, Rushmore. Todd McCarthy of Variety called the film "As richly conceived as the novel it pretends to be" and Richard Schickel, in Time, writing, "As with Anderson's Rushmore, there's a certain annoying preciousness to this film—it's not so consistently wise or amusing as he thinks it is—but it has its moments." Roger Ebert praised the film's writing, noting his belief that the film was "proof that Anderson and his writing partner, the actor Owen Wilson, have a gift of cockeyed genius." Mike LaSalle of the San Francisco Chronicle was enthusiastic in praising the film as "like no other, an epic, depressive comedy, with lots of ironic laughs and a humane and rather sad feeling at its core."

Some critics disagreed about the success of the film and its style, Glenn Lovell of the San Jose Mercury News writing, "If I smiled at all during this colossal misfire, it was at Hackman, who knows how to do cheerfully thoughtless better than anyone around. The rest of the cast looks lost and miserable." Peter Rainer was lukewarm about the film, writing, "Anderson is something of a prodigy himself, and he's riddled with talent, but he hasn't figured out how to be askew and heartfelt at the same time." Jay Carr of the Boston Globe wrote "Mostly you sit around waiting for it to be funnier, or at least funny more often."

The film currently holds a 80% "Fresh" rating at the website Rotten Tomatoes, including a 75% "Fresh" rating among the top critics.[3]

[edit] In popular culture

The narration and the way the film follows each family member is similar to Fox's critically acclaimed television sitcom Arrested Development. Jason Bateman, one of the show's stars, described the show as "The Royal Tenenbaums shot like COPS."[4] Arrested Development creator and head writer Mitchell Hurwitz said that when he saw The Royal Tenenbaums, he already had the idea for Arrested Development in mind and thought, "Well, I guess I won't be doing that," but subsequently changed his mind.[5]

[edit] Notes

[edit] External links

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