The Thing (2011 film)
|Directed by||Matthijs van Heijningen Jr.|
|Produced by||Marc Abraham
|Written by||Eric Heisserer|
|Based on||Who Goes There?
by John W. Campbell
|Starring||Mary Elizabeth Winstead
Eric Christian Olsen
|Music by||Marco Beltrami|
|Edited by||Julian Clarke
Jono Griffith (add'l ed)
Frank J. Urioste (add'l ed)
|Distributed by||Universal Pictures|
|Running time||103 minutes|
The Thing is a 2011 science fiction horror film directed by Matthijs van Heijningen Jr. and written by Eric Heisserer based on the novella Who Goes There? by John W. Campbell. It is a prequel to the 1982 film of the same name by John Carpenter. The film stars Mary Elizabeth Winstead, Joel Edgerton, Ulrich Thomsen, Adewale Akinnuoye-Agbaje and Eric Christian Olsen. They are part of a team of Norwegian and American scientists who discover an alien buried deep in the ice of Antarctica, realizing too late that it is still alive.
In 1982, an alien spacecraft is discovered beneath the Antarctic ice by a Norwegian research team: Edvard (Trond Espen Seim), Jonas (Kristofer Hivju), Olav (Jan Gunnar Røise), Karl (Carsten Bjørnlund), Juliette (Kim Bubbs), Lars (Jørgen Langhelle), Henrik (Jo Adrian Haavind), Colin (Jonathan Lloyd Walker), and Peder (Stig Henrik Hoff). Paleontologist Kate Lloyd (Mary Elizabeth Winstead) is recruited by Dr. Sander Halvorson (Ulrich Thomsen) and his assistant Adam Finch (Eric Christian Olsen) to investigate the discovery. They travel to the Norwegian base in a helicopter manned by Carter (Joel Edgerton), Derek (Adewale Akinnuoye-Agbaje), and Griggs (Paul Braunstein). After viewing the spacecraft, Kate, Sander and Adam are told the group also discovered an alien body from the crash buried in the ice.
The body is brought to the base in a block of ice. That evening, while the team celebrates their find, Derek sees the alien burst from the ice and escape the building. The team searches for the creature and discovers that it killed Lars' dog. Olav and Henrik find the alien which then grabs and engulfs Henrik. The rest of the group arrive and set fire to the creature, killing both it and Henrik. An autopsy of the scorched alien corpse reveals that its cells are still alive and are consuming and imitating Henrik's own.
Derek, Carter, Griggs and Olav take the helicopter to seek help. Kate discovers bloody dental fillings near a blood-soaked shower. She runs outside to flag down the helicopter after it takes off. When it attempts to land, Griggs transforms into the Thing and attacks Olav, causing the helicopter to crash in the mountains. When Kate returns to the shower, she finds the blood is gone. The team agrees to evacuate, but Kate confronts them with her theory that the Thing can imitate them and has likely already done so. They dismiss her claims, but Juliette says she saw Colin leaving the showers. Juliette and Kate look for the vehicle keys to prevent the others from leaving, when suddenly Juliette transforms and attacks Kate. As Kate flees, she runs past Karl who is consumed by the creature instead. Lars arrives with a flamethrower and burns the Juliette-Thing.
Carter and Derek return to the base, but the team refuses to believe that they could have survived the crash. Kate has Carter and Derek isolated until a test can be prepared to verify they are human. Adam and Sander work on a test, but the lab is sabotaged. Kate proposes another test; believing that the Thing cannot imitate inorganic material, she inspects everyone and singles out those without metal fillings: Sander, Edvard, Adam, and Colin. Lars and Jonas go to retrieve Carter and Derek for testing, and discover they have broken out of isolation. As Lars searches near a building, he is suddenly pulled inside. The group hears Carter and Derek breaking into the building and rushes to intercept them. Edvard orders Peder to burn them.
Peder takes aim, but Derek now has a gun and shoots several times, killing Peder and rupturing the flamethrower's fuel tank which ignites. The explosion knocks Edvard unconscious. When brought to the rec room, Edvard transforms, infecting Jonas and Jameson before assimilating Adam. Kate torches the infected Jonas and Derek before she and Carter pursue the Thing. While the pair searches, Sander is also infected. After they separate, the Thing into which Edvard and Adam are fused corners Carter in the kitchen, but Kate burns it before it can attack. Kate and Carter see Sander drive off into the blizzard and pursue him in the remaining snowcat.
