Three Kings (1999 film)
Theatrical release poster
|Directed by||David O. Russell|
|Produced by||Michael Hertzberg
Paul Junger Witt
|Screenplay by||David O. Russell|
|Story by||John Ridley|
|Music by||Carter Burwell|
|Cinematography||Newton Thomas Sigel|
|Edited by||Robert K. Lambert|
|Distributed by||Warner Bros. Pictures
Roadshow Entertainment (Australia & New Zealand)
Three Kings is a 1999 satirical war-comedy film written and directed by David O. Russell from a story by John Ridley about a gold heist that takes place during the 1991 Iraqi uprising against Saddam Hussein following the end of the Persian Gulf War. The film stars George Clooney, Mark Wahlberg, Ice Cube, and Spike Jonze.
The film opens with an Iraqi Army soldier trying to surrender as U.S. troops mop up loose ends following the end of the Gulf War. U.S. Army Reserve Sergeant First Class Troy Barlow (Mark Wahlberg) shoots him in the confusion over how to handle stray soldiers, earning him the admiration of his bumbling comrades, Private First Class Conrad Vig (Spike Jonze) and Specialist Walter Wogeman (Jamie Kennedy). Boisterous celebrations continue into the night, until Staff Sergeant Chief Elgin (Ice Cube) breaks up the party.
Around the corner, Major Archie Gates (George Clooney), a U.S. Army Special Forces soldier, is trading sex for stories with a journalist, Cathy Daitch (Judy Greer) when he is interrupted by Adriana Cruz (Nora Dunn), the television reporter he is assigned to escort. They are all bored since the war has ended and Archie is lectured when he expresses frustration with the mission and his cushy assignment, but grudgingly agrees to go along for the time being.
The next day Troy and his unit disarm and search surrendering Iraqi soldiers, and while forcibly subduing a resisting Iraqi officer they find a document between his buttock cheeks. It appears to be a map, and Troy decides not to tell his commanding officer, instead asking Chief Elgin for help translating his "Iraqi ass map" as Vig looks on. Walter is guarding the tent when Major Gates appears, after tracking down a lead from Adriana. Archie convinces them that the document is a map of bunkers near Karbala, containing gold bullion stolen from Kuwait. They decide to steal the gold, prompting Vig to improvise an adaptation of the carol We Three Kings.
They set off the next day and, using the ceasefire orders from President Bush, they enter and secure the bunkers without any bloodshed. There, among other goods plundered from Kuwait, they find the gold, and stumble on the interrogation of an Iraqi rebel leader. As they are leaving the man's wife pleads with them not to abandon the anti-Saddam dissidents, but she is shot by the Iraqi Republican Guard, and Archie decides they can't just "grab the gold and go." They free a group of Iraqi prisoners, including the dissident rebel leader, violating the ceasefire and triggering a firefight. They pull out just as Iraqi reinforcements arrive, and as they try to evade a CS gas attack, the Americans blunder into a minefield and get separated. Iraqi soldiers capture Troy while a group of rebels rescue the other Americans and take them to their underground hideout, retrieving the bags containing the gold as they go. There, Conrad, Chief and Archie agree to help the rebels and their families reach the Iranian border, after they rescue Troy.
Troy has been taken back to the bunker, and when he is thrown in a room full of Kuwaiti cell phones, he manages to call his wife back home and tells her to report his location to his local Army Reserve unit. His call is cut short when he is dragged to an interrogation room. While inflicting electric shocks on Troy and eventually forcing him to drink motor oil, Iraqi Captain Saïd (Saïd Taghmaoui) explains that he learned interrogation techniques from the Americans, berates Troy about the hypocrisy of American involvement in the region, and informs him that his son was killed during the American bombing of Baghdad.
The Americans with the rebels go to a band of Iraqi Army deserters, who are persuaded to sell them luxury cars stolen from Kuwait. The cars are outfitted as Saddam's entourage, in a ruse to scare away the bunker's defenders, pretending that an enraged Saddam is coming to kill them for losing the gold. After storming the bunker, they free Troy, who spares his torturer's life, as well as more Shi'ite dissidents held in a dungeon. But a few of the soldiers who ran away return, and Conrad and Troy are shot. Conrad dies but Troy survives with a punctured lung, requiring a flutter valve in his chest to relieve pressure so he can breathe until they reach a hospital.
