The Wind That Shakes the Barley (film)
|The Wind That Shakes the Barley|
Theatrical release poster
|Directed by||Ken Loach|
|Produced by||Rebecca O'Brien|
|Written by||Paul Laverty|
|Music by||George Fenton|
|Edited by||Jonathan Morris|
|Distributed by||Pathé Distribution (UK)
IFC First Take (US)
|Box office||$22,899,908 |
The Wind That Shakes the Barley is a 2006 Irish war drama film directed by Ken Loach, set during the Irish War of Independence (1919–1922) and the Irish Civil War (1922–1923). Written by long-time Loach collaborator Paul Laverty, this drama tells the fictional story of two County Cork brothers, Damien O'Donovan (Cillian Murphy) and Teddy O'Donovan (Pádraic Delaney), who join the Irish Republican Army to fight for Irish independence from the United Kingdom. It takes its title from the Robert Dwyer Joyce song "The Wind That Shakes the Barley" a song set during the 1798 rebellion in Ireland and featured early in the film.
Widely praised, the film won the Palme d'Or at the 2006 Cannes Film Festival. Loach's biggest box office success to date, the film did well around the world and set a record in Ireland as the highest-grossing Irish-made independent film ever, until surpassed by The Guard.
County Cork, Ireland, 1920. Dr. Damien O'Donovan is about to leave his native village to practise medicine in a London hospital. Meanwhile, his brother Teddy commands the local flying column of the Irish Republican Army. After a hurling match, Damien witnesses the summary execution of his friend, Micheál Ó Súilleabháin, by British Black and Tans. Although shaken, Damien rebuffs his friends' entreaties to stay in Ireland and join the IRA, saying that the war is unwinnable. As he is leaving town, Damien witnesses the British Army vainly trying to intimidate a railway guard and the train driver for refusing to permit the troops to board. In response, Damien decides to stay and is sworn into Teddy's IRA brigade.
After drilling in the mountains, the column raids the village's Royal Irish Constabulary barracks for revolvers, then uses them to assassinate four Auxiliaries. In the aftermath, Anglo-Irish landowner Sir John Hamilton coerces one of his servants, IRA member Chris Reilly, into passing information to the British Army's Intelligence Corps. As a result, the entire brigade is arrested. In their cell, Damien meets the train driver, Dan, a union official who shares Damien's socialist views. Meanwhile, British officers interrogate Teddy, pulling out his fingernails when he refuses to give names of IRA members. Later, Johnny Gogan, a British soldier of Irish descent, helps all but three of the prisoners escape. After the actions of Sir John and Chris are revealed to the IRA's intelligence network, both are taken hostage. As Teddy is still recovering, Damien is temporarily placed in command. News arrives that the three remaining IRA prisoners have been tortured and shot. Simultaneously, the brigade receives orders to "execute the spies." Despite the fact that Chris is a lifelong friend, Damien shoots both him and Sir John. Later, the IRA ambushes and wipes out a convoy of the Auxiliary Division, and in retaliation another detachment of Auxiliaries loots and burns the farmhouse of Damien's sweetheart, Cumann na mBan member Sinéad Sullivan. Sinéad is held at gunpoint while her head is shaved dry, cutting her scalp. Later, as Damien treats her, a messenger arrives with news of a formal ceasefire between Britain and the IRA.
After the Anglo-Irish Treaty is signed, the brigade learns that a partitioned Ireland will only be granted Dominion status within the British Empire. As a result, the brigade divides over the terms. Teddy and his allies argue that accepting the Treaty will bring peace now while further gains can be made later. Others oppose the Treaty, proposing to continue fighting until a united Irish Republic can be obtained. Dan and Damien further demand the collectivisation of industry and agriculture. Any other course, declares Dan, will change only "the accents of the powerful and the colour of the flag." Later, the Irish Free State replaces British rule and Teddy and his allies begin patrolling in Irish Army uniforms. Meanwhile, Damien and his allies join the Anti-Treaty IRA. When civil war breaks out in Dublin, the Anti-Treaty column commences guerrilla tactics against the Free State. As the violence escalates, Teddy expresses fear that the British will invade if the Republicans gain the upper hand. He decrees, "They take one out, we take one back. To hell with the courts."
