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Thomas Moran by Napoleon Sarony
February 12, 1837|
Bolton, Lancashire, England
|Died||August 25, 1926
Santa Barbara, California, United States
|Nationality||American, born in England, and raised in Pennsylvania, USA|
|Movement||Hudson River School, Rocky Mountain School|
Thomas Moran (February 12, 1837 – August 25, 1926) from Bolton, England was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran began his artistic career as a teenage apprentice to the Philadelphia wood-engraving firm Scattergood & Telfer. Moran found the engraving process "tedious"  and spent his free time working on his own watercolors. By the mid-1850s he was drawing the firm's illustrations for publication rather than carving them. He began studying with local painter James Hamilton who introduced him to the work of British artist J. M. W. Turner. Moran traveled to England in 1862 to see Turner's work and he often acknowledged that artist's influence on his use of color and choice of landscapes. During the 1870s and 1880s Moran's designs for wood-engraved illustrations appeared in major magazines and gift oriented publications.
Moran was married to Scottish born Mary Nimmo Moran (1842–1899), an etcher and landscape painter. The couple had two daughters and a son. His brothers Edward (1829–1901), John (1831–1902) and Peter (1841–1914), as well as his nephews Edward Percy Moran (1862–1935) and Jean Leon Gerome Ferris (1863–1930) were also active as artists. He died in Santa Barbara, California on August 26, 1926.
Thomas Moran's vision of the Western landscape was critical to the creation of Yellowstone National Park. In 1871 Dr. Ferdinand Hayden, director of the United States Geological Survey, invited Moran, at the request of American financier Jay Cooke, to join Hayden and his expedition team into the unknown Yellowstone region. Hayden was just about to embark on his arduous journey when he received a letter from Cooke presenting Moran as "an artist of Philadelphia of rare genius". Funded by Cooke (the director of the Northern Pacific Railroad), and Scribner's Monthly, a new illustrated magazine, Moran agreed to join the survey team of the Hayden Geological Survey of 1871 in their exploration of the Yellowstone region. During forty days in the wilderness area, Moran visually documented over 30 different sites and produced a diary of the expedition's progress and daily activities. His sketches, along with photographs produced by survey member William Henry Jackson, captured the nation's attention and helped inspire Congress to establish the Yellowstone region as the first national park in 1872. Moran's paintings along with Jackson's photographs revealed the scale and splendor of the beautiful Yellowstone region more than written or oral descriptions, persuading President Grant and the US Congress that Yellowstone was to be preserved. Moran's impact on Yellowstone was great, but Yellowstone had a significant influence on the artist, too. His first national recognition as an artist, as well as his first large financial success resulted from his connection with Yellowstone. He even adopted a new signature: T-Y-M, Thomas "Yellowstone" Moran. Just one year after his introduction to the area, Moran captured the imagination of the American public with his first enormous painting of a far-western natural wonder, The Grand Canyon of the Yellowstone, which the government purchased in 1872 for $10,000. For the next two decades, he published his work in various periodicals and created hundreds of large paintings. Several of these, including two versions of The Grand Canyon of the Yellowstone (1893–1901 and 1872) and Chasm of the Colorado (1873–74) are now on view at the Smithsonian American Art Museum.
Over the next forty years Moran traveled extensively. He went back to Yellowstone with Jackson in 1892. They were invited by Elwood Mead, the state engineer of Wyoming, in preparation for a "Wyoming Exhibition" at the World's Columbian Exposition. Thousands of tourists were now able to visit the park, arriving by the Northern Pacific Railway, and Moran and Jackson were able to take advantage of the tourist facilities, such as a hotel at Mammoth Hot Springs. Moran wrote "After a day at Norris we left for the Grand Canyon where we stayed two days and made a great many photos. I saw so much to sketch that I have determined to return there myself after I have been to the Geyser Basins and the lake and spend a week at work there. It is as glorious in color as ever and I was completely carried away by its magnificence. I think I can paint a better picture of it than the old one after I have made my sketches." Moran sketched many more images of the Canyon on this trip than he had in 1871, including views from the viewpoint named for him on the 1871 trip, "Moran Point."
Moran was elected to the membership of the National Academy of Design in 1884 and produced numerous works of art in his senior years.
The Thomas Moran House in East Hampton, New York is a National Historic Landmark. Mount Moran in the Grand Teton National Park is named for Moran. His work is held in the collection of the Cooper-Hewitt, National Design Museum.
Green River, Wyoming (1878) Crystal Bridges Museum of American Art
Grand Canyon of Yellow Stone (1904) Honolulu Museum of Art
Shoshone Falls on the Snake River (1900) Gilcrease Museum, Tulsa, OK
- "The Lure of the West". University of Virginia, American Studies. Retrieved 24 October 2010.
- Kinsey, Joni Louise (1992). Thomas Moran and the Surveying of the American West. Washington and London: Smithsonian Institution Press. pp. 43–92. ISBN I-56098-170-9 Check
- Wilkins, Thurman. Thomas Moran: Artist of the Mountains. Norman, Oklahoma: University of Oklahoma Press, 1998, p. 18-19.
- Wilkins, Thurman, p. 19.
- "Yellowstone National Park:
Its Exploration and Establishment". National Park Service. Retrieved 10 October 2010.
- Richard P. Townsend, Thomas Moran at Gilcrease - Moran and the European Tradition, Gilcrease Journal, vol. 5, no.1, Spring/Summer 1997.
- "Thomas Moran Gallery
The Yellowstone National Park and the Mountain Regions
of Idaho, Nevada, Colorado and Utah". Arader Galleries. Retrieved 10 October 2010.
- "Hayden Expedition". Wyoming Tales and Trails. Retrieved 10 October 2010.
- Wilkins, Thurman; Hinkley, Caroline L; Goetzmann, William H. (1998). Thomas Moran: Artist of the Mountains. University of Oklahoma Press. ISBN 978-0-8061-3040-8. LCC N6537.M6443 W55 1998.
- Kinsey, Joni Louise (1992). Thomas Moran and the Surveying of the American West. Washington and London: Smithsonian Institution Press. ISBN I-56098-170-9 Check
|Wikimedia Commons has media related to Thomas Moran.|
- The United States National Gallery of Art page on Thomas Moran
- Gallery of Moran's Paintings
- thomas-moran.org Hundreds of images by Thomas Moran and more.
- Works by Thomas Moran in the collections of the Smithsonian American Art Museum
- American paintings & historical prints from the Middendorf collection, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Moran (no. 38-42)