Archie radios Walter, arranging transport and telling him to bring Adriana, while the hapless officers in the camp try to locate the trio after getting the message from Troy's wife. Each of the rebels is given a bar of gold and the rest is buried as they wait for the transport to arrive. The convoy goes to the Iranian border, where the three Americans will escort the rebels across to protect them from the Iraqi soldiers guarding the crossing. But the American officers arrive in helicopters and stop the group, arresting the trio while the rebels are recaptured. Archie, Troy and Chief nod to each other, and Archie proffers the buried gold to the American officers in exchange for letting the refugees through.
All of the soldiers are cleared of the charges thanks to Adriana's reporting. Archie goes to work as a military adviser to Hollywood action films, Chief leaves his airport job to work with Archie, and Troy returns to his wife and baby, running his own carpet store. The stolen gold was returned to Kuwait.
- George Clooney as Major Archie Gates, a career U.S. Army Special Forces officer close to retirement, who is disillusioned with the war.
- Mark Wahlberg as Sergeant First Class Troy Barlow, an office worker with a wife and baby daughter at home. He wears the U.S. Army Civil Affairs and Psychological Operations patch and identifies himself as a Civil Affairs Reservist.
- Ice Cube as Staff Sergeant Chief Elgin, an airline baggage handler who believes he is protected by a ring of "Jesus-fire", also wears the U.S. Army Civil Affairs and Psychological Operations patch.
- Spike Jonze as Private First Class Conrad Vig, a jobless, semi-literate soldier from a group home who idolizes Troy, also wears the U.S. Army Civil Affairs and Psychological Operations patch.
- Cliff Curtis as Amir Abdullah, a Shi'ite Iraqi rebel who has been captured by Saddam's troops. Educated in the U.S. at Bowling Green State University, he was an entrepreneur in Baghdad, running several cafes before they were destroyed by Coalition bombs.
- Nora Dunn as Adriana Cruz, a tough cable news correspondent who is determined to get a good story.
- Jamie Kennedy as Specialist Walter Wogeman, a bumbling soldier who Archie uses to distract Adriana.
- Saïd Taghmaoui as Captain Saïd, an Iraqi interrogator who tortures Barlow with electric shocks after he is captured.
- Mykelti Williamson as Colonel Ron Horn, Archie's superior officer, who discovers the plan to steal the gold.
- Holt McCallany as Captain Doug Van Meter, Troy's superior officer, an obstreperous stickler for the rules.
- Judy Greer as Cathy Daitch, a journalist competing with Adriana who has sex with Archie early in the film.
- Alia Shawkat as Amir's daughter.
Three Kings was filmed in the deserts of Casa Grande, Arizona, California and Mexico, with many of the extras played by actual Iraqi refugees. According to Russell, two of the cast members had "personally defaced 300 murals of Saddam." After one of the military advisers to the film died during production, Russell said the death was "perhaps due to chemicals he was exposed to in the Gulf."
Former stand-up comic John Ridley had originally written the screenplay, then titled Spoils of War, as an experiment to see how fast he could write and sell a film. The writing took him seven days, and Warner Bros. bought the script 18 days later. When the studio showed a list of their purchased scripts to Russell, the one-sentence description of Spoils of War, "heist set in the Gulf War", appealed to him. Although Russell claimed he never read Ridley's script, so as not "to pollute my own idea", he admits that "John gets credit where it's due. The germ of the idea that I took was his." Ridley maintains that Russell shut him out of the process, saying "I never heard a word while he was shooting the movie. Never saw any of the script changes. And then finally, a year later, I get a copy of the script, and my name isn't even on it." Although Warner Bros. worked out a deal to give Ridley a "story by" credit, Ridley remains unhappy with the experience, and has blocked Russell's efforts to publish the Three Kings screenplay in book form.
Russell penned the script with several actors in mind. Although Spike Jonze had never acted in a film before, Russell wrote the part of Conrad Vig specifically for him, and the two practised Conrad's Southern accent over the phone while Jonze directed his first feature film, Being John Malkovich. Although Russell had to convince a wary Warner Bros. to cast an inexperienced actor in such a large role, he eventually won out. Russell said Jonze's lack of previous acting work was beneficial to the film, citing the "chaos that a nonactor brings to the set...he really shakes things up."
