The Sopranos (episode)

For the series as a whole, see The Sopranos.

"The Sopranos"
The Sopranos episode
James Gandolfini
Episode no.	Season 1 Episode 1
Directed by	David Chase
Written by	David Chase
Produced by	David Chase
Cinematography by	Alik Sakharov
Editing by	Joanna Cappuccilli
Production code	S101
Original air date	January 10, 1999 (1999-01-10)
Running time	54 minutes
Guest stars
Jerry Adler Alton Clinton Phil Coccioletti Michele DeCesare Drea de Matteo Elaine del Valle Guiseppe Delipiano Siberia Federico Michael Gaston Joe Lisi Justine Miceli Katherine Narducci Joe Pucillo Michael Santoro Bruce Smolanoff John Ventimiglia
Episode chronology
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List of The Sopranos episodes

"The Sopranos" (also known as "Pilot") is the pilot episode of the HBO television drama series The Sopranos, which premiered on January 10, 1999. It was written and directed by series creator/executive producer David Chase.

Plot summary

New Jersey-based mobster Tony Soprano of the DiMeo crime family unexpectedly becomes short of breath and passes out while barbecuing. After his doctors are unable to find any physical problem with Tony, his collapse is diagnosed as a panic attack. He is referred to psychiatrist Jennifer Melfi. In their first meeting, the two discuss the events that led to his collapse.

Presenting himself as a "waste management consultant", Tony begins detailing the day of his attack to Dr. Melfi. Tony is initially uncooperative, expressing scorn for the practice of psychiatry. He tells Dr. Melfi about the stress of his business life—he has a feeling that he has come in at the end of something and describes a reverence for times past. Tony tells Dr. Melfi a story about a family of ducks landing in his pool and nesting there. He has a little stress in his home life with his daughter, Meadow, associating with a friend, Hunter Scangarelo, whom his wife feels is a bad influence. Later he mentions that his wife and daughter are not getting along. Tony also tells Dr. Melfi about the stress of training his "nephew" in the family business. After establishing the ground rules of what will fall under doctor-patient confidentiality, Tony opens up about his career, but keeps the violent details from the doctor.

Tony details the stress of caring for his aging mother, Livia, who is relentlessly pessimistic and cynical, at once demanding and resentful of assistance. He also mentions his wife's relationship with her priest, Father Phil Intintola, as a minor stress. By the end of their first session Dr. Melfi succeeds in making Tony admit he feels depressed, but he storms out when she presses him further about the ducks.

Livia's derisive outburst when the family visit Green Grove, a 'retirement community' in which Tony is attempting to place his mother, prompts a second panic attack. This sends Tony back to Dr. Melfi. She prescribes Prozac for him. Tony does not attend their next appointment, but when he bumps into her at a restaurant, he tells her the "decorating-tips" she gave him really work. Dr. Melfi's date is impressed by Tony and the fact he was able to get them a table after the hostess had initially indicated that there would be a substantial wait.

At their next session, Tony is still reluctant to face his own psychological weaknesses though he is quick to credit the medication for his improved mood, but Dr. Melfi tells him it cannot be that as it takes six weeks to work—she credits their therapy sessions. Tony describes a dream where a bird steals his penis. Dr. Melfi extrapolates from this to reveal that Tony projected his love for his family onto the family of ducks living in his back pool. This brings him to tears, to his consternation. She tells him that their flight from the pool sparked his panic attack through the overwhelming fear of somehow losing his own family.

Throughout the episode, the audience learns more about Tony's life than he is telling Dr. Melfi, through action shown in flashbacks that is inconsistent with his dialog with her. Besides the violence, one of the major things he does not expressly tell Dr. Melfi is that his wife knows he has been unfaithful and is resentful. When dining out with his comáre Tony is greeted by the restaurant manager, who tells him it is good to see him and it has been ages since he has eaten there. He later gives the same speech when Tony arrives with Carmela, aiding Tony in covering up his infidelity. At this dinner, Tony confesses to Carmela that he is taking Prozac and seeing a psychiatrist. Carmela, who thinks Tony is about to confess to more adultery, is overjoyed and tells Tony she is proud of him. Tony stresses that he only told her because she is the only one he is absolutely honest with, causing Carmela to scoff at him.