Ultimately, Dan is killed and Damien is captured during a raid for arms on a Free State barracks commanded by Teddy. Sentenced to death, Damien is held in the same cell where the British Army imprisoned them earlier. Hoping to avoid executing his brother, Teddy pleads with Damien to reveal where the IRA is hiding the stolen rifles, offering him full amnesty, a vision of Ireland at peace, and a life with Sinéad. Damien responds by saying that he prefers death. Later, in a goodbye letter to Sinéad, Damien expresses his love for her, but says that he knows what he stands for and is not afraid. At dawn, Damien dies before a firing squad commanded by a visibly heartbroken Teddy.
- Cillian Murphy – Damien O'Donovan
- Pádraic Delaney – Teddy O'Donovan
- Liam Cunningham – Dan
- Orla Fitzgerald – Sinéad Ní Shúilleabháin
- Laurence Barry – Micheál Ó Súilleabháin
- Mary Murphy – Bernadette
- Mary O'Riordan – Peggy
- Myles Horgan – Rory
- Martin Lucey – Congo
- Roger Allam – Sir John Hamilton
- John Crean – Chris Reilly
- Damien Kearney – Finbar
- Frank Bourke – Leo
- Shane Casey – Kevin
- Máirtín de Cógáin – Sean
- William Ruane – Johnny Gogan
- Fiona Lawton – Lily
- Sean McGinley – Father Denis
- Kevin O'Brien – Tim
The film stars mostly Irish actors and was made by British director Ken Loach. It is an international co-production between companies in Ireland, United Kingdom, Germany, Italy, Spain, France, Belgium, and Switzerland.
The title derives from the song of the same name, "The Wind That Shakes the Barley," by 19th-century author Robert Dwyer Joyce. The song made the phrase "the wind that shakes the barley" a motif in Irish Republican song and poetry. Loach took some of the inspiration for Damian's character from the memoirs of Irish Republican leader Ernie O'Malley. University College Cork historian Donal O Drisceoil was Loach's historical adviser on the film.
The film was shot in various towns within County Cork during 2005, including Baile Bhuirne (Ballyvourney) and Timoleague. Some filming took place in Bandon, County Cork: a scene was shot along North Main Street and outside a building next to the Court House. The ambush scene was shot on the mountains around Ballyvourney while the farmhouse scenes were filmed in Coolea. Damien's execution scene, however, was shot at Kilmainham Gaol in Dublin, where many leaders of Irish rebellions were imprisoned and some executed by the British and latterly in 1923 by the Irish Free State.
Many of the extras in the film were drawn from local Scout groups, including Bandon, Togher and Macroom with veteran Scouter Martin Thompson in an important role. Many of the British Soldiers seen in the film were played by members of the Irish Army Reserve, from local units.
Among the songs on the film's soundtrack is "Óró sé do bheatha abhaile", a 17th-century Irish Jacobite song whose lyrics the nationalist leader Pádraig Pearse changed to focus upon Republican themes.
The commercial interest expressed in the UK was initially much lower than in other European countries and only 30 prints of the film were planned for distribution in Britain, compared with 300 in France. However, after the Palme d'Or award the film appeared on 105 screens across Great Britain and Northern Ireland. The RESPECT political party, of which Ken Loach is on the national council, called for people to watch the film on its first weekend in order to persuade the film industry to show the film in more cinemas.
