The Snowmen

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This article is about the Doctor Who episode. For other uses, see Snowman (disambiguation).
231 – The Snowmen
Christmas special
Doctor Who The Snowmen poster.jpg
Promotional poster for The Snowmen.
Cast
Others
Production
Writer Steven Moffat
Director Saul Metzstein
Producer Marcus Wilson
Executive producer(s)
  • Steven Moffat
  • Caroline Skinner
Incidental music composer Murray Gold
Series Doctor Who (series 7)
Length 60 minutes
Originally broadcast 25 December 2012 (2012-12-25)
Chronology
← Preceded by Followed by →
"P.S." (mini-webisode)
"The Angels Take Manhattan" (episode)
"The Bells of Saint John"

"The Snowmen" is a Christmas special of the British science fiction television series Doctor Who, first broadcast on Christmas Day 2012 on BBC One. It is the eighth Christmas special since the show's 2005 revival. It was written by head writer and executive producer Steven Moffat and directed by Saul Metzstein.

The episode is set in the Victorian era and sees the Doctor (Matt Smith) brooding with the assistance of Silurian Madame Vastra (Neve McIntosh), her wife Jenny Flint (Catrin Stewart) and Sontaran Strax (Dan Starkey), after the loss of companions Amy Pond and Rory Williams in the previous episode, "The Angels Take Manhattan". He is forced out of hiding to investigate mysterious, sentient snowmen that are building themselves and meets Clara Oswald (Jenna-Louise Coleman), a governess also investigating the snowmen. They discover that the snowmen are being animated by the Great Intelligence (voice of Ian McKellen) with the help of a man named Dr Simeon (Richard E. Grant).

Building upon the character's surprise introduction in "Asylum of the Daleks", "The Snowmen" introduces Clara as the Doctor's new companion, though ultimately it would be a third version of her character that would travel with the Doctor starting with "The Bells of Saint John". In addition to Clara, "The Snowmen" also introduces a redesigned TARDIS, revised title sequence and theme music, and sees changes to the Doctor's costume. The special was produced in August 2012, with location filming in Newport, Wales and Bristol. It received final ratings of 9.87 million viewers in the UK, becoming the fourth most-watched programme of Christmas Day. "The Snowmen" was met with mostly positive reviews from critics, most of whom received the introduction and character of Clara well. However, some felt that Grant and McKellen were underused as villains or the plot was slight because of the focus on characterisation.

Plot[edit]

Prequels[edit]

To promote the special, three prequels were released. The first was broadcast during the 2012 Children in Need telethon on 16 November 2012, titled "The Great Detective".[1] The Silurian Madame Vastra, her human wife Jenny Flint, and the Sontaran Strax (all returning from "A Good Man Goes to War") describe a number of strange phenomena to a shadowed fourth detective. The fourth detective reveals himself to be the Doctor, and tells the group that he has retired.[2]

A second prequel, titled "Vastra Investigates", was released online on 17 December 2012.[3] At the end of a case, Vastra and Jenny converse with an officer from Scotland Yard and apologise for Strax's violent wishes for the culprit's punishment. Vastra explains Strax's alien origin as well as her own to the officer, much to his astonishment. Vastra reveals that she was awoken by an extension to the London Underground and initially disliked humans, though that changed when she fell in love with Jenny. On the carriage ride home, Jenny notices it is beginning to snow and Vastra notes that the snow should be impossible because there are no clouds in the sky.[3]

A third prequel, titled "The Battle of Demon's Run — Two Days Later" was released on the United States iTunes and Amazon Instant Video stores on 25 March 2013.[4][5] Two days after the events of "A Good Man Goes to War", Vastra and Jenny convince Strax that he is not mortally wounded and invite him to accompany them back to 1800s London. The scene had been filmed as an extra due to the anticipation that fans would ask how Strax was resurrected.[6]

Synopsis[edit]

In 1842 England, a young boy builds a snowman, but refuses to play with the other children. The snowman starts speaking to the boy, repeating his assertions that the other children are silly. Fifty years later, the boy has grown up to be Dr. Walter Simeon, proprietor of the Great Intelligence Institute. He hires men to collect samples of snow, which he places in a large snow-filled globe in his laboratory before feeding the men to a group of animated snowmen. The Doctor, still despondent after losing his former companions Amy Pond and Rory Williams, has parked his TARDIS above Victorian London among the clouds. He uses his allies Vastra, Jenny, and Strax to keep people away from him. They also fill their time investigating mysteries throughout the city.

