Theresienstadt (film)

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Theresienstadt. Ein Dokumentarfilm aus dem jüdischen Siedlungsgebiet
Directed by Kurt Gerron under supervision of Hans Günther & Karl Rahm
Produced by Karel Peceny (Aktualita Prag) for the SS-Central Office for the Settlement of the Jewish Question in Bohemia and Moravia
Written by Kurt Gerron using drafts by Jindrich Weil and Manfred Greiffenhagen
Cinematography Ivan Fric and Cenek Zahradnícek
Release dates 1944 (unreleased)
Running time ca. 90 minutes (surviving footage: 20 minutes)
Country Nazi Germany
Language German

Theresienstadt. Ein Dokumentarfilm aus dem jüdischen Siedlungsgebiet (English: Terezin: A Documentary Film from the Jewish Settlement Area) was a black-and-white projected Nazi propaganda film shot in the concentration camp of Theresienstadt.

In the summer of 1944, the Nazi government had perpetrated a hoax against the Danish Red Cross by taking them on a tour of the Theresienstadt concentration camp in the occupied Czech Republic. They "beautified" and cleaned the camp prior to arrival and arranged cultural activities to give the appearance of a happy, industrious community. To cover up the endemic overpopulation of the camp, numerous inmates were deported to Auschwitz before the arrival of the Red Cross delegation.[citation needed]

The gimmick was so successful that SS commander Hans Günther attempted to expand on it by having Kurt Gerron, a Jewish actor-director, make a short film about the camp to assure audiences that the inmates kept there were not being abused.[1] In return, the Nazis promised that he would live. Shooting took 11 days, starting September 1, 1944.[2]

Shortly after Gerron finished shooting the film, however, both he and other cast members were "evacuated" to Auschwitz, where they were gassed upon arrival.

The film was intended to be shown in neutral countries to counter Allied news reports about the persecution of Jews. Influential organisations such as the International Red Cross and the Vatican would be given screenings. However, the progress of the war in late 1944 to early 1945 made that impossible. After an initial screening in early April 1945 to senior members of the government and SS, there were a few other screenings to international humanitarian groups in Theresienstadt in April 1945. Further distribution was halted by the defeat of Germany.[1]

The film was mostly destroyed, but about 20 minutes of sequences from it have survived.[1] The surviving footage features a children's opera, Brundibar, and two musical performances on a wooden pavilion in the town square. One is of Karel Ančerl conducting a work by Pavel Haas, and the other is of the jazz band leader Martin Roman and his Ghetto Swingers. Ančerl and Roman both survived Auschwitz; most of their musicians and the children from the opera did not.

The "Beautification", the Red Cross tour, and the making of the film are dramatized extensively in the novel and mini-series War and Remembrance. Austerlitz, a novel by W.G. Sebald, features discussion of and a still from the film.

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References[edit]

  1. ^ a b c Brad Prager, "Interpreting the Visible Traces of Theresienstadt", Journal of Modern Jewish Studies, 7:2, 175-194, 2008, p.178.
  2. ^ "This day in Jewish history / Filming in Theresienstadt" (in English). Haaretz Daily Newspaper Ltd. Retrieved 2013-06-12. 

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