The part of Archie Gates was originally planned for Clint Eastwood, but Russell decided to rewrite it as a younger character. George Clooney eventually saw a copy of the script and was "blown away" by it. When he heard the part was being re-written, he jumped at the chance to get involved. At this point in Clooney's career, he was best known for his role as the handsome Dr. Doug Ross on the popular television drama ER. Clooney was ready to pursue a role in film. Unfortunately, Russell seemed unwilling to cast Clooney in the role. Persistent, Clooney sent a humorously self-deprecating letter signed "George Clooney, TV actor" to Russell asking for the part, and showed up at Russell's New York City apartment to plead his case. Russell still wasn't satisfied that Clooney could portray the character. He instead convinced Nicolas Cage to play the role. However, when Cage became unavailable after being cast in Martin Scorsese's Bringing Out the Dead, Russell gave the part to Clooney. Russell later stated that Clooney "was meant to play the part."
Many of the Iraqi roles were played by actual Iraqi refugees in the United States. A similar technique was used in The Killing Fields.
Much to the chagrin of Warner Bros., Russell decided to use a number of experimental cinematic techniques in the film. Handheld cameras and Steadicam shots were used to give the film a journalistic feel. Russell shot a majority of the film on Ektachrome transparency stock that was cross processed in colour negative chemicals, to reproduce "the odd colour of the newspaper images [of the Gulf War]." Though the process produced a unique quality and look to the film, it was exceedingly unreliable to develop, and many film labs would not provide insurance for the transparency stock if it did not develop properly. Russell feared that the scenes would need to be reshot until finally a lab was found that would develop the transparency stock in the negative chemicals. The opening was shot on conventional negative stock and bleach bypassed to give a deep black and high contrast look. Some interior shots were also filmed on conventional negative stock and processed normally. Russell also credited the realism of the firefights to the film's cinematographer, Newton Thomas Sigel, who had shot several documentaries on South American civil wars, saying "he knew what it was like to be in that kind of world."
All of the explosions in the movie were filmed in one shot, as opposed to a typical film where each would have been covered by multiple cameras. Russell explained, "to me that's more real. The car's blowing up on this guy, and we just park the camera. Of course the producer says, 'we gotta run three cameras!' But if I cut three ways, then it just looks like an action picture." Russell also had the foley department tone down the sounds of gunfire, saying he didn't want to "Bruce Willis-ize" the film." One frequently noted shot in the film is an image of a bullet piercing a number of internal organs, releasing bile into the abdominal cavity, used when Gates is describing sepsis as the effect of a gunshot wound. This internal camera is again used when SFC Barlow is shot in the torso and his chest begins to fill with air, crushing his lung. Both of these scenes were inspired by Russell asking an emergency room doctor friend "What's the weirdest wound you've ever seen?" It also erupted a minor controversy, when Russell began to joke around that the gunshots were fired into a real corpse; a statement everyone vehemently denied later.
The film's production process was particularly difficult for Russell, who was taking a variety of risks with what was a $42 million studio film. At the time it was made, Warner Bros. had not financed an auteur film in many years and executives were hesitant to put such money in the hands of filmmakers who were used to working independently. The film's political overtones also worried the studio, especially with conflict still apparent in the Middle East. As a result, Warner Bros. gave Russell a number of limitations. The shooting schedule was reduced to only 68 days instead of the 80 Russell had initially asked for. The studio wanted the budget to be lowered to $35 million. Executives were also asking for the removal of more violent scenes, such as the exploding cow and the shooting of an Iraqi woman. Russell was also forced to sign a legal document requiring that scenes containing paedophilia accusations against Michael Jackson be removed from the film. The pressure of delivering the film quickly became evident to Russell.
