Thirty Three & 1/3
|Thirty Three & 1/3|
|Studio album by George Harrison|
|Released||19 November 1976 (UK)
24 November 1976 (US)
|Recorded||24 May–13 September 1976
|Genre||Rock, pop, soul, funk|
|Producer||George Harrison with Tom Scott|
|George Harrison chronology|
|Singles from Thirty Three & 1/3|
Thirty Three & 1/3 (stylised as Thirty Three & 1/ on the album cover) is the seventh studio album by English musician George Harrison, released in November 1976. It was Harrison's first album release on his Dark Horse record label, the worldwide distribution for which changed from A&M Records to Warner Bros. as a result of his late delivery of the album's master tapes. Among other misfortunes affecting its creation, Harrison was waylaid with hepatitis midway through recording, and the copyright infringement suit regarding his 1970–71 hit song "My Sweet Lord" was decided in favour of the plaintiff, Bright Tunes Music. The album contains the hit singles "This Song" – Harrison's satire on that court case and the notion of plagiarism in pop music – and "Crackerbox Palace". Despite the problems associated with the album, many music critics recognised Thirty Three & 1/3 as a return to form for Harrison after his poorly received work during 1974–75, and considered it his strongest collection of songs since 1970's acclaimed All Things Must Pass.
Harrison recorded Thirty Three & 1/3 at his Friar Park home studio, with production assistance from Tom Scott. Other musicians on the recording include Billy Preston, Gary Wright, Willie Weeks and David Foster. Harrison undertook extensive promotion for the album, which included producing video clips for three of the songs and making a number of radio and television appearances, including a celebrated live performance with singer-songwriter Paul Simon on NBC-TV's Saturday Night Live. The album was remastered in 2004 as part of the Dark Horse Years 1976–1992 reissues following Harrison's death in 2001.
Background and recording
In January 1976, having satisfied his EMI contract with the release of Extra Texture (Read All About It), George Harrison signed with Dark Horse Records, distribution for which had been with A&M Records since he founded the label in May 1974. Part of their agreement was that Harrison would deliver his new album, Thirty Three & 1/3, by 26 July 1976. He then spent the early part of the year involved in activities other than music-making. Foremost among these was the court case, in New York, for a long-runnning plagiarism suit launched against him by music publisher Bright Tunes, who contended that Harrison had infringed on their copyright of the Chiffons' song "He's So Fine" in his 1970–71 hit single "My Sweet Lord". While in Los Angeles in February and March, Harrison worked on a proposed documentary film of his 1974 North American tour with Ravi Shankar. Also around this time, he made a guest appearance on stage with comedians Monty Python, one of whom, Michael Palin, later recalled that Harrison looked "tired and ill"; author Peter Doggett attributes Harrison's poor health to a lifestyle increasingly reliant on alcohol and cocaine, following the failure of his marriage to Pattie Boyd in 1974.
After beginning sessions for the new album on 24 May, at his Friar Park home studio, FPSHOT, Harrison was struck down with hepatitis and unable to work for much of the summer. With the help of his partner Olivia Arias, who consulted natural remedies such as acupuncture after Harrison had failed to respond to more conventional medical treatment, he returned to recording towards the end of the summer. Harrison later said: "I needed the hepatitis to quit drinking." The title for the new album reflected his age at the time of recording, as well as the speed at which the vinyl LP would play on a turntable.
By this point, A&M Records were concerned that Dark Horse's roster of artists – which included Shankar, Stairsteps and little-known groups such as Splinter and Jiva – had failed to provide a return on the company's investment from the past two years. A&M decided to offload the label and, in an attempt to recoup its costs, the company sued Harrison for $10 million in September 1976, citing his late delivery of Thirty Three & 1/3. That same month, New York judge Richard Owen ruled on the copyright infringement suit, stating that Harrison had "subconsciously plagiarised" part of the melody to the Chiffons song in his 1970 composition. Having settled with A&M by returning his personal advance, Harrison moved Dark Horse over to Mo Ostin-run Warner Bros. Records, where his friend Derek Taylor held an executive position. Thirty Three & 1/3 and its lead single, "This Song", a sardonic send-up of the "My Sweet Lord"/"He's So Fine" court case, were both released that November.
Release and reception
|Melody Maker||(highly favourable)|
|The Rolling Stone Album Guide|||
After the disappointments of Dark Horse and Extra Texture over 1974–75, Thirty Three & 1/3 was widely viewed as a return to form, earning Harrison his strongest reviews since All Things Must Pass (1970).
Billboard magazine described the release as "a sunny, upbeat album of love songs and cheerful jokes that is his happiest and most commercial package, with least high-flown postures, for perhaps his entire solo career". The reviewer rated the production "top-notch" before concluding: "And Harrison's often-spectacular melody writing gift gets brilliant display here." In Melody Maker, Ray Coleman remarked on Warner Bros.' need to re-establish Harrison as a top artist, adding: "The question is merely whether the music [on Thirty Three & 1/3] merits it. Unequivocally, the answer is yes." Coleman praised Harrison's vocals on this "fine album" and likened the quality of his melodies to that on the Beatles' 1965 album Rubber Soul.
Less impressed, NME critic Bob Woffinden admired Harrison's guitar work, but dismissed his lyric writing, saying: "Harrison has absolutely no sense of narrative flow, he can't begin to sustain interest and has no facility at conjuring evocative or striking images." Woffinden concluded: "Harrison's general demeanour is more encouraging ... While it is an album of no particular merit in itself, it is one which leads me to believe that his best work may not necessarily be behind him." In his 1981 book The Beatles Apart, Woffinden offered a more positive assessment, however, writing that, although Thirty Three & 1/3 was "still short of [Harrison's] best", "His spiritual convictions no longer seemed to be cramping his style, but affording him a generous and open heart. An excellent production and frequently inspired guitar work were amongst the other positive qualities which the album could boast."
