The Story of Esther Costello

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The Story of Esther Costello
TheStoryofEstherCostello.jpg
Original theatrical poster
Directed by David Miller
Produced by Jack Clayton
David Miller
Written by Charles Kaufman
Nicholas Monsarrat (novel)
Starring Joan Crawford
Rossano Brazzi
Heather Sears
Music by Lambert Williamson
Cinematography Robert Krasker
Edited by Ralph Kemplen
Distributed by Columbia Pictures
Release dates November 6, 1957 (1957-11-06)
Running time 127 minutes
Country United Kingdom
Language English
Box office $1,075,000 (US rentals)[1]

The Story of Esther Costello is a 1957 British drama film starring Joan Crawford, Rossano Brazzi, and Heather Sears (who won a Bafta as Best British Actress for her performance). The film is an exposé of large-scale fundraising. The Story of Esther Costello was produced by David Miller and Jack Clayton, with Miller directing. The screenplay by Charles Kaufman was based on a novel by Nicholas Monsarrat. It was distributed by Columbia Pictures.

Plot[edit]

With her marriage to womaniser Carlo Landi (Brazzi) in ashes, wealthy and childless Margaret Landi (Crawford) finds an emotional outlet in patronizing a 15-year-old deaf, dumb, and blind Irish girl named Esther Costello (Sears). Esther's disabilities are the result of a childhood trauma and are psychosomatic rather than physical. As Costello makes progress with Braille and sign language, she is seen as an example of triumph over adversity. Carlo gets wind of Margaret's new life and re-enters the scene. He views Esther as a source of cheap financial gain and arranges a series of exploitative tours for her under a mercenary manager (Ron Randell). One day when Margaret is absent from the Landi apartment, Carlo seduces and rapes the now 16-year-old Esther. The shock restores the girl's sight and hearing. When Margaret learns of her husband's business duplicities and the rape, she consigns Esther to the care of a priest and a young reporter who loves her (Lee Patterson). Margaret then kills Carlo and herself.

Cast[edit]

The cast further includes Denis O'Dea as Father Devlin, Fay Compton as Mother Superior, John Loder as Paul Marchant, and Bessie Love as Matron in Art Gallery.

Production notes[edit]

The film is based on a book by Nicholas Monsarrat that nearly had Helen Keller's co-workers suing for libel due to perceived parallels between Helen's story and Esther's.[2] In particular, the book seemed to slur the character of Anne Sullivan's husband, writer-publicist John Macy, who was close to Keller's age. A relationship between John and Keller has long been a subject of speculation.[3] Esther's reporter friend was reminiscent of Keller's highly-publicised attempt to elope with reporter-secretary Peter Fagan.[4]

The novel focuses mainly on the falsehoods behind large-scale charities and the self-serving natures of those involved. When Esther recovers her sight and hearing, her promoters worry that this will put an end to the Costello Fund. They convince her that the rape was her fault, and that to reveal that she is healed would bring shame and ruin to Margaret. She is actually coached to continue acting as deaf-blind, and does so for about a year; however, in that time she makes several slips (some deliberate). Esther's reporter friend discerns the truth and meets Esther privately, whereupon she tells him everything. He plans to write up the story, then take Esther away and marry her. But as he returns to the newspaper office, word comes to him that Esther has suddenly died. When he confronts Margaret she reveals nothing, and continues the charade. The story can never be printed because it will smear Esther's name and disillusion the people who believe in the charity and its message of hope. The novel closes with Margaret giving an impassioned speech at a convention, as millions of attendees open their wallets.

Reception[edit]

The film was the 11th most popular movie at the British box office in 1957.[5]

The New York Times noted, "Miss Crawford, Mr. Brazzi, and Mr. Patterson and all the minor players are professional throughout." William K. Zinsser in the New York Herald Tribune wrote, "It wouldn't be a Joan Crawford picture without plenty of anguish...And her fans will have their usual good time...this plot enables Miss Crawford to run a full-course dinner of dramatic moods, from loneliness to mother love, from pride in the girl to passion with her husband, and finally to smouldering rage...Somehow she pulls it off. This may not be your kind of movie but it is many women's kind of movie and our Joan is queen of the art form."[6]

References[edit]

Notes
  1. ^ "Top Grosses of 1957". Variety: 30. 8 January 1958. 
  2. ^ Lash 1997, pp. 732–38
  3. ^ Lash 1997, pp. 868–69
  4. ^ Lash 1997, pp. 441–44, 448–50
  5. ^ Anderson, Lindsay; Dent, David (8 January 1958). "Time For New Ideas". Times (London, England). p. 9. 
  6. ^ Quirk, Lawrence J. (1968). The Films of Joan Crawford. The Citadel Press. OCLC 440791. 
Bibliography
  • Lash, Joseph (1997). Helen and Teacher. Addison-Wesley. ISBN 0201694689. 

External links[edit]