The Young Rajah
|The Young Rajah|
1922 theatrical poster
|Directed by||Phil Rosen|
|Written by||John Ames Mitchell|
|Screenplay by||June Mathis|
|Based on||Amos Judd
by John Ames Mitchell
|Cinematography||James Van Trees|
|Distributed by||Paramount Pictures|
|Running time||Eight reels (7705 feet)|
After fifteen years, Joshua Judd (Charles Ogle) tells his adopted son, Amos (Valentino), that his real father was an Indian maharajah overthrown by Ali Khan (Bertram Grassby). Amos, then a young boy (played by an uncredited Pat Moore), was rescued by General Devi Das Gadi (George Periolat) and taken to America for his safety. (Joshua's merchant brother had been a trusted friend of the late maharajah.)
Amos attends Harvard University. There he incurs the hatred of Austin Slade, Jr. (Jack Giddings), whom he beats out for a spot on the rowing team. At a party celebrating a rowing victory over arch-rival Yale, a jealous Slade calls Amos "yellow" and pours a drink on him, causing Amos to punch him. Slade grabs a chair as a weapon, but Amos ducks, and Slade falls through an open window to his death. Amos is cleared of all wrongdoing, but the newspaper story attracts the notice of Amhad Beg (J. Farrell MacDonald), Ali Khan's Prime Minister.
That summer, at a party hosted by close friend Stephen Van Kovert (William Boyd), Amos becomes attracted to one of the other guests, Molly Cabot (Wanda Hawley). By chance, Molly and her family decide to vacation in Amos's hometown. As they become better acquainted, Amos overcomes Molly's initial dislike of him. However, Molly tells her father (Edward Jobson) that she cannot marry someone who is not one of her "own people", however much she loves him. Instead, she agrees to marry longtime suitor Horace Bennett (Robert Ober), who had been a good friend of Slade's. Bennett tells Amos to stay away from his future wife, but when he also calls Amos a murderer, Amos chokes him into apologizing. As he leaves, Amos is struck in the head by a rock thrown by Bennett. Seeing this, Molly rushes to Amos's side and breaks off her engagement to Bennett.
The happy couple decide on an early wedding, but Amos has a vision showing him being murdered the day before. He has had visions before; all came true, even if he tried to prevent them. His family is supposedly descended from Prince Arjuna; the god Krishna granted Arjuna and all his descendants the gift of prophesy. When he reveals this to his future father-in-law (who has already witnessed the accuracy of Amos's visions), the latter suggests he lock himself away in the sanatorium of a friend for the day.
Amos does so, but Amhad Beg and his men find and kidnap him. Just as they are about to kill him, Amos is rescued by the mystic Narada (Josef Swickard), who also can see into the future, and his followers. Narada convinces him to forego his own happiness and return to India to overthrow the tyrant. When Amos is welcomed by his people and the army revolts, Ali Khan commits suicide. The new Maharajah of Dharmagar takes comfort in his latest vision, which shows his wedding to Molly.
- Rudolph Valentino as Amos Judd
- Charles Ogle as Joshua Judd
- Fanny Midgley as Sarah Judd
- George Periolat as General Devi Das Gadi
- George Field as Prince Rajanya Paikparra Munsingh
- Bertram Grassby as Maharajah Ali Khan
- Josef Swickard as Narada
- William Boyd as Stephen Van Kovert
- Robert Ober as Horace Bennett
- Jack Giddings as Austin Slade, Jr.
- Wanda Hawley as Molly Cabot
- Edward Jobson as John Cabot
- J. Farrell MacDonald as Amhad Beg
- Spottiswoode Aitken as Caleb
- Joseph Harrington as Dr. Fettiplace
- Julanne Johnston as Dancing Girl
- Pat Moore as Amos as a Child
- Maude Wayne as Miss Elsie Van Kovert
This film was one of Valentino's most commercially and critically unsuccessful motion pictures. The film is perhaps best remembered today for its elaborate and suggestive costumes, which were designed by Valentino's wife Natacha Rambova. Photographs of Valentino wearing these outfits, some of which left little to the imagination, are still widely circulated today.
For most of the twentieth century, The Young Rajah was considered a lost film. However, in 2005, Turner Classic Movies announced that they were financing the restoration of the surviving footage of the picture, and the channel aired the resulting program in May 2006. The movie was assembled from poor-quality film clips and still photos, with additional title screens being added to bridge the gaps in the storyline. In addition, some intertitles were taken from a Spanish-language edition, and these were translated and replaced with new title screens.
- Dark Lover: The life and death of Rudolph Valentino. Emily W. Leider, Farrar, Straus and Giroux, 2003, ISBN 0-374-28239-0
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