The Sand Pebbles (film)
|The Sand Pebbles|
|Directed by||Robert Wise|
|Produced by||Robert Wise|
|Written by||Robert Woodruff Anderson
Richard McKenna (novel)
Charles Knox Robinson III
|Music by||Jerry Goldsmith|
|Edited by||William Reynolds|
|Distributed by||20th Century Fox|
|Running time||Original cut:
The Sand Pebbles is a 1966 American period war film directed by Robert Wise. It tells the story of an independent, rebellious U.S. Navy Machinist's Mate, First Class aboard the fictional gunboat USS San Pablo in 1920s China.
The film features Steve McQueen, Richard Attenborough, Richard Crenna, Candice Bergen, Mako, Simon Oakland, Larry Gates, and Marayat Andriane (later known as a writer of erotic fiction under the nom de plume Emmanuelle Arsan). Robert Anderson adapted the screenplay from the 1962 novel of the same name by Richard McKenna.
In 1926, Machinist's Mate 1st Class Jake Holman (Steve McQueen) transfers from the Asiatic Fleet flagship to the Yangtze River Patrol gunboat USS San Pablo. (The ship is nicknamed the "Sand Pebble" and its sailors refer to themselves as "Sand Pebbles.") It has a labor system—condoned by the officers—wherein coolies (Chinese manual laborers) do the work, leaving the sailors free for combat drills and idle bickering.
Because he personally enjoys taking care of ships' engines, Holman bucks the "coolie" system, overseeing the operation of the power plant himself - antagonizing not only the chief engine room coolie, Chien, but his shipmates as well. Although he becomes close friends with one seasoned, sensitive seaman, Frenchy (Richard Attenborough), most of the other crew members see Holman's attitude as a threat to their cushy arrangement.
Holman discovers a serious defect that the superstitious coolies have not fixed. Holman informs the gunboat's captain, Lieutenant Collins (Richard Crenna), who declines to repair it. Only after the Executive Officer declares an emergency does Collins acquiesce. The chief engine room coolie, Chien, insists on taking Holman's place and is accidentally killed. The chief coolie, Lop-eye Shing, blames Holman. Holman selects Po-Han (Mako) and trains him. In time, the two become friends.
Po-Han is harassed by a sailor named Stawski (Simon Oakland), leading to a boxing match on which the crewmen place bets. Po-Han's victory leads to more friction between Holman and crew members, as well as the chief coolie, who wants to kick Po-Han off the ship, but is foiled by Holman.
An incident involving British gunboats (off screen) leads to Collins ordering the crew not to fire on, or return fire from, the Chinese, to avoid diplomatic incidents as well as to prevent xenophobic propaganda from being utilized against the San Pablo and her crew, especially by the Communists. Po-Han is sent ashore by the chief coolie and is captured. He is tortured by a mob of Chinese in full view of the crew. Collins attempts to buy Po-Han's release, but without success. Po-Han begs for someone to kill him. Holman disobeys orders and ends Po-Han's suffering with a fatal rifle shot.
The San Pablo is stuck in port at Changsha for the winter due to low water levels. It must deal with increasingly hostile crowds surrounding it in numerous smaller boats. Lt. Collins fears a possible mutiny.
Frenchy has saved an educated Chinese woman, Maily (Emmanuelle Arsan), from prostitution by paying her debts. He marries her and regularly swims to shore to visit her, but dies of pneumonia one night. Holman finds Maily sitting by Frenchy's corpse. Kuomintang (Chinese Nationalist Party) militia burst in, beat Holman, and drag Maily away.
The next day, several Chinese demand Holman be turned over to them as the "murderer" of Maily. Holman informs Collins what really happened. When the Chinese demand is rejected, they blockade the San Pablo. The American crew fears for their safety and demand that Holman surrender to the Chinese. Order is not restored until Collins fires a Lewis Gun across the bow of one of the Chinese sampans.
With spring at hand, Lt. Collins decides to try leaving. The San Pablo sails away, but receives radioed orders to return to the coast. Collins decides to evacuate idealistic, anti-imperialist missionary Jameson (Larry Gates) and his school teacher assistant, Shirley Eckert (Candice Bergen), from their remote mission up the Yangtze River.
To reach the missionaries, the San Pablo must fight past a boom made up of junks carrying a massive rope blocking the river. A boarding party is sent to cut the rope. Fighting breaks out. Holman cuts it with an axe while under fire. He kills a Chinese attacker before returning to the San Pablo. The ship then proceeds upriver, leaving smoking wrecks behind.
