The Tour of Life
|The Tour of Life / Kate Bush Tour|
Cover of the tour programme.
|Tour by Kate Bush|
|Start date||2 April 1979|
|End date||13 May 1979|
|Shows||28 in Europe|
|Kate Bush concert chronology|
The Tour of Life (originally known as the "Lionheart Tour", and also officially referred to as the Kate Bush Tour and by outside sources as the "Kate Bush Show" and "Kate Bush: On Tour"). Starting in April 1979, the tour lasted just over one month. Consisting of 24 performances from Bush's first two studio albums The Kick Inside and Lionheart (both 1978), it was acclaimed for its incorporation of mime, magic, and readings during costume changes. The tour is also renowned for its use of new technology; because of Bush's determination to dance as she sang, her engineers rigged a wireless headset microphone using a wire clothes hanger, making her the first singer to use such a device on stage.  The simple staging also involved rear-screen projection and the accompaniment of two male dancers. The tour was notable for the death of Bush's lighting engineer, Bill Duffield, to whom one of the London shows was dedicated.
The tour was a critical and commercial success, with most dates selling out and additional shows being added due to high demand. Members of the Kate Bush Club were provided with a guaranteed ticket. The BBC filmed a special of the Kate Bush Show entitled Kate Bush: On Tour. The documentary featured the production and staging of the set, and revealed the extent to which Bush was involved. Broadcast in 1979, it did not show any of the full performances. The concert also spawned two physical releases, the extended play On Stage (1979) as well as the home video Live at the Hammersmith Odeon (1981). Live at the Hammersmith Odeon was later re-issued in 1994 as a boxed set including an audio CD of the broadcast as well as the video. The name, "Tour of Life," was not coined until after its completion, with all promotional material referring to it simply as the Kate Bush Tour. Neither the EP nor the home video make any reference to the name.
|This section does not cite any references or sources. (December 2011)|
The show was divided into four sections, concluding with two encores. It began with playback of whale song, with Bush's shadow projected as she began to dance whilst the curtain parted to reveal a simple stage with a ramp at its centre. Bush, wearing a blue leotard, sang the first song "Moving." A shadow projection of the band's saxophone player was used next, during "The Saxophone Song". The theatre was then filled with the sound of a heartbeat as red lights flickered whilst the onstage piano was removed. A large plush oval was rolled onto the stage, from within which Bush sang "Room for the Life" whilst curled inside as it was rolled around the stage. Dressed in a long coat and trilby hat, Bush was joined by her two male dancers as she performed "Them Heavy People". She then moved to the piano to play "The Man with the Child in His Eyes", whilst the stage props were removed and the lights faded out. The band then played the as yet unreleased "Egypt", whilst Bush emerged from the back of the stage wearing an Egyptian costume. An extended introduction to "L'Amour Looks Something Like You" was then played in darkness, whilst Bush changed into a black leotard and red skirt. Whilst at centre-stage by a tall mirror, a magician emerged to perform with a flying cane. Bush performed "Violin", wearing bat wings and taunted by her two dancers dressed as giant violins. As the stage darkened, Bush's brother, John Carder Bush, was heard reciting a poem, which culminated in a spoken duet with Bush herself. She was then illuminated by a spotlight as she performed "The Kick Inside" at the piano. A black veil was placed over her and the curtains closed.
The second section began with the curtains parting to reveal Bush in a long black dress, perched on top of the piano to perform "In the Warm Room." She then played the piano and sang "Fullhouse", after which the band played an extended introduction to "Strange Phenomena" as Bush changed into a magician's tophat and tails, whilst her dancers, now dressed as space men, performed with her. The magician then reappeared with his cane; he walked to the back of the stage holding a black cloth, which then dropped to reveal Bush, now wearing a veil, behind it. She danced with a single male dancer to the album recording of "Hammer Horror," after which a chant commenced, leading into "Kashka from Baghdad", performed at the piano. Traffic noise was played to the audience whilst the stage was fitted with a street theme, including fences which the dancers illuminated with torches. A spotlight was switched on and Bush sang and danced to "Don't Push Your Foot on the Heartbrake", bringing the second section to a close.
The third section began with the curtain opening on Bush, now wearing a purple dress, at the edge of the ramp which had been lifted to replicate a pier, to perform "Wow." "Coffee Homeground" began as a prisoner cell set was assembled; Bush sang on a centre-stage chair, as corpses fell out of the walls. Another spoken word poem was recited by Bush's brother as the intro to "Symphony in Blue", fused with "Gymnopédie 1" by Erik Satie was played. Bush, now dressed in a blue leotard covered by a leather jacket, performed whilst waving to the audience as images of a cloudy sky fell on the piano and the stage. Bush, now covered in party streamers refused a floating glass of champagne from the magician and performed "Feel It" at the piano. As the song came to an end, thunder was heard whilst Bush changed; she emerged with her leotard now fitted with wings, to perform "Kite," flying off the stage at the end of the song. Bush then appeared in Wild West attire and brandishing a shotgun, dancing and singing to "James and the Cold Gun". Her dancers, emerging from the wings, were shot by Bush as the song ended and the curtain closed.
For the show's first encore, Bush and her dancers emerged wearing WWII bomber attire as a parachute was spread across the stage. She sat to sing "Oh England My Lionheart", and the curtain closed again. There was a short interval before the curtains re-opened upon the stage covered in dry ice fog and illuminated in red, with a forest backdrop. As the music to "Wuthering Heights" began, Bush sprang up through the fog, costumed as the ghost of Catherine Earnshaw from Emily Brontë's novel of the same name. She performed the dance routine from the song's music video, before retreating to the top of the ramp and exiting the stage as the curtain closed.
|2 April 1979||Poole||England||Arts Centre|
|3 April 1979||Liverpool||Empire|
|4 April 1979||Birmingham||Hippodrome|
|5 April 1979|
|6 April 1979||Oxford||New Theatre|
|7 April 1979||Southampton||Gaumont|
|9 April 1979||Bristol||Hippodrome|
|10 April 1979||Manchester||Apollo Theatre|
|11 April 1979|
|12 April 1979||Sunderland||Empire Theatre|
|13 April 1979||Edinburgh||Scotland||Usher Hall|
|16 April 1979||London||England||The Palladium|
|17 April 1979|
|18 April 1979|
|19 April 1979|
|20 April 1979|
|24 April 1979||Stockholm||Sweden||Konserthuset|
|26 April 1979||Copenhagen||Denmark||Falkoner Theatre|
|28 April 1979||Hamburg||Germany||Congress Centrum|
|29 April 1979||Amsterdam||Netherlands||Carré Theatre|
|2 May 1979||Stuttgart||Germany||Liederhalle|
|3 May 1979||Munich||Circus Krone|
|4 May 1979||Cologne||Gürzenich|
|6 May 1979||Paris||France||Théâtre des Champs-Élysées|
|8 May 1979||Mannheim||Germany||Rosengarten|
|10 May 1979||Frankfurt||Jahrhunderthalle|
|12 May 1979||London||England||Hammersmith Odeon|
|13 May 1979|
|14 May 1979|
- Kate Bush's only tour: pop concert or disappearing act? by Graeme Thomson for The Guardian 13 May 2010