Elsewhere, Clara investigates a disturbance outside the tavern she works at and finds the Doctor walking by. He attempts to leave discreetly, but Clara follows him to a coach. Not wishing to become involved in matters, the Doctor instructs Strax to bring him a memory worm that will erase the last hour of Clara's memories with just a touch. Before they can do so, they are surrounded by snowmen created from snow with psychic properties who attack the group. The Doctor realises that Clara's thoughts are creating the snowmen and ends the threat by instructing her to think of them melting. Clara cautions the Doctor that if he wipes her memory, she will forget how to deal with the snowmen. The Doctor reluctantly allows her to go and ascends a staircase to the sky to return to the TARDIS. Clara follows him and knocks on the door, but she hides and flees down the staircase when the Doctor answers. Clara returns to her other job as governess for the children of Captain Latimer. She learns that Latimer's daughter has been having horrible dreams about their previous governess returning from the dead. Clara realises that the pond that contains the old governess' body is the only thing still frozen around them. She attempts to track down the Doctor but instead attracts the attention of Jenny, who takes her to see Vastra. Vastra tells Clara she gets only one word to impress the Doctor with if she wants his help. Clara chooses the word "Pond", which shocks the Doctor and arouses his interest.

The Doctor welcomes his new companion Clara to his redesigned TARDIS. The idea behind the redesign was to make the TARDIS look more like a machine again.

Acting on a tip from Strax, the Doctor visits the Great Intelligence Institute posing as Sherlock Holmes. He confronts Dr. Simeon and find a large glass globe in Simeon's office that contains psychic snow. The Doctor speaks to the Great Intelligence, the entity that has been speaking to Dr. Simeon since he was a boy. He learns that the Great Intelligence has been controlling the snowmen and has taken interest in Latimer's pond. The Doctor visits the pond and deduces that the Great Intelligence is using the old governess' body as a DNA blueprint to form an ice creature that will retain its form and not melt. While Clara is putting the children to bed, the frozen body of the governess breaks into the house. The Doctor fights her off and is joined by Vastra, Jenny and Strax. Dr. Simeon arrives with more snowmen and tells them he wants the governess' ice body. The Doctor flees with Clara to the roof of the mansion and then to the TARDIS hovering overhead. They are pursued by the ice governess, whom the Doctor traps under a layer of frozen ice crystals. Inside the TARDIS the Doctor gives Clara a TARDIS key, but the ice governess arrives and pulls Clara down off the cloud.

The Doctor picks up Clara and takes her back to Latimer's mansion, placing her under medical care of Strax. He collects the ice fragments from the governess and places them in a souvenir London Underground biscuit tin. He and Vastra travel to Simeon's lab, where the Doctor notes the Intelligence's plan to replace humanity with ice creatures and holds up the tin with the necessary DNA. Dr Simeon grabs the tin and opens it only to find the memory worm, which latches on to him. The Doctor states that the Great Intelligence, which has been existing as a mirror of Dr Simeon's thoughts, will vanish with the erasure of Simeon's memories. Instead, the Intelligence reveals that it existed long enough that it can now control Simeon's body, which it uses to attack Vastra and the Doctor. The influence of the Great Intelligence quickly wanes, and Simeon falls dead. Outside, a salt-water rain has started, and the Doctor sees that another psychic ability has taken control of the snow from the Great Intelligence: the Latimer family, crying for Clara. Strax informs the Doctor upon his return to the Latimer mansion that Clara only has moments left, and she passes away as the Doctor returns the TARDIS key to her. At her funeral, the Doctor reads Clara's full name as Clara Oswin Oswald on her tombstone and realises she is the woman he met in "Asylum of the Daleks" who became a Dalek, whom he refers to as "Soufflé Girl". He gleefully announces that a person dying twice is an impossibility and, bidding farewell to his allies for now, the Doctor departs in the TARDIS to investigate and find Clara. The episode concludes in contemporary times, where a young woman resembling Clara walks through the same graveyard, pausing by Clara's tombstone.

