Thomas Southerne (1660 – 26 May 1746) was an Irish dramatist.
His first play, The Persian Prince, or the Loyal Brother (1682), was based on a contemporary novel. The real interest of the play lay not in the plot, but in the political significance of the personages. Tachmas, the loyal brother, is obviously a flattering portrait of James II, and the villain Ismael is generally taken to represent Shaftesbury. The poet received an ensigns commission in Princess Annes regiment, and rapidly rose to the rank of captain, but his military career came to an end at the Revolution.
He then gave himself up entirely to dramatic writing. In 1692 he revised and completed Cleomenes for John Dryden; and two years later he scored a great success in the sentimental drama of The Fatal Marriage, or the Innocent Adultery (1694). The piece is based on Mrs Aphra Behn's The History of the Nun, with the addition of a comic underplot. It was frequently revived, and in 1757 was altered by David Garrick and produced at Drury Lane. It was known later as Isabella, or The Fatal Marriage. The general spirit of his comedies is well exemplified by a line from Sir Anthony Love (1691) "every day a new mistress and a new quarrel." This comedy, in which the part of the heroine, disguised as Sir Anthony Love, was excellently played by Mrs Mountfort, was his best. He scored another conspicuous success in Oroonoko, or The Royal Slave (1696). For the plot of this he was again indebted to the novel by Aphra Behn.
In his later pieces he did not secure any great successes, but he contrived to gain better returns from his plays than Dryden did, and he remained a favorite with his contemporaries and with the next literary generation. He died on the 26th of May 1746.
His other plays are: The Disappointment, or the Mother in Fashion (1684), founded in part on the Curioso Imperlinente in Don Quixote; The Wives Excuse, or Cuckolds make themselves (1692); The Maids Last Prayer; or Any rather than fail (1692); The Fate of Capua (1700); The Spartan Dame (1719), taken from Plutarch's Life of Aegis; and Money the Mistress (1729).
His work is collected as Plays written by Thomas Southerne, with an Account of the Life and Writings of the Author (1774).
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A Compendium of Irish Biography (1878) describes him as:
"frugal and pushing; he was peculiarly fortunate in the sale of his plays; and his judicious flattery of the Duke of York considerably advanced his interests. During the Duke of Monmouth's rebellion Southern served in the army. He is described as having been in his latter days "a quiet and venerable old gentleman, who lived near Covent Garden, and frequented the evening prayers there, always neat and decently dressed, commonly in black, with his silver sword and silver locks."
"He died (the oldest and richest of the dramatic brotherhood), 26th May 1746, aged 85. Two of his plays, all that are now known to the public, are thus commented on by Hallam: "Southern's Discovery, latterly represented under the name of Isabella, is almost as familiar to the lovers of our theatre as Venice Preserved itself; and for the same reason, that whenever an actress of great tragic powers arises, the part of 'Isabella' is as fitted to exhibit them as that of 'Belvidera.' The choice and conduct of the story are, however, Southern's chief merits; for there is little vigour in the language, though it is natural and free from the usual faults of his age. A similar character may be given to his other tragedy, Oroonoko, in which Southern deserves the praise of having first of any English writer, denounced the traffic in slaves and the cruelties of their West Indian bondage. The moral feeling is high in this tragedy, and it has sometimes been acted with a certain success; but the execution is not that of a superior dramatist."
- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press.