The Shootist

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The Shootist

film poster by Richard Amsel
Directed by Don Siegel
Produced by M.J. Frankovich
William Self
Written by Glendon Swarthout (novel)
Scott Hale
Miles Hood Swarthout
Starring John Wayne
Lauren Bacall
Ron Howard
Harry Morgan
James Stewart
Music by Elmer Bernstein
Editing by Douglas Stewart
Distributed by Paramount Pictures (USA/UK)
Dino De Laurentiis Company (International)
Release date(s) August 20, 1976 (USA)
Running time 100 minutes
Country United States
Language English

The Shootist is a 1976 Western starring John Wayne in his final film role. It was based on the 1975 novel of the same name by Glendon Swarthout.[1] Scott Hale and Miles Hood Swarthout (son of the author) wrote the screenplay. Lauren Bacall, Ron Howard and James Stewart co-starred and Don Siegel directed.

Contents

[edit] Plot

The movie begins with a clip montage of some of John Wayne's earlier western movies, depicting the life of the legendary "shootist" (gunfighter) John Bernard (J. B.) Books.[2]

The aging Books and the Old West are dying. Arriving in Carson City, Nevada on January 22, 1901, reading reports of the death of England's Queen Victoria in the newspaper, Books seeks a medical opinion from someone he trusts, E. W. "Doc" Hostetler (Jimmy Stewart). Hostetler confirms a Colorado doctor's prognosis of a painful and undignified death from cancer, so Books rents a room from the widow Bond Rogers (Lauren Bacall) and her son Gillom (Ron Howard) to contemplate his fate.

A distinctly nervous Marshal Walter Thibido (Harry Morgan) visits the house to order the notorious gunfighter to leave town. Books tells him about his terminal illness. The lawman is both relieved and elated, telling him, "Don't take too long to die."

Books' presence in town becomes known. Old enemies and glory seekers are drawn to him. Mike Sweeney (Richard Boone) wants to avenge a brother's death. A newspaperman (Rick Lenz) wants to exaggerate and glorify the violence in Books' life. Others seek fame by killing the gunfighter, Books being forced to shoot two strangers who try to ambush him in his sleep. Gillom is impressed, but his mother loses boarders and is upset by the violence in her home.

Old flame Serepta (Sheree North) shows up to ask Books to marry her. He is touched until he learns that she wants to use his notoriety to make money from the sensationalized ghost-written "memoirs" of his widow. After Doc Hostetler sells Books something to ease his pain and advises him not to die a death like he has described, Books bargains with someone who plans to profit from his death, the undertaker Hezekiah Beckum (John Carradine), from whom he orders a headstone with specific writings on it.

Gillom tries to sell Books' horse to Moses (Scatman Crothers), the local blacksmith to help pay back his mother's loss of boarders, however, he gets a better deal and confronts Gillom and they work out their differences. Books sets himself up to die on his birthday rather than die of cancer and sends Gillom to three specific men, Mike Sweeney, Jack Pulford (Hugh O'Brian), a professional gambler and pistol shot, and Jay Cobb (Bill McKinney) (each one being unaware that Gillom told the others) with a message saying he will be at the Metropole saloon on January 29, his 58th birthday.

On his birthday, the headstone he ordered arrives and shows 1843 as the year of his birth. Having made a gift of his horse, which he bought back, to Gillom as he has grown fond of him, Books says goodbye to Bond, whom he has gotten friendlier with and departs to meet his fate.

In a changing frontier, Books arrives at the saloon by trolley and Sweeney in an Oldsmobile Curved Dash (which debuted in 1901). It is early in the day, so there are no other customers for the bartender besides the four men. Books orders a drink from the bartender, and lifts his glass to each of the three men who are there at his invitation.

Suddenly, one by one, the men draw their guns and open fire, each taking on Books. In the ensuing shootout, Books kills all of his opponents but is shot twice himself. Gillom arrives after the gunbattle to find the wounded Books still alive. The bartender sneaks up on Books and empties a shotgun into his back. Gillom picks up Books' gun and shoots the bartender three times, killing him. In horror, Gillom looks at Books' gun, and then tosses it away. Books looks on, smiles in satisfaction to this, and then dies.

