The Walrus and the Carpenter
"The Walrus and the Carpenter" is a narrative poem by Lewis Carroll that appeared in his book Through the Looking-Glass, published in December 1871. The poem is recited in chapter four, by Tweedledum and Tweedledee to Alice. The poem is composed of 18 stanzas and contains 108 lines, in an alternation of iambic trimeters and iambic tetrameters. The rhyme scheme is ABCBDB, and masculine rhymes appear frequently. The rhyming and rhythmical scheme used, as well as some archaisms and syntactical turns, are those of the traditional English ballad.
The Walrus and the Carpenter are the eponymous characters in the poem, which is recited by Tweedledum and Tweedledee to Alice. Walking upon a beach one night when both sun and moon are visible, the Walrus and Carpenter come upon an offshore bed of oysters, four of whom they invite to join them. To the disapproval of the eldest oyster, many more follow them. After walking along the beach (a point is made of the fact that the oysters are all neatly shod despite having no feet), the two main characters are revealed to be predatory and eat all of the oysters. After hearing the poem, the good-natured Alice attempts to determine which of the two leading characters might be the more sympathetic, but is thwarted by the twins' further interpretation:
"I like the Walrus best," said Alice, "because you see he was a little sorry for the poor oysters."
"He ate more than the Carpenter, though," said Tweedledee. "You see he held his handkerchief in front, so that the Carpenter couldn't count how many he took: contrariwise."
"That was mean!" Alice said indignantly. "Then I like the Carpenter best—if he didn't eat so many as the Walrus."
"But he ate as many as he could get," said Tweedledum.
This was a puzzler. After a pause, Alice began, "Well! They were both very unpleasant characters—"
The characters of the Walrus and the Carpenter have been interpreted many ways both in literary criticism and popular culture. Some, including the character Loki in the film Dogma, interpret the Walrus to be a caricature of the Buddha and the Carpenter to be a caricature of Jesus Christ. British essayist J.B. Priestley argued that the figures were political. However, in The Annotated Alice, Martin Gardner notes that, when Carroll gave the manuscript for Looking Glass to illustrator John Tenniel, he gave him the choice of drawing a carpenter, a butterfly, or a baronet since each word would fit the poem's metre. Because Tenniel rather than Carroll chose the carpenter, the character's significance in the poem is probably not in his profession, and interpretations of the poem as a commentary on religion are likely false. Gardner cautions the reader that there is not always intended symbolism in the Alice books, which were made for the imagination of children and not the analysis of "mad people".
This song is sung by Tweedledum and Tweedledee in the 1951 Disney film Alice in Wonderland with the moon and the sun on each side and the oysters. The Walrus is portrayed as an intelligent, but lazy conman, with the Carpenter as a dimwitted sidekick who needs beating with a cane for acting before thinking. All characters in the story are voiced by J. Pat O'Malley.
After the Carpenter discovers a family of oysters underwater, the Walrus tries to persuade them to come "walk" with them. The Mother Oyster, on the other hand, knows that the current month is March, one of the 8 months with the letter "R" in which oysters are eaten. She tries to convince her children to stay in the sea, but the Walrus shuts her up (literally) and leads the dozen curious, younger oysters in a Pied Piper-like dance and flute solo ashore, where the Carpenter builds a restaurant from a shipwreck on the beach in six seconds. Once everyone is inside, the Walrus tricks him into preparing some food so that he can eat all the oysters himself. When the Carpenter returns to find every last oyster devoured and that the Walrus has double-crossed him, his face turns red with anger and he chases the Walrus outside with his hammer.
- Richard W. Santana; Gregory Erickson (2008). Religion and Popular Culture: Rescripting the Sacred. McFarland. pp. 89–. ISBN 978-0-7864-3553-1.
- Priestley, J. B (10 August 1957). New Statesman: 168.
- Gardner, Martin (1999). The Annotated Alice: The Definitive Edition. W. W. Norton & Company. ISBN 0393048470. Retrieved 13 May 2012.
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