The Wanderer (U2 song)
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|Song by U2 featuring Johnny Cash from the album Zooropa|
|Producer||Flood, Brian Eno, The Edge|
|Zooropa track listing|
"The Wanderer" is the tenth and final track from U2's 1993 album, Zooropa. It features country legend Johnny Cash on lead vocals. It is one of the few U2 songs not to feature Bono on lead vocals. The Edge provides harmonising backing-vocals throughout the song, but the country style howl at the end is by Bono.
Cash recorded the vocals for the song in Dublin in February 1993 during the Zooropa sessions. The song underwent several provisional titles, including "The Preacher" and "Wandering". Producer Brian Eno tried to get Bono to sing the song, but Bono maintained it was Cash's voice he imagined singing the song. Bono and Cash had previously worked on a song called "Ellis Island".
The lyrics describe a man searching for God in a post-Apocalyptic world. There is little guitar and Adam Clayton's synthesised bassline is the prominent musical sound throughout the song, although Larry Mullen's drumbeats can be heard.
Johnny Cash performed it on at least one occasion at the Nevada County fairgrounds in Grass Valley, California, in August 1993. U2 played it in a television special entitled I Walk the Line: A Night for Johnny Cash, following Cash's death in 2003. The special performance of the song featured The Edge adding dramatic falsetto background vocals. On 2 July 2011, U2 performed the song for the first time in concert in Nashville, Tennessee as a part of the U2 360° Tour. Bono performed the song with a deep, growling baritone voice as a tribute to Cash.
An extended version of the song featuring an extra verse is included on the soundtrack to the film Faraway, So Close! The extended version is 5:16 in length. The song was included on the Johnny Cash compilations, The Essential Johnny Cash (Legacy/Columbia, 2003) and The Legend of Johnny Cash (American/Island, 2005) and The Legend.
At the end of the song (on most versions of Zooropa), there's a minute of complete silence. Following this, an alarm-sound fades in (at 5:14). The alarm sound repeats, even once it has completely started (at about 5:20). The alarm sound finishes at 5:38. The remaining three seconds are silent. Apparently, this is the same sound some DJs hear after 10 seconds of dead air.
According to William Richey and Kevin J.H. Dettmar, U2 "skillfully exploited the image of Johnny Cash in a... provocative way", clarifying that "they seemingly imbue their vision of a postapocalyptic wasteland with a deeper sense of poignance and sincerity because Cash's storied voice is associated in the public mind with a man whose very public struggles with drugs, alcohol, and love prove that he has 'walked the line'."
- Dettmar, Kevin J.H.; Richey, William (1999). Reading Rock and Roll: Authenticity, Appropriation, Aesthetics. New York: Columbia University Press. ISBN 0-231-11399-4.
- McGee, Matt (2008). U2: A Diary. Omnibus Press. ISBN 978-1-84772-108-2.
- Editors of Rolling Stone, ed. (1994). "Achtung, Babies! A New U2 Album! David Fricke, July 8–22, 1993". U2: The Rolling Stone Files. London: Sidgwick & Jackson Limited. ISBN 0-283-06239-8.