[edit] Cast

[edit] Production

The character of J. B. Books foreshadows the final days of John Wayne, who died from stomach cancer three years after production ended. The Shootist would be his final film role, concluding a legendary career that began during the silent film era in 1926. Lauren Bacall had suffered through the 1957 death of her husband Humphrey Bogart, who died of throat cancer, adding further shading to the film's parallels.

At the time the movie rights were purchased, John Wayne was not seriously considered for the role due to questions about his health and his ability to complete the filming. The producers had wanted George C. Scott, but Wayne actively campaigned for the role and made completion of the film a personal mission.

Contrary to popular belief, John Wayne did not have cancer when he made this film. His entire left lung and several ribs had been removed in surgery on 16 September 1964, and in 1969 he was declared cancer-free. It was not until 12 January 1979, almost three years after this movie had been filmed, that the disease was found to have returned.

The film was shot on location in Carson City, Nevada and at studios in Burbank, California. In Carson City, the house at 500 N. Mountain Street was used for the widow Bond Rogers rooming house, where J. B. Books' stayed, is three doors south from the Nevada governor's mansion. The only change to the house was a portico added on the southern side.

Besides changing the location from El Paso to Carson City, and having his horse Dollor written in, Wayne also changed the ending of the screenplay. Books was supposed to shoot Jack Pulford in the back, and then Gillom Rogers was to shoot Books. Wayne said, "Mister, I've made over 250 pictures and have never shot a guy in the back. Change it." He also did not want the young Gillom killing him; this would have made the movie go in a different direction and Gillom's tossing away of the gun, thus rejecting the life of a gunman, gained Wayne's approval.

Wayne was also responsible for much of the film's casting: friends and past co-stars Lauren Bacall, James Stewart, Richard Boone and John Carradine were all cast at Wayne's request.

Despite Wayne's influence on the film, Don Siegel denied claims that he and Wayne clashed, saying that "He had plenty of his own ideas... and some I liked which gave me inspirations, and some I didn't like. But we didn't fight over any of it. We liked each other and respected each other."[3]

The horse that J. B. Books rides in the film, Dollor (Ol' Dollor), that he gives to Gillom, had been Wayne's favorite horse for ten years, through several Westerns. The horse shown during the final scene of True Grit was Dollor, a two-year-old in 1969. Wayne had Dollor, a chestnut quarter horse gelding, written into the script (although there is no mention in the book of a specific horse) because of his love for the horse; it was a condition for him working on the project. Wayne would not let anyone else ride the horse. Robert Wagner rode the horse in a segment of the Hart to Hart television show, but this was after Wayne's death.[4]

[edit] Reception

Upon its release in June 1976, The Shootist was a minor success, earning nearly $6,000,000. It received fair-to-excellent reviews, with enormous praise heaped on Wayne by many critics. It was named one of the Ten Best Films of 1976 by the National Board of Review, along with All the President's Men and Network, and was nominated for one Oscar, a Golden Globe, a BAFTA award, and a Writers Guild of America award. The film currently has a 93% fresh rating on Rotten Tomatoes.

[edit] Awards

[edit] References

  1. ^ Swarthout, Glendon (1975). The Shootist, New York, New York: Doubleday. ISBN 0385060998
  2. ^ In order, the films are Red River, Hondo, Rio Bravo, and El Dorado.
  3. ^ quoted in Michael Munn, John Wayne: The Man Behind the Myth, p. 333
  4. ^ Whiteside, John. "The Duke's Horse Keeps Special Bond". Chicago Sun Times. January 19, 1985
  5. ^ "NY Times: The Shootist". NY Times. http://movies.nytimes.com/movie/44462/The-Shootist/awards. Retrieved 2008-12-30. 

[edit] External links

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