Thesis (typeface)
Thesis is a large typeface family designed by Lucas de Groot. The typefaces were designed between 1994 and 1999 to provide a modern humanist corporate font. Each typeface is available in a variety of weights as well as in italic.
Thesis fonts have become popular and can be seen in various publications or logotypes.
The range of weights are designed using de Groot's "interpolation theory". The optical interpolation b, in the three stems a (thinnest), b (interpolation) and c (thickest), is set to the geometric mean of a and c, i.e. b² = ac (as opposed to the linear arithmetic mean).
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[edit] TheSans
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| Category | Sans-serif |
|---|---|
| Classification | Humanist |
| Designer(s) | Lucas de Groot |
| Foundry | FontFabrik |
It is a sans-serif font family. It included fonts in 8 weights and 2 widths, with complementary italic fonts.
In TheSans Condensed, each weight only includes roman and italic, but all 4 number styles can be found.
[edit] TheSansMono
It is a monospaced variant. 3 widths have been produced. All fonts use hanging monospaced figures.
[edit] TheSansTypewriter
It is a monospaced variant with ragged strokes. It included fonts in regular and bold weights in the widest TheSansMono width, with complementary italic fonts. It uses hanging monospaced figures.
[edit] TheSerif
It is a slab serif font family. It included fonts in 8 weights and 1 width, with complementary italic fonts.
[edit] TheMix
It is a slab serif font family, but using only serif on upper portion of small letters. It included fonts in 8 weights and 1 width, with complementary italic fonts.
[edit] TheMixMono
It is a monospaced variant. Each weight only includes roman and italic. All fonts use hanging monospaced figures.
[edit] TheMix Arabic
It is a variant designed by Lucas de Groot, Arab calligrapher and designer Mouneer Al-Shaarani, and with technical support from Pascal Zoghbi. Lucas designed the Bold version of the type, while Pascal finalized the Bold design by modifying some glyphs, spacing and encoding/scripting the font, and later developed TheMix Arabic Regular.
The font was included in the Typographic Matchmaking Project organized by the Khatt Foundation.
[edit] TheAntiqua
It is a variant based on TheSerif. It included fonts in 7 weights and 1 width, with complementary italic fonts. OpenType feature includes small caps (roman only).
TheAntiqua won 1999 Type Directors Club type competition.
[edit] Collections
Each of the family are categorized in following family collections: Classic, Basic, Office.
Classic family includes all 8 font weights, with roman, italic, small caps roman, small caps italic, expert, expert italic in each weight. It includes hanging proportional, hanging monospaced, lining proportional, lining monospaced figures; and additional f-ligatures. Expert fonts include arrows, swashes, fraction figures, alternate styles, mathematic symbols, ornaments.
Basic family includes all 8 font weights, but without small caps and expert fonts. It includes lining proportional figures (smaller than in classic).
Office family only includes Regular and Bold weights, with only roman and italic in each weight. It includes hanging monospaced figures.
[edit] Uses of Thesis fonts
- AOL (various services) — TheSans
- ARD — TheAntiqua and TheSans: corporate and branding identity for the organization and its main channel Das Erste.
- Belgian police — TheMix
- Bristol City Council's corporate identity
- Citizens bank — TheSans
- Democratic Party - TheSerif
- Maastricht University - TheSans for print publications and signage
- O'Reilly Media (code font for book publishing) — TheSans Mono Condensed
- Social Democratic Party of Germany - SPD-Sans
- Sprint Nextel — TheSans
- Swisscom — TheSans and TheMix
- Terra Networks (various services) — TheMix
- Telefónica — TheSans
- TriMet — TheMix
- The University of Manchester - TheSans[1]
- Weekly Dig — TheSerif
- Marque Bretagne — TheMix[2]
[edit] See also
[edit] References
- Middendorp, Jan. Dutch Type. 010 Publishers: 2004. ISBN 90-6540-460-1.