Writing in 1977, Nicholas Schaffner compared Thirty Three & 1/3 with All Things Must Pass and opined: "The newer songs have a far more intimate setting, which forces them to rely on pure melody and George's own musicianship instead of dazzling orchestrations and production. The tastefulness of his performance on his two pet instruments, slide guitar and synthesizer, is unmatched in rock, and Thirty-three and a Third boasts the most varied and tuneful collection of Harrison melodies to date."
In the 1978 edition of a book that traditionally promoted an unfavourable view on Harrison's work, The Beatles: An Illustrated Record, authors Roy Carr and Tony Tyler described Thirty Three & 1/3 as Harrison's "best effort – by far – since the questionable triumph of All Things Must Pass". After opining that the guitarist's "true gifts" were as a supporting musician rather than a solo artist and songwriter, Carr and Tyler concluded: "It must be the production. For no individual track really presents itself as typifying a New Harrison Approach – and yet the impression left by the album as a whole is definitely of a more balanced, poised and devil-may-care Hari … now it seems as though George is On The Right Track." Robert Christgau, another critic with a low regard for Harrison's music, gave Thirty Three & 1/3 the highest rating of all the ex-Beatle's solo albums thus far, with a B–. Christgau wrote, "This isn't as worldly as George wants you to think – or as he thinks himself, for all I know – but it ain't fulla shit either", and highlighted "Crackerbox Palace" as Harrison's best song since the 1969 composition "Here Comes the Sun".
In a 2002 review for Rolling Stone, Greg Kot said of Thirty Three & 1/3: "'Crackerbox Palace' has a twinkle in its eye, the kind of song that had previously eluded the increasingly self-serious Harrison … The tune's melodic sweep is nearly matched by 'This Song,' Harrison's sarcastic commentary on his 'My Sweet Lord' plagiarism suit. The two tracks form the center of the guitarist's strongest collection since his solo debut." Robert Rodriguez has written of A&M's folly in parting with Dark Horse Records and thereby missing out on an album that would stand as "possibly [Harrison's] most commercial ever". Rodriguez adds: "If ever an album cried out for a tour, it was this lively, energetic, and colorfully upbeat collection." Former Mojo editor Mat Snow views it as a "confident, if not quite classic" album on which Harrison "had his groove back".
Thirty Three & 1/3 outsold Dark Horse and Extra Texture in America, where it peaked at number 11 on its way to being certified gold by the RIAA and selling around 800,000 copies. In Britain, the album made it to number 35. While the singles "This Song" and "Crackerbox Palace" both became US hits, peaking at number 25 and 19, respectively, on the Billboard Hot 100, none of the three singles issued in the UK placed on the national chart, then a top 50.
Harrison undertook extensive promotion for Thirty Three and 1/3, the first time he had done so for one of his albums. His activities included print, radio and television interviews, across selected cities in the United States, before moving on to Britain, Germany and Holland. On 20 November 1976, Harrison made an appearance with Paul Simon as the musical guest on Saturday Night Live; the duo performed "Here Comes the Sun" and "Homeward Bound" together on the program. This performance of "Homeward Bound" was later included on the 1990 charity album Nobody's Child: Romanian Angel Appeal, and it is also found on the bonus DVD accompanying Simon's 2007 compilation The Essential Paul Simon.
In addition, Harrison made promotional clips, all in a comical vein, for "This Song", "Crackerbox Palace" and "True Love". The first of these was directed by Harrison and shot at a Los Angeles courthouse, with guest appearances by his musician friends Jim Keltner and Ron Wood. Eric Idle directed the clips for "Crackerbox Palace" and "True Love", both of which were filmed at Friar Park.
In 2004, Thirty Three & 1/3 was remastered and reissued both separately and as part of the deluxe boxed set The Dark Horse Years 1976–1992 on Dark Horse with new distribution by EMI, adding the bonus track "Tears of the World", an outtake from the 1980 sessions for Somewhere in England.
All songs written by George Harrison, except where noted.
- Side one
- "Woman Don't You Cry for Me" – 3:18
- "Dear One" – 5:08
- "Beautiful Girl" – 3:39
- "This Song" – 4:13
- "See Yourself" – 2:51
- Side two
- "It's What You Value" – 5:07
- "True Love" (Cole Porter) – 2:45
- "Pure Smokey" – 3:56
- "Crackerbox Palace" – 3:57
- "Learning How to Love You" – 4:13
- Bonus tracks
For the 2004 digitally remastered issue of Thirty Three & 1/3, a bonus track was added:
- "Tears of the World" – 4:02
iTunes bonus track:
- "Learning How to Love You (Early Mix)" – 4:13
The following personnel are credited in the liner notes.
- George Harrison – vocals, electric and acoustic guitars, synthesizers, percussion, backing vocals
- Tom Scott – saxophones, flute, lyricon
- Richard Tee – piano, organ, Fender Rhodes
- Willie Weeks – bass
- Alvin Taylor – drums
- Billy Preston – piano, organ, synthesizer
- David Foster – Fender Rhodes, clavinet
- Gary Wright – keyboards
- Emil Richards – marimba
|United States (RIAA)||Gold||500,000^|
|United Kingdom (BPI)||Silver||60,000^|
*sales figures based on certification alone
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