They arrive at the now-active spaceship. Kate falls into the ship and is separated from Carter. Confronted by the creature (which briefly uses Sander's face), Kate destroys it with an explosive grenade and the damage deactivates the ship. Carter returns and suggests driving to a Soviet base a few miles away. As Kate and Carter return to their vehicle, Kate accuses Carter of being a Thing because he is missing his earring. When she confronts him, Carter points to the wrong ear and is burned by Kate, during which he screams like the Thing and proves his guilt. She then retreats to a snowcat and simply stares out at the burning spacecraft and vast tundra as the screen fades black.
The following morning, helicopter pilot Matias arrives at the base. Colin is shown to have committed suicide in the radio room. Matias sees the burned remains of the Adam/Edvard alien in the snow. Lars, now revealed to be alive and uninfected, orders Matias at gunpoint to show his dental fillings to prove he is human. The Thing, in the form of Lars' deceased dog, runs out of the camp. Lars realizes it's The Thing and orders Mathias to start the helicopter. As the dog runs away from Thule, the two chase him.
- Mary Elizabeth Winstead as Kate Lloyd, an American vertebrate paleontologist graduate from Columbia University: In order to be different from Kurt Russell as the 1982 film's protagonist, R.J. MacReady, Kate Lloyd was written to have similar traits as the character Ellen Ripley from the Alien film series.
- Joel Edgerton as Sam Carter: An American helicopter pilot and Vietnam War veteran running a supply operation to the bases. He and his two co-pilots are left in the dark as to why they are there and what is the mysterious thing the scientists have found.
- Ulrich Thomsen as Dr. Sander Halvorson, the arrogant Danish leader of alien research. He orders the team to obtain a sample of the recently discovered creature despite Kate's warnings.
- Adewale Akinnuoye-Agbaje as Derek Jameson, an American helicopter co-pilot and also a Vietnam veteran who is Carter's best friend.
- Eric Christian Olsen as Adam Finch, a young American scientist working as Dr. Sander's research assistant who invites Kate to the Norwegian base.
- Trond Espen Seim as Edvard Wolner, a notable Norwegian geologist who is the station commander and an old friend of Sander.
- Jørgen Langhelle as Lars, an ex-soldier who works as the dog keeper of the Norwegian base, also the only member of the Norwegian base who does not speak English.
- Kristofer Hivju as Jonas, a nervous but friendly Norwegian polar ice researcher.
- Stig Henrik Hoff as Peder, a Norwegian rifle-toting camp member who is Edvard's right hand man.
- Kim Bubbs as Juliette, a geologist from Georgia who is part of Edvard's team.
- Paul Braunstein as Griggs, a co-pilot member of the American helicopter transport team.
- Jonathan Lloyd Walker as Colin, an eccentric English radio operator.
- Jo Adrian Haavind as Henrik, another Norwegian base member who assists the alien research team.
- Jan Gunnar Røise as Olav, a Norwegian Snowcat vehicle driver and guide.
- Carsten Bjørnlund as Karl, a Norwegian geologist also part of Edvard's team.
- Ole Martin Aune Nilsen as Matias, the helicopter pilot of the Norwegian base currently in a mission to restock kerosene at McMurdo Station.
|"It's a really fascinating way to construct a story because we're doing it by autopsy, by examining very, very closely everything we know about the Norwegian camp and about the events that happened there from photos and video footage that's recovered, from a visit to the base, the director, producer and I have gone through it countless times marking, you know, there's a fire axe in the door, we have to account for that…we're having to reverse engineer it, so those details all matter to us ‘cause it all has to make sense."|
|— Eric Heisserer describing the process of creating a script that is consistent with the first film.|
After creating the Dawn of the Dead remake, producers Marc Abraham and Eric Newman began to look through the Universal Studios library to find new properties to work on. Upon finding John Carpenter's 1982 film The Thing, the two convinced Universal to create a prequel instead of a remake, as they felt that remaking Carpenter's film would be like "paint(ing) a moustache on the Mona Lisa". Eric Newman explained; "I'd be the first to say no one should ever try to do Jaws again and I certainly wouldn't want to see anyone remake The Exorcist... And we really felt the same way about The Thing. It's a great film. But once we realized there was a new story to tell, with the same characters and the same world, but from a very different point of view, we took it as a challenge. It's the story about the guys who are just ghosts in Carpenter's movie - they're already dead. But having Universal give us a chance to tell their story was irresistible."