Continuity[edit]

The Second Doctor previously encountered the Great Intelligence in the serials The Abominable Snowmen (1967), set in the 1930s, and The Web of Fear (1968), set in the 1960s.[7] In these stories, the Great Intelligence uses robot Yeti as its physical presence. The events of The Web of Fear are alluded to by the Doctor in "The Snowmen" when he presents the London Underground biscuit tin to the Great Intelligence in Dr Simeon's laboratory; the Intelligence states, "I do not understand these markings", in reference to the 1967 London Underground map design on the tin.[8] The Doctor remarks that the Underground is a "key strategic weakness in metropolitan living", referring to (and possibly setting in motion) the future Yeti attack on London via the Underground.[9] In this respect, "The Snowmen" may be considered as a prequel to the Second Doctor Yeti serials, establishing an origin for the Intelligence and explaining its penchant for "Snowmen" and knowledge of the London Underground.[8] The Great Intelligence, as portrayed by Grant, returned in the spring premiere "The Bells of Saint John", where it is revealed to be behind the threat of that episode.[10]

Coleman previously played Oswin Oswald in "Asylum of the Daleks",[11] though the connection between the two characters is not clarified until Clara reveals she has an interest in soufflés, a trait that Oswin's character also had.[12][13] The final scenes at the graveyard establish that Clara shares the same name as Oswin, leading the Doctor to surmise they are the same person. As seen on her gravestone, Clara's birthdate is 23 November, the date Doctor Who was first transmitted in 1963.[14]

Production[edit]

Writing and design changes[edit]

Writer Steven Moffat stated that he wanted an "epic" quality to the Christmas special.[15] The story would also show how the Doctor had responded to losing his previous companions; Moffat said that "I think he's probably reached the point in his life where he's saying, 'Friendship for me is just postponed bereavement — I want to be on my own for a while'."[16] Moffat compared the withdrawn Doctor seen at the onset of the episode to the first appearances of the First Doctor (William Hartnell) in 1963 and the Ninth Doctor (Christopher Eccleston) in 2005.[15] He also attributed the idea of a retired Doctor to a plot proposed by Douglas Adams in the 1970s, but rejected by the production team at the time.[17] Continuing the theme introduced with the series' first five episodes, "The Snowmen" was promoted like a movie. A movie poster was released in the Radio Times, showing the Doctor and Clara ascending the ladder to the TARDIS.[18]

The episode saw several major design changes for the series. "The Snowmen" is the debut of a redesigned TARDIS interior,[19][20] as well as a new title sequence and variation of the theme tune.[21] The new title sequence features a brief glimpse of the Doctor's face, the first time since Survival, the final serial of the classic series in 1989, that the Doctor's face has been seen in the title sequence.[22] Moffat had noticed that the TARDIS' design was getting "progressively whimsical" and resembled more of a "magical place" rather than a machine.[23] It was designed by series production designer Michael Pickwood, who stated that the new interior was also supposed to be "darker and moodier" and provide an easier access to the "gallery" of the ship when shooting.[24]

The Doctor also wears a one-off costume, Victorian-themed, which Smith described as "a bit Artful Dodger meets the Doctor".[25] Moffat described the new outfit as a "progression" as the Doctor was in "a different phase of his life now" and felt more "grown-up" and fatherlike.[26] The costume was designed by Howard Burden for this episode.[14] "The Snowmen" also contains several references to Sherlock Holmes, including the Doctor dressing up as him. Moffat is co-creator of the BBC series Sherlock, for which Smith auditioned for the role of Doctor Watson before being cast as the Doctor.[27][28] In addition, the incidental music during the scene bears a resemblance to the Sherlock theme.[29]

