Women of Trachis
|Women of Trachis|
Hercules on his funeral pyre by Hans Sebald Beham
|Chorus||Women of Trachis|
|Original language||Ancient Greek|
|Setting||At Trachis, before the house of Heracles|
The story begins with Deianeira, the wife of Heracles, relating the story of her early life and her plight adjusting to married life. She is now distraught over her husband's neglect of her family. Often involved in some adventure, he rarely visits them. She sends their son Hyllus to find him, as she is concerned over prophecies about Heracles and the land he is currently in. After Hyllus sets off, a messenger arrives with word that Heracles, victorious in his recent battle, is making offerings on Cape Cenaeum and coming home soon to Trachis.
Lichas, a herald of Heracles, brings in a procession of captives. He gives Deianeira a false story of why Heracles had laid siege to the city of Oechalia (in Euboea). He claimed Eurytus, the city's king, was responsible for Heracles being enslaved, and therefore Heracles vowed revenge against him and his people. Among the captured girls is Iole, daughter of Eurytus. Deianeira soon learns that in truth Heracles laid siege to the city just to obtain Iole, whom he has taken as a lover.
Unable to cope with the thought of her husband falling for this younger woman, she decides to use a love charm on him, a magic potion that will win him back. When she was younger, she had been carried across a river by the centaur, Nessus. Halfway through he made a grab at her, but Heracles came to her rescue and quickly shot him with an arrow. As he died, he told her his blood, now mixed with the poison of the Lernaean Hydra in which Heracles' arrow had been dipped, would keep Heracles from loving any other woman more than her, if she follows his instructions. Deianeira dyes a robe with the blood and has Lichas carry it to Heracles with strict instructions that (a) no one else is to wear it, and (b) it is to be kept in the dark until he puts it on.
After the gift is sent, she begins to have a bad feeling about it. She throws some of the left-over material into sunlight and it reacts like boiling acid. Nessus had lied about the love charm. Hyllus soon arrives to inform her that Heracles lies dying due to her gift. He was in such pain and fury that he killed Lichas, the deliverer of the gift: "he made the white brain to ooze from the hair, as the skull was dashed to splinters, and blood scattered therewith" (as translated by Sir Richard C. Jebb).
Deianeira feels enormous shame for what she has done, amplified by her son's harsh words, and kills herself. Hyllus discovers soon after that it wasn't actually her intention to kill her husband. The dying Heracles is carried to his home in horrible pain and furious over what he believes was a murder attempt by his wife. Hyllus explains the truth, and Heracles realizes that the prophesies about his death have come to pass: He was to be killed by someone who was already dead, and it turned out to be Nessus.
In the end, he is in so much pain that he is begging for someone to finish him off. In this weakened state, he says he is like a woman. He makes a final wish, which Hyllus promises to obey (under protest), that Hyllus is to marry Iole. The play concludes with Heracles being carried off to be burned alive, as an ending to his suffering.
The date of the first performance of Women of Trachis is unknown, and scholars have speculated a wide range of dates for its initial performance. Scholars such as T.F. Hoey believe the play was written relatively early in Sophocles' career, around 450 BC. Among the evidence for an early date are a belief that the dramatic form of Women of Trachis is not a well developed as other extant Sophocles' plays. Another piece of evidence is the fact that the plot of the play is similar to a story related by Bacchylides in Bacchylides XVI, but different in significant respects from earlier known versions of this story. Hoey and others believe that Sophocles' version was more likely to have influenced Bacchylides' version than vice versa. Another piece of evidence used to support an early date is the relationship between the character of Deianeira and that of Clytemnestra in Aeschylus' Oresteia, first produced in 458. In earlier known versions of this story, Deianeira is a rather masculine character, similar to that of Clytemnestra in Oresteia who purposely killed her husband Agamemnon, but in Women of Trachis Deianeira's character is much softer and more feminine and she is only inadvertently responsible for the death of her husband. According to some scholars, Deianeira's character in Women of Trachis is intended as a commentary on Aeschylus' treatment of Clytemnestra, and if this is the case this play was most likely produced reasonably soon after Oresteia, although it is also possible that such commentary was triggered by a later revival of Aeschylus' trilogy. Hoey also sees echoes of Aeschylus' Prometheus Bound, particularly in the relevance of Women of Trachis to debates that were occurring during the 450s on the "relationship between knowledge and responsibility."
Other scholars, such as Cedric H. Whitman, argue for a production date during the 430s, close to but probably before Oedipus the King. Evidence for a date near Oedipus the King include a thematic similarity between the two plays. Whitman believes the two plays represent "another large step in the metaphysics of evil, to which Sophocles devoted his life." Thomas B. L. Webster also estimates a date in the 430s, close to 431, for a variety of reasons. One reason Webster gives for this dating is that there are a number of similarities between Women of Trachis and plays by Euripides that were known to be written between 438 and 417, and so may help narrow the range of dates, although it is unknown which poet borrowed from the other. A stronger reason Webster gives for this dating is that he believes that the structure of Woman of Trachis is similar to that of Sophocles' lost play Tereus, which Webster dates to this time period based largely on circumstantial evidence from Thucydides. Finally, Webster believes that the language and structure of Women of Trachis are consistent with such a date.
Other scholars, including Michael Vickers, argue for a date around 424 or 425, later than the generally accepted date range for the first performance of Oedipus the King. Arguments in favor of butt a date include the fact that events in the play seem to reflect events that occurred during Peloponnesian War around that time. The Spartans believed they were descended from Heracles, and in 427 or 426, Sparta founded a colony in Trachis called Heraclea. The colony alarmed Athens, who feared the colony could be used to attack Euboea, and in Women of Trachis Heracles is said to be either waging war or planning to do so against Euboea. Vickers believes that the link to current events and to Sparta accounts for why Hearcles is portrayed so coldly in the play. Vickers also argues that Sophocles chose the name "Lichas" for Heracles' messenger as a result of the link to current events, as Lichas was the name of a prominent Spartiate envoy during the war.
|Wikisource has original text related to this article:|
|Greek Wikisource has original text related to this article:|
- 1904 - Richard C. Jebb: prose
- 1912 - Francis Storr: verse: verse
- 1938 - Esther S. Barlow: verse
- 1956 - Ezra Pound: verse
- 1957 - Michael Jameson: verse
- 1966 - Robert Torrance: verse (Full Text)
- 1906 - Lewis Campbell: verse
- 1994 - Hugh Lloyd-Jones: prose
- 2007 - George Theodoridis: prose, full text: Bacchicstage
- Hoey, T.F. (1979). "The Date of the Trachiniae". Phoenix 33 (3): 220, 232.
- Whitman, C. (1966). Sophocles. Harvard University Press. pp. 103–121.
- Webster, T.B.L. (1936). An Introduction to Sophocles. Oxford University Press. pp. 3–4, 7.
- Vickers, M. (1995). "Heracles Lacedaemonius". Dialogues d'Histoire Ancienne 21 (2): 41–69.