In early 2009, Variety reported the launch of a project to film a prequel—possibly following MacReady's brother during the events leading up to the opening moments of the 1982 film—with Matthijs van Heijningen Jr. as director and Ronald D. Moore as writer. Matthijs van Heijningen, Jr. became involved in the project when his first planned feature film, a sequel to the Dawn of the Dead remake, a zombie film taking place in Las Vegas written and produced by Zack Snyder, who directed the Dawn of the Dead remake, and co-produced by Abraham and Newman, called Army of the Dead, was cancelled by the studio three months before production began. Needing to start all over again, he asked his agent to see if there was a The Thing project in development, since Alien and The Thing are his favorite films. As a fan of Carpenter's film, he was interested in the project because, being European himself, he had always wondered what happened at the Norwegian camp. In March 2009, Moore described his script as a "companion piece" to Carpenter's film and "not a remake." "We're telling the story of the Norwegian camp that found the Thing before the Kurt Russell group did", he said. Eric Heisserer was later hired to do a complete rewrite of Moore's script. Heisserer explained that in writing the script, it was necessary for him to research all the information that was revealed about the Norwegian camp from the first film, down to the smallest details, so that it could be incorporated into the prequel in order to create a consistent backstory. The decision was made to name the film the same title as the first film, because the producers felt adding a "colon title" such as Exorcist II: The Heretic had felt less reverential.
Matthijs van Heijningen, Jr. explained that he created the film not to simply be a horror film, but to also focus largely on the human drama with the interaction between characters, as the first film had. The director felt that horror films worked better when time was spent to explore the characters' emotional journeys, allowing the audience to care about them. Mary Elizabeth Winstead insisted that the film would not feature any romantic or sexual elements with her character, as it would be inappropriate considering the tone of the film. Adewale Akinnuoye-Agbaje said that the film would try to recreate the feeling of paranoia and distrust that the first film had, where the characters can't tell who has been infected by the alien. The filmmakers drew additional inspiration for the film from the original novel Who Goes There?, in making the characters in the film educated scientists as opposed to "blue collar" workers. However, the filmmakers drew no influence from the events of the The Thing video game. The director also drew additional inspiration from the film Alien in creating the film, particularly in regard to casting a female lead, and in the way the alien creatures are filmed by not showing too much of them. Matthijs van Heijningen also cited the films of director Roman Polanski as influence, such as his work on Rosemary's Baby. Actual Norwegian and Danish actors were cast in the film to play the Norwegian characters, and the director allowed the actors to improvise elements different from what was scripted when they felt it was appropriate, such as a scene where the characters sing a Norwegian folk song called Sámiid Ædnan ("Lapland"). Many scenes involving characters speaking Norwegian were subtitled, and the language barrier between them and the English speaking characters is exploited to add to the film's feeling of paranoia. Director Matthijs van Heijningen said that the film would show the alien creature in its "pure form", as it was discovered in its ship by the Norwegians; however, it is not revealed whether this is the creature's original form or the form of another creature it had assimilated. Addressing rumors stating that John Carpenter wished to have a cameo appearance in the film, Carpenter himself corrected these in an interview for the fan site "Outpost 31", in August 2012. "[Those] rumors are not true", Carpenter stated in the interview.