Casting[edit]

This episode marks the return of Jenna-Louise Coleman, who previously appeared in the series opener, "Asylum of the Daleks".[30] Coleman was cast because of her chemistry with Matt Smith, and especially because she was able to talk faster than him.[31] She auditioned for the role of Clara, not Oswin from "Asylum", as the concept of the two characters being the same only occurred to Moffat whilst casting for Clara.[32] The production team requested that the press and fans who attended advanced screenings keep Coleman's appearance a secret until "Asylum" was broadcast; the effort was ultimately successful.[33] Moffat stated that the introduction of a new companion made "the show feel different" and brought the story to "a new beginning" with a different person meeting the Doctor.[34] Smith said that Clara was different from her predecessor Amy Pond (Karen Gillan), which allowed the audience to see a different side of the Doctor.[15] Coleman described her as resourceful and not intimidated, citing the reason for following the Doctor at the beginning as pursuing answers.[15] The Clara who would become a travelling companion of the Doctor would not debut until the Spring premiere, "The Bells of Saint John";[35] Coleman stated that she played each version as individuals with "trust that there would be a payoff" to her mystery.[36]

Also returning to the series are Neve McIntosh as Madame Vastra, Dan Starkey as Strax and Catrin Stewart as Jenny. All three previously appeared in "A Good Man Goes to War" and reprised their roles both in this episode and in the prequels. They returned due to the popularity of Vastra and Jenny; Moffat considered a spin-off featuring them, though he did not have the time to do it. Instead, he decided to bring them back in the main series.[37] Richard E. Grant had previously played the Doctor on two occasions, as an alternative Tenth Doctor in the spoof charity special Doctor Who and the Curse of Fatal Death, which was written by Moffat and as an alternative Ninth Doctor in the animated story Scream of the Shalka which had been intended to be a continuation of the series before it was revived in 2005.[15] Smith commented that Grant was "born to be a Who villain. He pitches it on that perfect level and tone".[38] Grant's appearance in Doctor Who was teased by the BBC via Twitter, announcing his appearance at midnight 5 August 2012.[39][40] Tom Ward was drawn to his role because of the quality of the script, and also stated his young children were pleased that he appeared in the programme.[15] The Great Intelligence was voiced by Sir Ian McKellen.[41] The two children Clara is governess to, Digby and Francesca, were played by real-life brother and sister Joseph and Ellie Darcey-Alden.[14]

Filming and effects[edit]

"The Snowmen" was originally intended to be produced in the fourth production block of the series and be the first episode Coleman shot as her character;[42] however, it did not begin filming until the week of 6 August 2012,[43] after Coleman had worked on later episodes while Moffat was writing the Christmas special.[34] The read-through had taken place on 2 August 2012.[14] This was the first Christmas special to be filmed in BBC Wales' new Roath Lock studios.[14] Scenes featuring Coleman and several guest stars in a Victorian setting were filmed in Newport, Wales,[44] while Coleman and Smith were also spotted filming in Bristol two weeks later on 21 August.[45] Some scenes which used snow props were filmed in Portland Square, Bristol, where filming took place overnight on 21–22 August 2012.[46] Bristol was chosen because it had Victorian-era architecture.[47] Pickwood stated that his favourite set is the London Street with the back of the pub, which he said was based on a sixteenth-century building in Oxford.[48] The locations were blocked off and sprayed with fake snow.[47]

The TARDIS on the cloud was achieved through a mix of fog on the studio floor and post-production special effects.[47] Director Saul Metzstein explained that it was difficult to achieve the desired look for the snowmen; the first ones he likened to Zippy from Rainbow which was too "cute" of an appearance, and so the effects team created more menacing CGI faces.[49] Clara's introduction to the TARDIS introduced two novel effects for the show. The first was a single-shot camera tracking from a few feet away from the TARDIS to its interior, with the implication of the TARDIS's trans-dimensional nature shown to the audience.[47] In the following shot, the camera does a complete circle of the TARDIS console, an effect not seen since the early days of the show. Metzstein wanted to include this shot to further emphasize the "bigger on the inside than the outside" nature of the time machine.[49]

