The Spook Who Sat by the Door (novel)

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The Spook Who Sat by the Door
Front cover of the 2002 Lushena Books edition
Cover of the 2002 Lushena Books edition
Author Sam Greenlee
Country United Kingdom
Language English
Publisher London, UK: Allison & Busby; New York: USA: Richard W. Baron Publishing Co.
Publication date
March 1969
Media type Print
Pages 182
OCLC 491599651
813/.5/4
LC Class PZ4.G8146 Sp PS3557.R396
Followed by Blues for an African Princess

The Spook Who Sat by the Door (1969), by Sam Greenlee, is the story of Dan Freeman, the first Black CIA officer, and of the CIA's history of training persons and political groups who later used their specialized training in gathering intelligence, political subversion, and guerrilla warfare against the CIA.

The author, Sam Greenlee, was told by Aubrey Lewis (1935–2001), one of the first Black FBI agents recruited to the Bureau in 1962,[1] that The Spook Who Sat by the Door was required reading at the FBI Academy in Quantico, Virginia.[2] Greenlee's spy novel first was published in March 1969; by Allison & Busby in the U.K., and by the Richard W. Baron Publishing Company, in the U.S. The cinematic version, The Spook Who Sat by the Door (1973), was directed by Ivan Dixon, and the novel's author co-wrote the screenplay.

Summary[edit]

The Spook Who Sat by the Door occurs in the late 1960s and early 1970s, in the Chicago of Mayor Richard J. Daley. The story begins with Senator Hennington, a white, liberal senator who is facing a tight re-election vote, and so is looking for ways to win the Negro vote. His wife suggests that he accuse the Central Intelligence Agency (CIA) of racial discrimination, because the Agency has no black officers. Consequent to Senator Hennington's investigation, which assured a comfortable re-election, the CIA is required, for political reasons, to recruit Black Americans for training as case officers. Only Dan Freeman, secretly a black nationalist, successfully completes the training; of his recruitment class, he earned the highest grades and best marks for athleticism. Stationed in South Korea during the Korean War (1950–53), Freeman is an expert in hand-to-hand combat, especially judo; and played football at Michigan State University.

Having become the first black man in the Central Intelligence Agency, Freeman is given a desk job — Section Chief of the Top Secret Reproduction Center. Freeman understands that he is the token black man in the CIA, and that the CIA defines his presence as proof of the Agency's commitment to racial integration and social progress. When used as a "Model Negro", and tasked to appear and speak at social and official events, Freeman tells the story the audience wish to hear. He has a distaste for the "snob-ridden", political world of Washington D.C., and especially the city's black middle class. Therefore, after completing his training in guerrilla warfare, weaponry, communications, and subversion, Freeman continues working at CIA a long-enough time to avoid raising suspicion about his motives for resigning from the CIA; and then returns to Chicago to work providing social services to black people.

On returning to the city, Freeman communicates with the Cobras, a street gang previously immune to appeals from social-service agencies. Immediately, he begins recruiting young black men from the ghettoes of Chicago, the "inner-city", to become Freedom Fighters, by teaching them the guerrilla warfare skills and tactics he learned at CIA. The Cobras' training includes a fight with the Comanches, a rival street gang; the study and appreciation of black poetry, music, and revolutionary leaders; a bank robbery on 115th and Halstead streets; and the robbery of a National Guard Armory on Cottage Grove Avenue. The Cobras have become a guerrilla group, with Dan Freeman as the secret leader, and, by means of violent and non-violent actions, set out to ensure that black people truly live freely in Chicago and the U.S. The “Freedom Fighters” of Chicago begin propaganda operations to tell the public about their guerrilla warfare throughout the U.S. To his guerrillas, Freeman says, “What we got now is a colony, what we want is a new nation.” As armed revolt and war of liberation occur throughout the poor neighbourhoods of Chicago, the Illinois National Guard and the Chicago police desperately try to stop the black Freedom Fighters.

Learning the operational and tactical flaws of the National Guard's "sloppily trained and ill-disciplined" units, Freeman and the Freedom Fighters escalate their urban warfare in Chicago. First, they blow up the office of the mayor in the new city hall building. Secondly, they paint a Negro alderman's car yellow and white. Thirdly, they take over radio stations and broadcast propaganda from "the Freedom Fighters, the Urban Underground of Black Chicago." Fourth, they kidnap Colonel "Bull" Evans, the commander of the Illinois National Guard unit, drug him LSD, and then release him.

After the Freedom Fighters start sniper attacks, killing National Guardsmen, Dan Freeman is visited by three, old friends, two women and a man. After speaking with his women friends, Freeman's final guest is Dawson, a friend and also a Chicago police sergeant. Suspicious of Freeman, Sergeant Dawson had secretly entered Freeman's apartment; his suspicion was verified when he found Freedom Fighter propaganda. After an argument, Freeman attacks Dawson and kills him. He then calls the ranking Freedom Fighters to dispose of Sergeant Dawson's body. The story closes with Dan Freeman ordering "Condition Red", which order activates guerrilla attack-teams in twelve cities throughout the U.S.A.