Filming and post-production
The film was shot in the anamorphic format on 35 mm film, as the director dislikes the look of films shot digitally. The director chose not to fast cut the film, instead opting for a slower pace, hoping to build a sense of pending dread. The prequel was filmed in Pinewood Toronto Studios, Port Lands on March 22, 2010 and ended on June 28, 2010. On set, the director had a laptop computer which contained "a million" screen captures of the Carpenter film, which he used as a point of reference to keep the Norwegian camp visually consistent with the first film. Alec Gillis and Tom Woodruff, Jr. of Amalgamated Dynamics created the practical creature effects for the film. In addition to creating the effects for the human-Thing transformations, Gillis, Woodruff and their team had the challenge of coming up with the look of the alien in the ice block unearthed by the Norwegians. While it was initially only intended to be shown as a silhouette, the director liked their designs and encouraged them to fully create the creature, which was realised by creating a monster suit that Tom Woodruff wore. The effects team opted to use cable-operated animatronics over more complex hydraulic controls, as they felt they gave a more "organic feel". In order to emulate the creature effects of the first film, Heisserer revealed that traditional practical effects would be used on the creatures whenever possible. The film's computer-generated imagery was created by Image Engine, the effects house who worked on Neil Blomkamp's 2009 film District 9. Computer Graphics were used to digitally create extensions on some of the practical animatronic effects, as well as for digital matte paintings and set extensions. Alec Gillis stated that the advancement of animatronic technology since 1982 combined with digital effects allowed the effects team to expand upon the possible creature conceptions. Matthijs van Heijningen preferred to use practical effects over computer imagery, as he believed actors give better performances when they have something physical to react to. However in post release interviews, Alec Gillis revealed that while Amalgamated Dynamics creature designs for the film remained intact, most of their practical effects ended up being digitally replaced in post production. The creation of Gillis' all practical effects independent horror film Harbinger Down was partially in response to this. Stunt men covered in fire-retardant gel were used in scenes when characters are set on fire. The original Ennio Morricone score was reflected in the film's score, but it was initially reported that Morricone did not score the film, nor was his music from the 1982 version used. However, his theme "Humanity (Part II)" appears in a bonus scene during the prequel's ending credits (indicating how it leads directly into the 1982 film).
The interior of the crashed alien spacecraft was created by production designer Sean Haworth. To design the ship, Haworth had to recreate what little was shown of the spacecraft in the Carpenter film, then "fill the gaps" for what was not originally shown. Haworth and a team of approximately twelve others then created the inside of the ship as a several story-high interior set constructed mostly out of a combination of foam, plaster, fiberglass, and plywood. The ship was designed specifically to look as if it were not made to accommodate humans, but rather alien creatures of different size and shape who could walk on any surface. A section of the craft called the "pod room" was designed to imply the alien creatures manning it had collected specimens of different alien species from around the universe for a zoological expedition.
While the film was originally set for release in April, Universal Pictures changed the date to October 14, 2011, to allow time for reshoots. The intention of the reshoots was to "enhance existing sequences or to make crystal clear a few story beats or to add punctuation marks to the film's feeling of dread." On his Facebook page, Matthijs van Heijningen, Jr. claimed that the reshoots of the film included making an entirely different ending, referring to the original cut as the "Pilot Version" and the new cut as the "Tetris Version". In the original ending, Kate was to discover the original pilots of the spaceship which had all been killed by The Thing, which was an escaped specimen they had collected from another planet, implying that the ship was crashed in an attempt to kill the monster. "I liked that idea because it would be the Norwegian camp in space. Kate sees the pod room and one pod being broken, giving her the clues what happened. What didn't work was that she wanted to find Sander and stop the ship from taking off and still solve the mystery in the ship. These two energies were in conflict."
The Thing grossed $8,493,665 over the opening weekend and ended up third on the box office chart. It was distributed to 2,996 theaters and spent a total of one week on the top 10 chart, before dropping down to the 16th position in its second week. It concluded its domestic run with a total of $16,928,670. Its box office collections was called "an outright disappointment" by Box Office Mojo, who goes on to say "[the film] was naturally at a disadvantage: a vague "thing" doesn't give prospective audiences much to latch on to. It was therefore left up to fans of the original, who are already familiar with the concept, to turn out in strong numbers." The film grossed $9,530,415 in foreign countries, bringing the total worldwide box office gross so far to $27,428,670.