Tony's nephew and mob underling, Christopher, devises his own means of settling a dispute with a Czech waste management company, Triboro Towers garbage, that rivals the Soprano family's own front business, Barone Sanitation. He lures out and kills the company's heir, Emil "Email" Kolar, in the back room of Satriale's Deli. Originally planning to dump the body in a Kolar family garbage dumpster as an example, Christopher instead takes the advice of longtime family soldier Salvatore "Big Pussy" Bonpensiero, who advises him to bury the body and avoid police investigation, while tacitly intimidating the Kolars. The Kolars drop their rival bid following Emil's disappearance.

Tony shows his chops as an inventive mob leader by beginning a new enterprise inspired by his MRI scan. Mahaffey, a compulsive gambler who is in debt to Tony, is intimidated into making false claims to pay out to the organization in order to cover his debts. Herman "Hesh" Rabkin, an old Jewish friend of Tony's father, advises Tony on this scheme and of some problems with his Uncle Junior, who feels jealous of Tony's (and Tony's father's) ascendancy in the organization.

Tony's Uncle Junior wants to kill turncoat "Little Pussy" Malanga in Artie Bucco's restaurant, Vesuvio. Tony, a friend of Artie since childhood, fears that a mob hit in his friend's establishment could damage Artie's business. However, Junior refuses to move the assassination to another location, explaining Malanga will not meet with Junior unless it is a place he finds safe and familiar. In an attempt to have Artie close Vesuvio's for a time, thereby forcing Junior to kill Malanga somewhere else, Tony offers Artie two tickets for a weeklong cruise. However, Charmaine, Artie's wife, not wanting her husband to get mixed up with the Mafia, demands that he reject Tony's offer. Unable to sway Artie, Tony has his trusted right-hand man, Silvio Dante, detonate an explosion in Artie's restaurant, in the hopes that Artie can claim insurance money without becoming any the wiser of the gangland conflict. Tony instructs Silvio Dante about this plan at their daughters' volleyball game.

At his son's birthday party, Tony and his crew comfort Artie about the loss of his restaurant, and Tony tells Artie he will always help him. Christopher becomes angry and storms off; Tony presses him and discovers he is annoyed at not receiving more recognition for his input on the Triboro Towers garbage conflict. Tony agrees and apologizes to Christopher. Christopher quickly regains his good mood, and all seems well with his world.

However, while giving Livia a ride to the party, an embittered Uncle Junior floats the idea of eliminating Tony if he continues interfering in his business. Significantly, his sister-in-law's reaction is to silently look the other way.

Deceased

• Emil "Email" Kolar: Shot in the back of the head by Christopher.

Awards

David Chase won the Directors Guild of America award for Outstanding Directorial Achievement in Dramatic Series for his work on this episode and an Emmy for Joanna Cappuccilli for Outstanding Single Camera Picture Editing in a Series. It was nominated at the Emmys for Outstanding Writing in a Drama Series and Outstanding Directing in a Drama Series for David Chase.

Production

• This is the first of only two episodes directed by series creator, David Chase. The other is the series finale, "Made in America". Although this episode is titled "The Sopranos" on the DVD release and reruns on A&E, it was referred to as "Pilot" when originally aired. Pre-production commenced in the summer of 1997, 1½ years before the series debuted on TV. During this year break, James Gandolfini gained 60 pounds for the role of Tony and underwent voice coaching.
• In "Pilot", Siberia Federico and Michael Santoro play Irina and Father Phil respectively. For future episodes, these roles were recast with Oksana Babiy and Paul Schulze.
• The pork store used as a meeting place is Centanni's Meat Market, a real butcher shop in Elizabeth, New Jersey. However, because the shop had a steady business and because local business owners were annoyed with the incidental effects of having a television production being shot on a weekly basis, HBO acquired an abandoned location in Kearny, New Jersey which became Satriale's Pork Store for use in future episodes.^{[citation needed]}
• While touring Green Grove, the theme to The Rockford Files can be heard coming from the television. David Chase was a writer/producer for The Rockford Files for many years.