According to director Ken Loach, the film attempts to explore the extent that the Irish revolution was a social revolution as opposed to a nationalist revolution. Loach commented on this theme in an interview with Toronto’s Eye Weekly (15 March 2007):
Every time a colony wants independence, the questions on the agenda are: a) how do you get the imperialists out, and b) what kind of society do you build? There are usually the bourgeois nationalists who say, 'Let's just change the flag and keep everything as it was.' Then there are the revolutionaries who say, 'Let's change the property laws.' It's always a critical moment.
According to Rebecca O'Brien, producer of the film and a longtime Loach collaborator,
It's about the civil war in microcosm... It's not a story like Michael Collins. It's not seeking that sort of biographical accuracy, but rather will express the themes of the period. This is the core of the later Troubles, which is why it's so fascinating to make.
The movie became the most popular independent Irish film ever released in Ireland, earning €377,000 in its opening weekend and €2.7 million by August 2006.
The film got a positive reaction from film critics. As of 5 January 2008, the review aggregator Rotten Tomatoes reported that 88% of critics gave the film positive reviews, based on 102 reviews. Metacritic reported the film had an average score of 82 out of 100, based on 30 reviews.
The Daily Telegraph's film critic described it as a "brave, gripping drama" and said that director Loach was "part of a noble and very English tradition of dissent". A Times film critic said that the film showed Loach "at his creative and inflammatory best", and rated it as 4 out of 5. The Daily Record of Scotland gave it a positive review (4 out of 5), describing it as "a dramatic, thought-provoking, gripping tale that, at the very least, encourages audiences to question what has been passed down in dusty history books."
The film was attacked by some commentators, some of whom had not seen it, including Simon Heffer. Following the Cannes prize announcement, Unionist historian Ruth Dudley Edwards wrote in the Daily Mail on 30 May 2006 that Loach's political viewpoint "requires the portrayal of the British as sadists and the Irish as romantic, idealistic resistance fighters who take to violence only because there is no other self-respecting course," and attacked his career in an article that Loach criticised as inaccurate. The following week, Edwards continued her attack in The Guardian, admitting that her first article was written without seeing the film (which at that stage had only been shown at Cannes), and asserting that she would never see it "because I can't stand its sheer predictability." One day after Edwards' initial article appeared, Tim Luckhurst of The Times called the film a "poisonously anti-British corruption of the history of the war of Irish independence" and compared Loach to Nazi propagandist director Leni Riefenstahl. Yet George Monbiot revealed on 6 June, also in The Guardian, that the production company had no record of Luckhurst having attended a critics' screening of the as-yet unreleased film, and Luckhurst refused to comment. In a generally positive review, the Irish historian Brian Hanley suggested that the film might have dealt with the IRA's relationship with the Protestant community, as one scene in its screenplay did.
Left-wing commentators in Ireland have long examined the Irish War of Independence as an example of class struggle, as well as nationalism. The film has also revived debate on rival interpretations of Irish history.
Awards and nominations
|British Independent Film Awards||Best Actor||Cillian Murphy||Nominated|
|Best British Independent Film||Nominated|
|Best Director||Ken Loach||Nominated|
|Best Technical Achievement||Barry Ackroyd||Nominated|
|Cannes Film Festival||Palme d'Or||Ken Loach||Won|
|European Film Awards||Best Cinematographer||Barry Ackroyd||Won|
|Best Actor||Cillian Murphy||Nominated|
|Best Director||Ken Loach||Nominated|
|Best Screenwriter||Paul Laverty||Nominated|
|Goya Awards||Best European Film||Ken Loach||Nominated|
|Irish Film and Television Awards||Best Irish Film (Audience Award)||Won|
|Best Actor in a Supporting Role in a Feature Film||Liam Cunningham||Won|
|Best Film||Ken Loach||Won|
|Best Actor in a Lead Role in a Feature Film||Cillian Murphy||Nominated|
|Best Actor in a Supporting Role in a Feature Film||Padraic Delaney||Nominated|
|Best Actress in a Supporting Role in a Feature Film||Orla Fitzgerald||Nominated|
|Breakthrough Talent (actor)||Padraic Delaney||Nominated|
|Breakthrough Talent (actress)||Orla Fitzgerald||Nominated|
|London Critics Circle Film Awards||British Director of the Year||Ken Loach||Nominated|
|British Film of the Year||Nominated|
|British Producer of the Year||Rebecca O'Brien||Nominated|
|Polish Film Awards||Best European Film||Ken Loach||Nominated|
|Satellite Awards||Best Original Screenplay||Paul Laverty||Nominated|
- Element Pictures: 'The Wind That Shakes the Barley Linked 2013-09-02
- Box Office Mojo: The Wind That Shakes the Barley – worldwide gross Linked 2013-09-02
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- News from the UK Film Council UKFilmCouncil.org.uk, 23 April 2007
- "Loach Film Sets New Money Mark" RTE.ie, 8 August 2006
- Smith, Damon (18 March 2007). "The agitator". The Boston Globe.