Broadcast and reception[edit]

"The Snowmen" aired on BBC One on 25 December 2012 at 5:15 pm,[50] the same day on BBC America in the US[51] and Space in Canada[52] and the next day on ABC1 in Australia[53] and on Prime in New Zealand.[54] UK overnight ratings showed that the special had been watched by 7.6 million viewers, coming in sixth for the night.[55] Final consolidated figures (not including BBC iPlayer viewers) showed that the episode was watched by 9.87 million viewers, coming in fourth for the night.[56] It also received an Appreciation Index figure of 87, higher than most of the Doctor Who Christmas specials.[57] The iPlayer version had 1,467,220 views,[58] making it the most popular TV show on iPlayer over Christmas.[58] The US airing was seen by 1.43 million viewers, with a 0.6 rating in the demographic of adults aged 18–49.[59]

Critical reception[edit]

Some critics felt that Richard E Grant and Ian McKellen (pictured) had been underused as villains.

The episode received mostly positive reviews. Dan Martin of The Guardian called it "actually the best Christmas Special since 'The Christmas Invasion'" and the first to be "actually scary", with "everything we like" about Doctor Who and Christmas. He praised Coleman's introduction as Clara and the gang of Vastra, Jenny, and Strax.[22] IGN's Matt Risley gave "The Snowmen" a score of 9.4 out of 10, describing it as "a rollicking, riveting masterclass in storytelling" which "refreshingly" lacked traditional Christmas references "in favour of some sparkling dialogue, gorgeous set design and fascinating characterisation". While he felt that Grant and McKellen were underused, he was very positive towards Coleman's "unpredictable" Clara.[60] Radio Times reviewer Patrick Mulkern was pleased with the return of the Great Intelligence despite an inconsistency in the timeline he found, and praised the "lovely images" and direction of the special, though he felt the variation of the theme music "lacks the menace" of the original. While he was positive towards Clara, he was "unmoved by her death" as it was "plainly silly" that she did not look injured.[7]

Nick Setchfield of SFX gave the special four and a half out of five stars, writing that "the power of emotion saves the day again" was appropriate in light of the festivities and many fairytales referenced in the story. Setchfield was positive towards the "terrific" comedy with Strax, Coleman and the "surprisingly underused" Grant, as well as the new title sequence and TARDIS. While he wrote that the subtle callback of the Great Intelligence was "a tad more interesting than the usual 'So, we meet again!' schtick", he ultimately felt their threat "never quite comes into sharp relief".[8] Neela Debnath of The Independent wrote that "The Snowmen" was stronger than the previous year's "The Doctor, the Widow, and the Wardrobe" as it was connected to the overall story of the series, but "still has a way to go if it is to live up to 'A Christmas Carol'". Despite feeling that it was "enjoyable", she noted that "the story feels truncated and rushed"[61]

The Mirror's Jon Cooper also praised Coleman and the new side of the Doctor that was shown, comparing it to Rose Tyler (Billie Piper) challenging the Ninth Doctor (Christopher Eccleston). However, he felt the character-heavy story was to the detriment of the plot, which was "a classic Who set-up that ultimately suffers from a lack of explanation [and] more set-pieces than a coherent whole". He felt that the episode may not have been accessible for casual viewers, but offered much for fans in time for the programme's fiftieth anniversary.[62] Dominic Cavendish of The Daily Telegraph gave "The Snowmen" three out of five stars, disappointed that it was not as scary as it had been hyped to be. While he was positive towards Smith and the TARDIS on the cloud, he criticised Strax and the "Sudoku-like complexity" of the script.[63]

The episode has been nominated for the 2013 Hugo Award for Best Dramatic Presentation (Short Form), alongside "Asylum of the Daleks" and "The Angels Take Manhattan".[64]

Soundtrack[edit]

Selected pieces of score from "The Snowmen" and the preceding Christmas special, as composed by Murray Gold, is included on a soundtrack released on 21 October 2013 by Silva Screen Records.[65]

References[edit]

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