The Spy Who Came in from the Cold (film)
|The Spy Who Came in from the Cold|
Theatrical release poster by Howard Terpning
|Directed by||Martin Ritt|
|Produced by||Martin Ritt|
|Based on||The Spy Who Came in from the Cold
by John le Carré
|Music by||Sol Kaplan|
|Editing by||Anthony Harvey|
|Studio||Salem Films Limited|
|Distributed by||Paramount Pictures|
|Running time||112 minutes|
The Spy Who Came in from the Cold is a 1965 British Cold War spy film directed by Martin Ritt and starring Richard Burton, Claire Bloom, and Oskar Werner. Based on the 1963 novel The Spy Who Came in from the Cold by John le Carré, the film is about a British agent who is sent to East Germany in order to sow disinformation about a powerful East German intelligence officer. With the aid of his unwitting English girlfriend, an idealistic communist, he allows himself to be recruited by the communists, but soon his charade unravels and he admits to being a British agent—a revelation that achieves the ultimate objective of the mission. The screenplay was written by Paul Dehn and Guy Trosper.
The Spy Who Came in from the Cold did well at the box office, received positive reviews, and received several awards, including four BAFTA Awards for Best Film, Best Actor, Best Cinematography, and Best Art Direction. For his performance, Richard Burton also received the David di Donatello Award for Best Foreign Actor, the Golden Laurel Award, and an Academy Award nomination for Best Actor in a Leading Role. The film was named one of the top ten films of 1966 by the National Board of Review of Motion Pictures.
The West Berlin office of the Circus, under administrator Alec Leamas (Richard Burton), has not been doing well. In fact, he is recalled to London shortly after the death of one of his operatives. Leamas is seemingly demoted to the banking section of the agency. In reality, a carefully staged transformation of Leamas has been arranged. Now depressed and disgruntled, he is quickly spotted by the East German Intelligence Service as a potential defector.
Leamas accepts overtures from German communists to reveal British secrets for payment, and he is interviewed at a coastal house in the Netherlands about what he knows. When the process is later moved to East Berlin, the interviews become less cordial. It appears Leamas has information that will implicate a powerful East German intelligence officer named Mundt as a paid informant of the British, but the information is spotty and it frustrates his interrogator, "Herr Fiedler" (Oskar Werner). When Mundt arrives at the compound and discovers the investigation, he has both Leamas and Fiedler arrested. Mundt himself is eventually arrested.
An East German tribunal ensues to determine the guilt of Mundt, or possibly Fiedler, with Leamas appearing as a star witness. Mundt's attorney (George Voskovec) uncovers several discrepancies in Leamas' transformation into an informant. Leamas' credibility is further undermined when his English girlfriend, an unassuming and idealistic communist named Nan Perry (Claire Bloom), is brought into the hearings to confirm Leamas' character. As Leamas' charade unravels and he is forced to admit he is still working as a British agent, Fiedler is escorted from the room as a complicit dupe and Mundt's reputation is untarnished.
Leamas initially believes he has failed in his mission and he will soon be executed. But when Mundt releases him from his cell with an escape plan in tow, he learns that his mission has actually succeeded; Fiedler was the agent to be undermined and Mundt was indeed a British agent. Although this comes as a surprise to Leamas (for he has steadfastly insisted to Fiedler that the Circus could not possibly have run an agent in East Germany without his, Leamas's, knowing about it), he isn't completely shocked by the revelation. As he and Perry sit in a car waiting to be escorted from East Germany, she berates him as being involved in murder: the execution of Fiedler who was guilty of nothing. Leamas, agitated by Perry's naiveté, tells her that her worldview is childish and people are murdered every day - on both sides - while she lives an insulated life: "What do you think spies are?" he asks. "They are a bunch of seedy squalid bastards like me, little drunkards, queers, henpecked husbands ..."