Collins leads a patrol of three sailors, including Holman, ashore. Jameson resists being rescued. Jameson shows Collins a document claiming that he and Eckert have renounced their U.S. citizenship and are therefore not under Collins's authority or American jurisdiction. Collins orders Holman to forcibly remove Eckert and Jameson, but Holman refuses to obey and announces he is going to stay with them.
The argument is interrupted by Nationalist soldiers who attack the mission. They kill Jameson. Collins takes a Browning Automatic Rifle (BAR), orders the patrol to return to the ship with Eckert, and remains behind to provide covering fire. Collins is killed, leaving Holman in command. Holman returns and recovers the rifle. He takes Collins' place to cover the escape. In the ensuing shootout, Holman kills several soldiers before he himself is fatally shot just as he starts to leave.
Eckert and the two remaining sailors reach the ship, and the San Pablo sails away.
- Steve McQueen as Machinist's Mate 1st Class Jake Holman
- Richard Attenborough as Machinist's Mate 2nd Class Frenchy Burgoyne
- Richard Crenna as Lieutenant Collins
- Candice Bergen as Shirley Eckert
- Marayat Andriane as Maily
- Mako as Po-han
- Charles Robinson as Ensign Bordelles
- Larry Gates as Jameson
- Simon Oakland as Machinist's Mate Stawski
- Ford Rainey as Harris
- Joe Turkel as Bronson
- Gavin MacLeod as Crosley
- Joe Di Reda as Red Dog Shanahan
- Richard Loo as Major Chin
- Barney Phillips as Chief Petty Officer Franks
- Gus Trikonis as Restorff
- Shepherd Sanders as Perna
- James Jeter as Boatswain's Mate 2nd Class Farren
- Tom Middleton as Pharmacist's Mate Jennings
- Paul Chun as Cho-jen (credited as Paul Chinpae)
- Tommy Lee as Chien
- Beulah Quo as Mama Chunk
- James Hong as Victor Shu
- Henry Wang as Lop-eye Sheng (uncredited)
- Adam Cheng
- Former child actor and career naval officer Frank Coghlan Jr. was the technical advisor to the film regarding the U.S. Navy, and appeared as one of the American businessmen stripping Maily.
For years, Robert Wise had wanted to make The Sand Pebbles, but the film companies were reluctant to finance it. The Sand Pebbles was eventually paid for, but because its production required extensive location scouting and pre-production work, as well as being due to monsoons in Taipei, its producer and director Robert Wise realized that it would be over a year before principal photography could begin. At the insistence of the film company, Wise agreed to direct a "fill-in" project, The Sound of Music, a film that became one of the most popular and acclaimed films of the 1960s.
The film company spent $250,000 building a replica gunboat named the San Pablo, based on the USS Villalobos—a former Spanish Navy gunboat that was seized by the U.S. Navy in the Philippine Islands during the Spanish-American War (1898–99) – but with a greatly reduced draft to allow sailing on the shallow Tam Sui and Keelung rivers. A seaworthy vessel that was actually powered by Cummins diesel engines, the San Pablo made the voyage from Hong Kong to Taiwan and back under her own power during shooting of The Sand Pebbles. After filming was completed, the San Pablo was sold to the DeLong Timber Company and renamed the Nola D, then later sold to Seiscom Delta Exploration Co., who used her as a floating base camp with significant modifications including removal of her engines and the addition of a helipad.
The Sand Pebbles was filmed both in Taiwan and in Hong Kong. Its filming, which began on November 22, 1965, at Keelung, was scheduled to take about nine weeks, but it ended up taking seven months. The cast and crew took a break for the Christmas holidays at Tamsui, Taipei.
At one point a fifteen-foot camera boat capsized on the Keelung River, setting back the schedule because the soundboard was ruined when it sank. When the filming was finally finished in Taiwan, the government of the Republic of China held several members of the crew, including McQueen and his family, supposedly "hostage" by keeping their passports because of unpaid additional taxes. In March 1966, the filming finally moved to the Shaw Brothers studios in Hong Kong for three months, and then in June it traveled to Hollywood, California, to finish its interior scenes at the Fox Studios.
Due to frequent rain and other difficulties in Hong Kong, the filming was nearly abandoned. When he returned to Los Angeles, McQueen fell ill because he had an abscessed molar. He had not wanted to see a dentist until he returned to California. His dentist and physician ordered him to take an extended period of rest—one that halted production again for weeks.