Connections to future episodes

• "Little Pussy" Malanga, the man Uncle Junior wants to kill in Artie's restaurant, is the same person whom Junior mistakes Tony for when he shoots him in the season six episode "Members Only".
• In "Whoever Did This", Tony suspects Ralph Cifaretto of having Pie-O-My's stable torched. He asks if Ralph has heard from Corky Ianucci lately - an expert arsonist who was responsible for setting Artie Bucco's restaurant on fire in the pilot episode.
• Carmela tells Tony that he will go to Hell when he dies. Tony reminds her of this in "Whitecaps". In "Join the Club", Carmela tearfully tells a comatose Tony that she regrets saying this.
• Christopher reminds Tony that his cousin Gregory's girlfriend is a development girl; she will eventually feature in the season two episode "D-Girl".
• Dr. Bruce Cusamano, Tony's neighbor and family physician, is referenced in this episode and he makes his first appearance later in the season in "A Hit Is a Hit". He also appears in "Isabella", "Funhouse", "Whitecaps", and "Soprano Home Movies".
• When describing Uncle Junior, Tony tells Dr. Melfi that his uncle embarrassed him by telling all his girl cousins he didn't have the makings of a varsity athlete. Uncle Junior repeats that declaration to Tony on multiple occasions in the season five episode "Where's Johnny?".
• Carmela wants to take Meadow to the Plaza Hotel for a family tradition. Though Meadow declines in this episode, viewers finally see it take place in the season four episode "Eloise".
• Tony's ownership of John F. Kennedy's sailing hat, that he keeps on his boat The Stugots, is established in this episode. He later shows it off on the season five episode "In Camelot".
• A.J.'s birth date is revealed in the season six episode "Kaisha" as July 15, indicating that this episode takes place in the summer. However, Hunter picks Meadow up for school, which would be on summer break at that time; it could be presumed they were attending summer school.
• Before Christopher kills Emil Kolar, he serves him some cocaine on a meat cleaver. Christopher eventually produces a film titled Cleaver in the sixth season, and in episodes, "The Legend of Tennessee Moltisanti" (with Georgie Santorelli's help) and "Cold Cuts" (with Tony Blundetto's help) he disinters and moves Emil's remains.
• As Tony prepares to tell Carmela about his therapy and Prozac prescription, she overreacts before he has a chance to explain, to which he replies, "Always with the drama". In the series finale, "Made in America", Carmela explains what could happen to A.J. if he joined the army, to which he also replies, "Always with the drama". In the season one episode "Down Neck", Johnny Boy Soprano utters the same line to Livia in Tony's flashback.
• In this episode, when Christopher is first introduced, he is seen wearing a baseball cap and driving Tony around. In season six's "Kennedy and Heidi", right before Christopher dies, he is wearing a baseball cap and driving Tony around. According to an article in TV Guide, Michael Imperioli states that he does not know if this is intentional or a coincidence.

Music

• The song played in the car, when Christopher first appears, is Fred Neil's "The Other Side of This Life", performed by The Jefferson Airplane. The cut is from the album Bless Its Pointed Little Head.
• The song played in the scene wherein Christopher and Tony are chasing Tony's debtor is "I Wonder Why" by Dion and the Belmonts. Within the commentary track on the DVD release, David Chase states his regret about choosing this song for the scene. This song is also on the soundtrack to the film, A Bronx Tale.
• The background music playing while Tony is in the pool with the ducks is "Who Can You Trust?" by Morcheeba (from their album of the same name).
• The song played in the kitchen during the breakfast scene, while Tony plays with the ducks, is "Shame Shame Shame" by Shirley & Company.
• The song played in the kitchen during the breakfast scene, as Tony and Carmela speak, is "I'm So Happy I Can't Stop Crying" by Sting.
• The song played in the scene outside the cafe is "Rumble" by Link Wray and His Men.
• The song played during Tony's first attack is "Chi il bel sogno di Doretta" from La Rondine, by Giacomo Puccini. This song is also played at the end of the episode "Irregular Around the Margins".
• The song played during the barbecue scene at the end is "No More I Love You's" by Annie Lennox.
• The song played over the end credits is "The Beast in Me" by Nick Lowe. Its use helped popularize his version of the song.

External links

• Pilot at the Internet Movie Database