The shoot took place in Arizona during October. The crew were unused to the improvisational, on-the-fly directing style that Russell implemented. Rather than preparing organized shot lists, Russell preferred to use ideas as they came to him, often asking for longer hours. Early on, some of the crew began to feel a dislike for these methods and Russell along with them. Clooney noted that "there's an element of David that was in way over his head... he was vulnerable and selfish, and it would manifest itself in a lot of yelling." When Russell's frustration would lead to outbursts, Clooney would take it upon himself to defend crew members and extras, leading to increased tensions. When an extra had an epileptic seizure on set, Clooney ran to his aid while Russell apparently remained indifferent to the matter. Afterward, Clooney criticized Russell for ignoring the incident, though Russell later stated that he was busy setting up a shot some yards away from the extra and was not aware that the extra had suffered a seizure. Another on-set conflict between the two arose while shooting footage on a Humvee with a camera mounted to it. Clooney recalls Russell yelling at the driver to drive faster. Clooney then approached the director, telling him to "knock it off". Russell remembers the incident differently: "The camera broke, we were losing the day and I was upset about that. So I jumped off the truck and I was like, 'Fuck!' I was just kicking the dirt and everything like that. And then George had this big thing about defending the driver, whom I hadn't really said anything to." During the shoot, Clooney was exhausted as he was still shooting ER in Los Angeles three days a week, while working on Three Kings the other four. He had even more difficulty with the amount of improvisation the film required.
Regardless, Clooney was determined to stay with the role. Loyal to the script, Clooney helped convince executives to support certain aspects of the film (such as the exploding cow scene) even after he was urged to drop out of production, as his contract called for his compensation with or without his decision to stay in the film. After a number of arguments, Clooney wrote Russell a letter that criticized Russell's behavior in a last attempt to make peace between the two, days before another fight would break out during the filming of the movie's finale. In it, the three lead characters attempt to escort Iraqi rebels across the border to Iran. There were a number of actors and extras in the scene, as well as other elements, such as helicopters flying overhead and landing in the center of the location. The fight began after an extra was having difficulty throwing Ice Cube's character to the ground. After a number of takes, Russell came to the extra and put him through the motions of the action. Some individuals present on the set during the incident state that Russell was simply showing the extra how to convincingly act in the scene. However, Clooney and others thought that Russell had violently thrown the extra to the ground. Clooney recalls: "We were trying to get a shot and then he went berserk. He went nuts on an extra." Clooney approached Russell and began criticizing him again, coming to the extra's defense. The two began shouting at one another before entering a physical fight. Second assistant director Paul Bernard was so fed up with the experience when the fight broke out that he put down his camera and walked off the set, effectively quitting. Clooney concludes, "Will I work with David ever again? Absolutely not. Never. Do I think he's tremendously talented and do I think he should be nominated for Oscars? Yeah." Russell offered a different view, saying "we're both passionate guys who are the two biggest authorities on the set," and maintaining that the two continue to be friends. Ice Cube felt the conflict helped the film, saying "it kind of kicked the set into a different gear where everybody was focused and we finished strong. I wouldn't mind if the director and the star got into an argument on all of my movies."
Though the fight was initially kept under wraps, both Russell and Clooney eventually gave official statements saying that the argument had blown over and neither harbored any ill will towards the other. However, Clooney continued to describe the event in later interviews, as well as the cover story of the October 2003 issue of Vanity Fair, in which he states: "I would not stand for him humiliating and yelling and screaming at crew members, who weren't allowed to defend themselves. I don't believe in it and it makes me crazy. So my job was then to humiliate the people who were doing the humiliating." Executive producer and production manager Gregory Goodman later stated about Clooney's comments in the media, "It doesn't reflect well on [Clooney]. It's like some stupid sandbox quarrel." In early 2012, Clooney indicated that he and Russell had mended their relationship, saying "We made a really, really great film, and we had a really rough time together, but it's a case of both of us getting older. I really do appreciate the work he continues to do, and I think he appreciates what I'm trying to do."
|This section requires expansion. (March 2010)|
The film was particularly well received by critics. Rotten Tomatoes gave the film a 94% "certified fresh" rating based on 126 reviews. The consensus states "Three Kings successfully blends elements of action, drama, and comedy into a thoughtful, exciting movie on the Gulf War." Metacritic gave the film a score of 82 out of 100 based on 34 reviews, signifying "universal acclaim".
Peter Bradshaw says, "A strange flavour, but this is an enjoyable and intelligent action film." Roger Ebert of the Chicago Sun-Times said that "Three Kings is one of the most surprising and exciting movies I've seen this year" and that the film is a "weird masterpiece, a screw-loose war picture that sends action and humor crashing head-on into each other and spinning off into political anger." Jeff Greenfield of CNN said "This is a keeper". David Edelstein for The New York Times said "It remains the most caustic anti-war movie of this generation."