Fittingly it rained the night of the premiere, December 20, 1966, at the Rivoli Theatre in New York City. Afterwards, McQueen did not do any film work for about a year due to exhaustion, saying that whatever sins that he had committed in his life had been paid for when he made The Sand Pebbles. The performance did earn McQueen the only Academy Award nomination of his career. He was not seen on film again until two movies of 1968, The Thomas Crown Affair and Bullitt (which included his fellow The Sand Pebbles actor Simon Oakland as Bullitt's boss).
Themes and background
The military life of the San Pablo's crew, the titular sand pebbles, portrays the era's racism and colonialism on a small scale, through the sailors' relations with the coolies who run their gunboat and the bargirls who serve them off-duty, as well as on a large scale, with the West's gunboat diplomacy domination of China.
Although the 1962 novel pre-dated extensive US activity in Vietnam and was not based on any historic incidents, by the December 1966 release of the film it was seen as an explicit statement on the US's extensive combat involvement in the Vietnam War in reviews published by the New York Times. and Life magazine.
- From the First Opium War to the founding of the People's Republic of China, Western gunboats patrolled the Yangtze River to enforce trading privileges and extraterritorial rights that imperial powers acquired through unequal treaties. The gunboats enabled Western powers to assert influence over political developments in China. In the Panay incident of 1937, an American gunboat on the Yangtze River was bombed by Japanese warplanes. In the Yangtze Incident of 1949, several small Royal Navy ships were shelled by artillery batteries of the Chinese People's Liberation Army. The attack on the gunboat USS Panay is often cited as the inspiration for some elements in McKenna's plot. McKenna served in the China River Patrol in 1936.
- Despite its naval designation as a "river gunboat", the San Pablo of the book and film has very little artillery on deck: a 3-inch/23-caliber gun forward, a 1-pounder rapid fire gun astern and two Lewis machine guns (six in the novel). The sailors' small arms are M1903 Springfield rifles, bayonets, BARs and .45 caliber M1911 pistols carried by the officers and chief petty officers who also carry swords and cutlasses. The book mentions the use of riot guns by the crew and a box of hand grenades but the riot gun only appears briefly in the film while being carried ashore, otherwise they do not appear in the film.
- The plot element of the killing of missionary Jameson at China Light Mission may have been inspired by the 1934 killing of American Christian missionaries John and Betty Stam by Chinese Communists and by the killing of the "China Martyrs of 1900".
- Best Picture: Robert Wise
- Best Actor: Steve McQueen
- Best Supporting Actor: Mako
- Best Art Direction (Color): Art Direction: Boris Leven; Set Decoration: Walter M. Scott, John Sturtevant, William Kiernan
- Best Cinematography (Color): Joseph MacDonald
- Best Film Editing: William Reynolds
- Best Sound: James Corcoran
- Best Original Music Score: Jerry Goldsmith
After more than 40 years, 20th Century Fox found fourteen minutes of footage that had been cut from the film's initial roadshow version shown at New York's Rivoli Theater. The restored version has been released on DVD. The sequences are spread throughout the film and add texture to the story, though they do not alter it in any significant way.
- Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-1. p254
- "The Sand Pebbles, Box Office Information". The Numbers. Retrieved April 16, 2012.
- Kurcfeld, Michael, (2007). – Documentary: The Making of "The Sand Pebbles". – Stonehenge Media
- McQueen Toffel, Neile, (1986). – Excerpt: My Husband, My Friend. – (c/o The Sand Pebbles). – New York, New York: Atheneum. – ISBN 0-689-11637-3
- NY Times, movie review of Dec 21, 1966
- Life magazine review, Jan 6 1967 http://www.thesandpebbles.com/life/life_mag.htm
- "The Sand Pebbles". Rotten Tomatoes. Retrieved March 21, 2014.
- "The 39th Academy Awards (1967) Nominees and Winners". oscars.org. Retrieved 2011-08-24.
- "NY Times: The Sand Pebbles". NY Times. Retrieved December 27, 2008.
- Website devoted exclusively to The Sand Pebbles
- The Sand Pebbles (1966) at the Internet Movie Database
- The Sand Pebbles at AllMovie
- The Sand Pebbles at the TCM Movie Database
- Review – 1967, from the Movie Review Query Engine
- Review, by TV Guide
- USSPanay.org Webpage about the evacuation of Nanking and the Panay Incident