- "Filming Locations". IMDb. Retrieved 2008-11-23.
- "Kilmainham Gaol". goireland.com. Retrieved 2008-11-23.
- "The Wind that Shakes the Barley" RespectCoalition.org, 10 June 2006
- Quoted at http://www.pslweb.org/site/News2?page=NewsArticle&id=6647&news_iv_ctrl=1861
- "'The Wind That Shakes The Barley' set visit". TimeOut. 18 July 2005.
- Loach film breaks Irish box-office records Kerr, Aine. The Irish Times (1921–Current File) [Dublin, Ireland] 8 Aug 2006: 3.
- "The Wind That Shakes the Barley – Rotten Tomatoes". Rotten Tomatoes. Retrieved 2008-01-05.
- "Wind That Shakes the Barley, The (2007): Reviews". Metacritic. Retrieved 2008-01-05.
- "Powerful – but never preachy" The Daily Telegraph, 23 June 2006
- "The Wind that Shakes the Barley" The Times, 22 June 2006
- "Troubles and Strife" The Daily Record, 23 June 2006
- "Metacritic: 2007 Film Critic Top Ten Lists". Metacritic. Archived from the original on 2008-01-02. Retrieved 2008-01-05.
- Ebert, Roger (April 2007). "The Wind that Shakes the Barley". rogerebert.com. Retrieved 5 June 2011.
- "Come out fighting" The Guardian, 16 June 2006
- "Why does Ken Loach loathe his country so much?" The Daily Mail, 30 May 2006
- "Ken Loach hits back at English tabloids" Indymedia Ireland, 1 June 2006
- "What about making Black and Tans: the movie?" The Guardian, 6 June 2006
- "Director in a class of his own" The Times, 31 May 2006
- "If we knew more about Ireland, we might never have invaded Iraq" The Guardian, 6 June 2006
- "Film Eye: The Wind that Shakes the Barley/ Reviews/Issue 5 (Sep/Oct 2006)/Volume 14". Historyireland.com. Retrieved 2013-02-19.
- "Film Review: The Wind That Shakes the Barley" indymedia Ireland, 2 July 2006
- "The Wind That Shakes the Barley Sends Revisionists Yapping at History's Heels: Ireland's Freedom Struggle and the Foster School of Falsification" Counterpunch.org, 11/12 November 2006
- "Sectarian Wind Up – a defence of The Wind that Shakes the Barley". Cork Examiner. 26 June 2006.
- The Wind That Shakes the Barley in the British Film Institute's "Explore film..." database
- The Wind That Shakes the Barley at the Internet Movie Database
- The Wind That Shakes the Barley at AllMovie
- The Wind That Shakes the Barley at Box Office Mojo
- The Wind That Shakes the Barley at Rotten Tomatoes
- The Wind That Shakes the Barley at Metacritic
- Interview with Ken Loach from Socialist Worker, 10 June 2006
- Introduction to The Wind That Shakes the Barley script by Luke Gibbons, and Gibbons' reply to Kevin Myers