The director's commentary of the film reveals that sitting President Bill Clinton liked the film so much that he had it screened for his staff, friends, and advisors at the White House.
In Reel Power: Hollywood Cinema and American Supremacy Matthew Alford calls Three Kings "an unusual ideological product on Hollywood terms, which begins to break down the official history of the Gulf War [...but nevertheless...] suggests that the problems of Iraq can be solved, and only solved, by the application of US force." He observes that Russell "sheepishly indicated Three Kings' ideological consistency with the 2003 Iraq War" when Russell met George W. Bush in 1999 and said he was making a film that would question his father's legacy in Iraq. Alford quotes Bush as responding to Russell: "Then I guess I'm going to have to finish the job, aren't I?"
In 2004, Warner Bros., feeling the film had become relevant again due to the Iraq War, decided to re-release it in theaters and on DVD. Having no additional footage to add, Russell instead shot Soldiers Pay, a short documentary about the Iraq War, to accompany the film. Taking its name from William Faulkner's first novel of the same name about an airman's return home in World War I's aftermath, Russell said the documentary examined "both sides of the war, people who feel good about the war, who believe in the mission, people who feel bad."
While making the documentary, Russell spoke with both Iraqis and U.S. troops, including SSG. Matt Novak, whom Russell tracked down with the help of his brother-in-law, a private investigator. Asked how the Iraqis he had interviewed felt about the war, Russell said:
Every Iraqi I know is glad that Saddam is gone. I would completely disagree with Michael Moore about that. I think it's good that Saddam is gone. And I think basically the movie takes the position of, is Iraq better off without Saddam? Yes. Is the world better off with this war? Not sure, don't think so.
Although Russell had planned to release the film before November 2004, hoping to "perhaps make a difference before the election," Warner Bros. abandoned the project at the last minute, citing "controversy surrounding the documentary, combined with a later-than-expected arrival of the bonus footage". Russell disputed the time-crunch excuse, saying "I think if they really wanted to they could make it happen." Eventually, the documentary was purchased by the Independent Film Channel, where it was aired in its entirety the night before the 2004 U.S. presidential election.
- "Film Distribution - Village Roadshow Limited". Village Roadshow Pictures. 2014-02-11. Retrieved 2014-02-11.
- Three Kings at Box Office Mojo
- Jeffery M., Anderson (September 25, 1999). "The Fourth King". Combustible Celluloid. Retrieved 2006-09-27.
- "Easy Writer". Entertainment Weekly. October 8, 1999. Retrieved 2006-09-27.
- Wolk, Josh (October 1, 1999). "'Three' Score". Entertainment Weekly. Retrieved 2006-09-27.
- Sragow, Michael (January 13, 2000). "King of Kings". Salon.com. Retrieved 2006-09-27.
- Filmmakers on Visual Story Points. CreativePlanetnetwork.com
- "Clooney corpse report denied". BBC News. September 28, 1999. Retrieved May 25, 2010.
- Waxman, Sharon (2005). Rebels on the Backlot. HarperCollins. ISBN 0-06-054017-6.
- Nashawaty, Chris (October 8, 1999). "Three the Hard Way". Entertainment Weekly. Retrieved 2006-09-28.
- "George Clooney: The Private Life of a Superstar". Retrieved 2012-02-15.
- http://www.rottentomatoes.com/m/three_kings/ Three Kings Movie Review at Rotten Tomatoes
- http://www.metacritic.com/video/titles/threekings?q=three%20kings Three Kings reviews at Metacritic.com
- Ebert, Roger (October 4, 1999). "Three Kings". Chicago Sun-Times. Retrieved 2006-09-26.
- Edelstein, David (April 6, 2003). "Film; One Film, Two Wars, 'Three Kings'". The New York Times.
- Alford, Reel Power, p. 80-1
- Snipes, Stephanie (November 1, 2004). "'Three Kings' director looks at Iraq war". CNN. Retrieved 2006-09-26.
- Lim, Dennis (September 28, 2004). "The Unbearable Lightness of Being". The Village Voice. Retrieved 2006-09-27.
- Three Kings at the Internet Movie Database
- Three Kings at AllMovie
- Three Kings at Box Office Mojo
- Three Kings at Rotten Tomatoes
- Three Kings at Metacritic