Title and background[edit]

The title of the novel, The Spook Who Sat by the Door, refers to a public-relations practice, in the early days of racial affirmative action in U.S. society, whereby the first Black person hired by a company would be placed in an office that was close to and visible from the entrance of the business, so that everyone who entered could see that the company had a racially-mixed staff of employees. The word spook has a dual meaning in the title of the novel: (i) as a racial slur for a Black person, and (ii) as an intelligence-agency jargon word for a spy.[3]

The Spook Who Sat by the Door is a critical reflection upon the racism, violence, and oppression lived by African Americans in the United States. As such, the novel is a manual on how to be a successful revolutionary, by beating The System at their own game.[4] The character of "Dan Freeman" demonstrates the importance of co-operation among oppressed peoples in fighting for equality and freedom.[5] About the publication of the novel and the release of the film, The Spook Who Sat by the Door (1973), directed by Ivan Dixon, Greenlee said:

One of the things I was saying with that book is that gangs could become the protectors of the community rather than predators” and that “the purpose of the film was to encourage blacks to create an action plan to ‘survive in the belly of the beast’, rather than always reacting as victims of a racist society.”[5]

Close collaboration between film director Ivan Dixon and screenplay writer Sam Greenlee realised a cinematic representation that did not lose or lessen the strong social analyses and encouragement to revolution in the novel The Spook Who Sat by the Door.

Historical context[edit]

The political atmosphere of the United States was especially restless in 1969, the year of publication of The Spook Who Sat by the Door, because the contentious politics for civil rights, for women’s rights, and for gay rights movements had become visible in the public sphere. Sociologically, it is suggested that the Symbionese Liberation Army (SLA) — whose symbol was a seven-headed cobra — were influenced in their choice of name by Greenlee's use, in the novel, of the word symbiology, a term derived from the biological term symbiosis, which describes disparate organisms living together in a mutually beneficial relationship.[6][7]

The original book-jacket for The Spook Who Sat by the Door carried quotations by the political activist Dick Gregory, who said that the novel is "an important, original, nitty-gritty book"; by the novelist Len Deighton, who said that the book "will cause many readers great annoyance — and, what more can a writer ask, than that?"; and by the writer Stephen Vizinczey, who said the story is "in the manner of the best thrillers, the hero's life is always in danger, and there are women about who undress with passion, but might give him away. Still, there is more at stake than the hero's life or the reader's entertainment — this first-class thriller is also a genuine novel, which is not only exciting, but moving, as it unfolds the black man's dream, the white man's nightmare."[8]

Bibliography[edit]

  • Greenlee, Sam. The Spook Who Sat by the Door (first edition London: Allison & Busby, March 1969; first U.S. edition Richard W. Baron Publishing Co., 1969). Detroit: Wayne State University Press, 1990.

Further reading[edit]

  • Adams, Sam, “The Spook Who Sat by the Door”. Philadelphia City Paper, July 1, 2004.
  • Beale, Lewis. “‘Spook’ unearths a radical time capsule of a movie; Pulled from theaters but now on DVD, the 1973 film imagines a black political revolution in the blaxploitation era”, Los Angeles Times, February 28, 2004.
  • Canby, Vincent. “Using the CIA: Ex-Agent Is Spook Who Sat By The Door.” The New York Times, September 22, 1973.
  • Joiner, Lottie L. “After 30 years, a Controversial Film Re-Emerges”, The Crisis, November/December 2003: 41.
  • Peavy, Charles D. “Four Black Revolutionary Novels, 1899-1970”, Journal of Black Studies 1 (December 1970): 219-223.
  • Alex Chadwick, “Profile: Importance of the movie The Spook Who Sat by the Door on the release of a 30th anniversary DVD”, NPR All Things Considered, Washington D.C. March 2, 2004.

References[edit]

  1. ^ Richard Goldstein, "Aubrey Lewis, 66, Athlete Who Was an F.B.I. Pioneer", The New York Times, December 13, 2001.
  2. ^ Gregg Reese, "Radical novelist Sam Greenlee dies at 83", Our Weekly (Los Angeles), May 22, 2014.
  3. ^ Wanda Macon, "The Spook Who Sat by the Door", Oxford Companion to African American Literature.
  4. ^ Peavy, Charles D., “Four Black Revolutionary Novels, 1899-1970”, Journal of Black Studies 1 (December 1970), p. 222.
  5. ^ a b Joiner, Lottie L. “After 30 years, a Controversial Film Re-Emerges”, The Crisis, November/December 2003, p. 41.
  6. ^ Newton, Michael. "Symbionese Liberation Army (SLA)", Encyclopedia of Robberies, Heists, and Capers. New York: Facts On File, Inc., 2002. American History Online (accessed November 5, 2012).
  7. ^ Al Ellenberg, Introduction to Abduction: Fiction Before Fact (Grove Press, 1974).
  8. ^ Allison & Busby hardback edition, London, 1969.

External links[edit]