The Three Musketeers (1973 film)

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The Three Musketeers

1974 poster
Directed by Richard Lester[1]
Produced by Alexander Salkind
Ilya Salkind[2]
Pierre Spengler
Written by George MacDonald Fraser
Based on The Three Musketeers by
Alexandre Dumas père
Starring Oliver Reed
Charlton Heston
Raquel Welch
Faye Dunaway
Richard Chamberlain
Frank Finlay
Michael York
Christopher Lee
Music by Michel Legrand
Cinematography David Watkin
Editing by John Victor Smith
Distributed by 20th Century Fox
Release date(s) December 11, 1973 (1973-12-11) (France)
March 29, 1974 (1974-03-29) (United States)
Running time 105 minutes
Country United Kingdom
United States
Language English

The Three Musketeers is a 1973 film based on the novel by Alexandre Dumas, père. It was directed by Richard Lester and written by George MacDonald Fraser (famous for his Flashman series of historical comic novels). It was originally proposed in the 1960s as a vehicle for The Beatles, whom Lester had directed in two other films. It was intended to run for three hours, but later it was split into two, the second part becoming 1974's The Four Musketeers.[3] [4] In 1989, the cast and crew returned to film The Return of the Musketeers, loosely based on Dumas' Twenty Years After.

The film adheres closely to the novel, but it also injects a fair amount of humour. It was shot by David Watkins, with an eye for period detail. The fight scenes were choreographed by master swordsman William Hobbs and turn the swashbuckling movies of the Forties and Fifties on their collective ear; these are more like brawls, with the combatants using knees, fists, furniture and even wet laundry as often as they do their swords. The humor also can swing to the bawdy, with some double entendres and a bit of silliness that takes full advantage of Raquel Welch's (as Constance Bonacieux) charms, for instance.

Contents

[edit] Plot

The young d'Artagnan arrives in Paris with dreams of becoming a king's musketeer. Quite unused to the city life, he makes a number of silly faux-pas. He comes into conflict with three musketeers, Athos, Porthos, and Aramis, each of whom challenges him to a duel for some insult or embarrassment. Later, D'Artagnan helps them to defend themselves from Cardinal Richelieu's guards headed by Jussac, who arrive during the duel. He is invited to join them in their efforts to oppose the Cardinal, who wishes to increase his already considerable power over the king. D'Artagnan also begins an affair with his landlord's wife, Constance Bonancieux, who is the Queen's dressmaker.

Meanwhile the Duke of Buckingham, former lover of the Queen, turns up and asks for something in remembrance of her; she gives him her diamond necklace. The Cardinal learns of the incident and suggests to the none-too-bright King to throw a ball in his wife's honor, and request she wear the diamonds he gave her. The Cardinal also sends Milady de Winter to England to steal the necklace. She seduces the Duke and steals two of the necklace's diamonds. Meanwhile, the Queen has confided her troubles in Constance, who asks d'Artagnan to ride to England and get back the diamonds. D'Artagnan and the three musketeers set out, but encounter the Cardinal's men on the way. Only d'Artagnan and his man make it through to Buckingham, where they discover the loss of two of the diamond studs. The Duke replaces the two studs and d'Artagnan races back to Paris to deliver the necklace and save the Queen from embarrassment. He encounters Porthos, Athos, and Aramis on his way; they are wounded but not dead as d'Artagnan had feared.

The film ends with d'Artagnon being made a musketeer for his services to the crown.

[edit] Cast

[edit] Reception

The movie was met with mostly positive reviews. [5] Vincent Canby of the New York Times had this to say about the film: "Mr. Lester seems almost exclusively concerned with action, preferably comic, and one gets the impression after a while that he and his fencing masters labored too long in choreographing the elaborate duels. They're interesting to watch, though they are without a great deal of spontaneity."[6]

[edit] References

[edit] External links

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