The Unbearable Lightness of Being (film)
| The Unbearable Lightness of Being | |
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 Theatrical release poster |
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| Directed by | Philip Kaufman |
| Produced by | Bertil Ohlsson Paul Zaentz Saul Zaentz |
| Written by | Milan Kundera (novel) Jean-Claude Carrière Philip Kaufman |
| Starring | Daniel Day-Lewis Juliette Binoche Lena Olin Derek de Lint Erland Josephson Pavel Landovský |
| Music by | Mark Adler Ernie Fosselius |
| Cinematography | Sven Nykvist |
| Editing by | Walter Murch |
| Studio | The Saul Zaentz Company |
| Distributed by | Orion Pictures |
| Release date(s) | February 5, 1988 |
| Running time | 171 minutes |
| Country | United States |
| Language | English |
| Budget | $17,000,000 |
| Box office | $10,006,806 (USA) |
The Unbearable Lightness of Being is a 1988 American film adaptation of the novel of the same name by Milan Kundera, published in 1984.[1][2] Director Philip Kaufman and screenplay writer Jean-Claude Carrière show Czechoslovak artistic and intellectual life during the Prague Spring of the Communist period, before the Soviet and Warsaw Pact invasion in August 1968, and detail the moral–political effects and personal consequences upon a bohemian ménage à trois: a medical doctor and his two women.
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[edit] Plot
The Unbearable Lightness of Being introduces Czech brain surgeon Tomas (Daniel Day-Lewis), a lothario who is a successful medical doctor in Communist Czechoslovakia. His lover, Sabina (Lena Olin), is an equally care-free artist. One day, Dr Tomas leaves Prague to operate on a man in a spa town. There, he meets the waitress Tereza (Juliette Binoche), who dreams of escaping her small town life. She follows him to Prague and cohabits with him, complicating Tomas's extra-domestic sexual affairs.
Tomas asks Sabina to help Tereza find work as a photographer. Tereza is fascinated and jealous as she grasps that Sabina and Tomas are lovers. Her distress about his polyamory is interrupted by the Soviet Army tanks invading Czechoslovakia. Amidst the confusion, Tereza photographs the Soviet invasion, then hands the rolls of film to foreigners to smuggle to the West. Facing the stultifying reality that replaced the Prague Spring, Tomas, Sabina, and Tereza flee Czechoslovakia for Switzerland; first Sabina, then the hesitant Tomas and Tereza.
In Geneva, Sabina meets Franz (Derek de Lint), a married university professor; they begin a love affair. After some time, he decides to abandon his wife and family for her. After hearing the declaration, Sabina abandons Franz, feeling he would emotionally weigh her down. Meanwhile, Tereza and Tomas attempt to adapt to Switzerland, whose people Tereza finds inhospitable. When she discovers that Tomas continues womanizing, she leaves him and Switzerland, and returns to Czechoslovakia. Upset by her leaving, Tomas follows Tereza to Czechoslovakia, where his passport is confiscated, locking him in-country; nevertheless, his return elates Tereza. They are re-united.
In Prague, Tomas tries recovering his old brain surgeon hospital job, but the Soviet-backed régime consider him politically incorrect and prevent his re-employment. Before the invasion, Tomas wrote an article comparing the Soviets to Oedipus Rex; noting that Oedipus plucked out his eyes upon understanding his crime, but that the autocracy could see everything but its crimes. The régime demands his signature to a letter repudiating the article. Tomas refuses, and is black-listed from practicing medicine; he works as a window washer, and continues womanizing.
Working as a waitress, Tereza meets an engineer who propositions her. Aware of Tomas's infidelity, she enters a one-time and unpleasant sexual liaison with the engineer. Remorseful, she fears the engineer might have been a secret agent for the régime, who might blackmail her and Tomas. She contemplates suicide, which Tomas thwarts.
Stressed by insubstantial city life, Tereza convinces Tomas to leave Prague for the country; they go to a village where an old patient of Tomas' welcomes them. In the village, they live a farm idyll, far from the political intrigues of Prague. In contrast, Sabina has gone to the US, where she continues in the detached bohemian style of life. Later, Sabina is shocked by the letter telling of the deaths of Tereza and Tomas in a road accident while returning after celebrating in another town. Their lightness no longer unbearable, Tereza and Tomas were deeply happy as they drove toward death.
[edit] Production
The film is a United States production and was directed by an American director, Philip Kaufman, but it features a largely European cast, including Daniel Day-Lewis (British), Juliette Binoche (French), Lena Olin and Stellan Skarsgård (Swedish) and Derek de Lint (Dutch). It was filmed in France rather than Czechoslovakia; in the scenes depicting the Soviet invasion, archival footage is combined with new material shot in Lyon. The scene in which Tomas is seduced by a woman while cleaning windows was shot in the then unrestored Hôtel de Beauvais in the 4th arrondissement of Paris (now the Administrative Appeal Court).
[edit] Cast
- Daniel Day-Lewis as Tomas
- Juliette Binoche as Tereza
- Lena Olin as Sabina
- Derek de Lint as Franz
- Erland Josephson as Ambassador
- Pavel Landovský as Pavel
- Donald Moffat as Chief Surgeon
- Tomek Bork as Jiri
- Daniel Olbrychski as Interior Ministry Official
- Stellan Skarsgård as The Engineer
- Bruce Myers as Czech Editor
- Pavel Slaby as Pavel's Nephew
- Pascale Kalensky as Nurse Katja
- Jacques Ciron as Swiss Restaurant Manager
- Anne Lonnberg as Swiss Photographer
[edit] Adaptation
Kundera served as an active (but uncredited) consultant during the making of the film. Kundera wrote the poem that Tomas whispers into Tereza's ear as she is falling asleep specifically for the film.[3]
[edit] Reception
The film garnered high praise from critics. Rotten Tomatoes rates The Unbearable Lightness of Being as 94% "fresh" (positive).[2] The American Film Institute lists it as one of the top 100 love stories in American Cinema.[4]
Kundera himself was unhappy with the finished product, however, feeling most of the existential elements had been removed or diluted, and has since added a notice inside of all his work that it may not be adapted by anyone in any way.
[edit] Soundtrack
The film makes extensive use of music by Leoš Janáček and also Marta Kubišová singing Hey Jude in Czech.
[edit] Notes
- ^ Kundera, Milan (1999). New York City: Harper Perennial. ISBN 0-06-093213-9.
- ^ a b "The Unbearable Lightness of Being" at Rotten Tomatoes, 2008, webpage: RTom-Unbearable.
- ^ "Condemned by fate, persecuted by politics", The Daily Star, 2008-08-30, webpage: DStar-52391.
- ^ The Unbearable Lightness of Being in AFI list.
[edit] References
- The Unbearable Lightness of Being at Rotten Tomatoes.
- The Unbearable Lightness of Being in AFI list.
[edit] External links
- The Unbearable Lightness of Being at the Internet Movie Database
- Criterion Collection essay by Michael Sragow
- Movie Stills at Virtual History
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