The Thing received mixed reviews. It currently holds a 36% "rotten" rating on Rotten Tomatoes, based on 149 critic reviews, with an average rating of 5.1 out of 10, with the site's consensus: "It serves the bare serviceable minimum for a horror flick, but The Thing is all boo-scares and a slave to the far superior John Carpenter version." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 49 based on 31 reviews. In CinemaScore polls users gave the film a "B-" on an A+ to F scale. Michael Phillips of the Chicago Tribune gave the film a rating of 3 out of 4, saying "While I wish van Heijningen's Thing weren't quite so in lust with the '82 model, it works because it respects that basic premise; and it exhibits a little patience, doling out its ickiest, nastiest moments in ways that make them stick". Andrew O'Hehir of Salon.com called it a "Loving prequel to a horror classic", saying "It's full of chills and thrills and isolated Antarctic atmosphere and terrific Hieronymus Bosch creature effects, and if it winks genially at the plot twists of Carpenter's film, it never feels even a little like some kind of inside joke." James Berardinelli gave it three stars out of four, saying that it "offers a similar overall experience" to the 1982 film, but "without replicating styles and situations". Christopher Orr of The Atlantic wrote that the narrative choices open to a prequel "exist on a spectrum from the unsurprising to the unfaithful", but van Heijningen "has managed this balancing act about as well as could be hoped" and although the line between homage and apery is a fine one, "in our age of steady knockoffs, retreads, and loosely branded money grabs, The Thing stands out as a competent entertainment, capably executed if not particularly inspired."
Other critics singled out Mary Elizabeth Winstead for praise in her performance as the lead, Dr. Kate Lloyd. "[Winstead] stands out with her portrayal of a paleontologist. She keeps a cool, logical head whilst others around her start to panic. It's a refreshing change from your traditional horror film where the lead characters do moronic things as if to prolong the story", Matthew Toomey of The Film Pie wrote. Josh Bell of Las Vegas Weekly rated the film three out of five stars and wrote, "Winstead makes for an appealing protagonist, and Kate is portrayed as competent without being thrust into some unlikely action-hero role."
Kathleen Murphy of MSN Movies rated it two-and-a-half out of five stars, calling it "a subpar slasher movie tricked out with tired 'Ten Little Indians' tropes and rip-offs from both Carpenter and the Christian Nyby-Howard Hawks' 1951 version of the chilling tale that started it all, John W. Campbell, Jr.'s Who Goes There?". Jim Vejvoda of IGN Movies also rated the film two-and-a-half out of five, saying, "This incarnation of The Thing is much like the creature it depicts: An insidious, defective mimic of the real, er, thing. It's not an entirely lost cause, but it is a needless one." Roger Ebert gave the film two and a half stars out of four, the same rating he gave the 1982 film. In Patrick Sauriol of Coming Attractions' review, he states, "Stack it up against John Carpenter's version and it looks less shiny, but let's face it, if you’re that kind of Thing fan you’re going to go see the new movie anyway. Try and judge today's Thing on its own merits."
|2012||Saturn Awards||Best Horror/Thriller Film||The Thing||Nominated|||
|Best Make-Up||Tom Woodruff, Jr. and Alec Gillis||Nominated|
|The Thing: Original Motion Picture Soundtrack|
|Soundtrack album by Marco Beltrami|
|Released||October 11, 2011|
- "God's Country Music" – 1:27
- "Road to Antarctica" – 2:41
- "Into the Cave" – 0:39
- "Eye of the Survivor" – 2:25
- "Meet and Greet" – 2:55
- "Autopsy" – 3:08
- "Cellular Activity" – 1:38
- "Finding Filling" – 3:25
- "Well Done" – 1:32
- "Female Persuasion" – 4:51
- "Survivors" – 3:28
- "Open Your Mouth" – 4:20
- "Antarctic Standoff" – 3:28
- "Meating of the Minds" – 4:28
- "Sander Sucks at Hiding" – 2:22
- "Can't Stand the Heat" – 2:10
- "Following Sander's Lead" – 2:39
- "In the Ship" – 2:39
- "Sander Bucks" – 0:45
- "The End" – 2:33
- "How Did You Know?" – 2:29
AllMusic rated the album 3.5/5 saying, "Composer Marco Beltrami's appropriately tense and brooding score for director Matthijs van Heijningen, Jr.'s 2011 [prequel to] The Thing dutifully echoes Ennio Morricone's stark score for the original version, which in its own way echoed the soundtrack work of that film's director, John Carpenter."
The Norwegian characters play an excerpt from the song Sámiid Ædnan.
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- Weekend Report: Remakes Can't Retire 'Real Steel' - Box Office Mojo
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