Leamas and Perry are soon ushered to the Berlin Wall and apparently permitted to leave. But Perry has learned too much about Mundt's true identity and is not trusted to keep it secret. She becomes a victim of the Cold War and is shot down as she tries to cross the wall. Leamas then looks down from the top of the wall at Perry, while agents from both sides urge him to return to the west. Instead he climbs back down the East German side of the wall and goes to Perry's lifeless body, but is then himself shot dead.
- Richard Burton as Alec Leamas
- Claire Bloom as Nan Perry
- Oskar Werner as Fiedler
- Sam Wanamaker as Peters
- George Voskovec as East German Defense Attorney
- Rupert Davies as George Smiley
- Cyril Cusack as Control
- Peter van Eyck as Hans-Dieter Mundt
- Michael Hordern as Ashe
- Robert Hardy as Dick Carlton
- Bernard Lee as Patmore
- Beatrix Lehmann as Tribunal President
- Esmond Knight as Old Judge
- Tom Stern as CIA Agent
- Niall MacGinnis as German Checkpoint Guard
- Scott Finch as German Guide
- Anne Blake as Miss Crail
- George Mikell as German Checkpoint Guard
- Richard Marner as Vopo Captain
- Warren Mitchell as Mr. Zanfrello
- Steve Plytas as East German Judge
The film closely follows the plot of the novel. One exception is that the name of the principal female character, "Liz Gold" in the novel, is changed to "Nan Perry," supposedly because the producers were worried about out-of-context quotes of Burton from the film being used in reference to his real-life wife, Elizabeth "Liz" Taylor. Two other significant differences are firstly that in the film there are no references to Liz Gold's/Nan Perry's supposed Jewishness, a fact which features in the novel since both she and Fiedler are subject to antisemitic taunts, and secondly the addition in the film of an explanation of the work's title by Control suggesting to George Smiley that Leamas' decision to join Gold/Perry in death represented his final wish to reenter the warmth of human love and companionship and thus "Come in from the cold" of isolation and alienation that characterizes the life of the spy.
The Spy Who Came in from the Cold made $7,600,000 at the box office. The film currently holds 83% on Rotten Tomatoes based on 12 reviews.
Awards and nominations
|Academy Awards, 1966||Best Actor||Richard Burton||Nominated|
|Best Art Direction||Hal Pereira, Tambi Larsen, Ted Marshall, Josie MacAvin||Nominated|
|BAFTA Awards, 1966||Best British Actor||Richard Burton||Won|
|Best British Art Direction||Tambi Larsen||Won|
|Best British Cinematography||Oswald Morris||Won|
|Best British Film||Martin Ritt||Won|
|Best Film from any Source||Martin Ritt||Nominated|
|Best Foreign Actor||Oskar Werner||Nominated|
|British Society of Cinematographers, 1966||Best Cinematography Award||Oswald Morris||Won|
|David di Donatello Awards, 1966||Best Foreign Actor||Richard Burton||Won|
|Edgar Allan Poe Awards, 1966||Best Motion Picture||Paul Dehn, Guy Trosper||Won|
|Golden Globe Awards, 1966||Best Supporting Actor||Oskar Werner||Won|
|Laurel Awards, 1966||Dramatic Performance, Male||Richard Burton||Won|
|National Board of Review, 1966||Top Ten Film||Won|
|Writers Guild of America Awards, 1966||Best Written American Drama||Paul Dehn, Guy Trosper||Nominated|
- Erickson, Hal. "The Spy Who Came in From the Cold (1965)". The New York Times. Retrieved 22 March 2013.
- "Awards for The Spy Who Came in from the Cold". Internet Movie Database. Retrieved 22 March 2013.
- "The Spy Who Came in from the Cold, Box Office Information". The Numbers. Retrieved 22 January 2013.
- The Spy Who Came in from the Cold at the Internet Movie Database
- The Spy Who Came in from the Cold at the TCM Movie Database
- The Spy Who Came in from the Cold at Rotten Tomatoes
- Criterion Collection DVD review of film