Three in the Attic

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Three in the Attic
Three in the Attic.jpg
Directed by Richard Wilson
Produced by Richard Wilson
executives
Samuel Z. Arkoff
James H. Nicholson
associate
Norman T. Herman
Written by Stephen Yafa
Based on novel Paxton Quigley's Had the Course by Stephen Yafa
Starring Christopher Jones
Yvette Mimieux
Judy Pace
Maggie Thrett
Eve McVeagh
Music by Chad & Jeremy
Davie Allan and the Arrows
Cinematography J. Burgi Contner
Edited by Richard C. Meyer
Eve Newman
Production
  company
Hermes Productions
American International Pictures
Distributed by American International Pictures
Release date(s) December 20, 1968
Running time 92 minutes
Country  United States
Language English
Box office $5.2 million (US/ Canada rentals)[1]

Three in the Attic is a 1968 movie, starring Christopher Jones and Yvette Mimieux, with Judy Pace and Maggie Thrett. Nan Martin, John Beck, and Eve McVeagh appear in supporting roles.[2]

Premise[edit]

Jones plays Paxton Quigley, a lothario who swears his fidelity to all three of the women he is dating, who are unaware of his deception. When they learn the truth about Paxton, the women lure him into a college dormitory attic, where they each take turns tormenting and pampering Paxton physically.

Plot summary[edit]

Paxton Quigley (Christopher Jones), a renowned womanizer, is a student at the fictional Willard College for Men, located one mile away from the fictional Fulton College for women. The schools are located in small college communities in the middle of Vermont.

After meeting at a Zeta Chi (ZX) fraternity party, Paxton and a Fulton undergrad, Tobey Clinton (Yvette Mimieux), begin dating. They then take their relationship to the next level by spending the summer together by the beach in Providencetown.

Paxton and Tobey are then caught living together by Tobey’s parents at their family house in Providencetown. Following a fight between Tobey and her mother, the two separate for the rest of the last two weeks of summer break. Tobey, by now deeply in love, is ecstatic to be with Paxton upon their return to school.

While out on his motorcycle, Paxton has a chance encounter with a young artist in need of a ride, their meeting is quite sexually charged. The young artist, Eulice (Judy Pace), another Fulton student, entreats Paxton to let her paint him naked. When she is finished, Paxton learns that she only wanted to paint his face, but got him naked for fun. She promises to get nude for Paxton as compensation. After a meal, they retire to a motel that Paxton frequents with his many different conquests.

Following his initial escapade with Eulice, Paxton brags to his fraternity brothers that he feels no remorse.

While they are on a trip to a cabin, Tobey asks Paxton to move out of his fraternity house and move into an apartment with her. Paxton overreacts; Tobey explains that her father bet her that if she rented an apartment for the two of them Paxton would get cold feet and end the relationship. A bitter fight ensues but they soon make up.

Paxton receives a phone call from Eulice at his fraternity house, and is goaded into seeing her again. While racing over to Eulice’s residence Paxton trips and happens upon a hippie-girl, Jan (Maggie Thrett), who is making a flower-collage in the woods. They strike a conversation, and soon after Paxton takes Jan to his favorite motel. The two eat some of Jan’s “magic-brownies” and then Jan uses body paint to cover Paxton’s back in flowers. As soon as Paxton makes a move, Jan runs for the door. Paxton aggressively attacks her, and then stops and feigns to be homosexual who was abused by a junior high school coach. This exploitative trickery wins her sympathy and they soon become intimate.

Again, Paxton brags about his exploits back at his fraternity house. One of his brothers gives him the idea of dating all three girls at the same time. They scheme over some beers, and come up with an elaborate plan for Paxton to trick all three girls into thinking he is seeing each one exclusively.

While at a movie which Paxton is watching with Tobey, he is almost discovered by both Eulice and Jan, who spot him from the front; he barely escapes detection.

Paxton returns to the Zeta Chi house and walks into a party where brothers are taking advantage of a drunken co-ed. Paxton, hit with a sudden sense of guilt, tries to protect the girl from the brothers’ jeers.

Paxton, filled with his new-found conscience, rents an apartment for himself and Tobey and goes to her dorm building to surprise her with his new level of commitment. Tobey, obviously very distraught, tells Paxton to follow her into her attic where she reveals that she, Eulice, and Jan have discovered Paxton’s secret infidelity. Tobey caught him after seeing Eulice’s painting of Paxton at an art show and tracking down the artist. The three then lock Paxton in the attic and plan to continue sleeping with him constantly to physically wear him out as a punishment. Paxton rebels by going on a hunger strike.

After noticing his drop in class attendance, the dean of Willard College sends out a description of Paxton to neighboring colleges, labeling him as a missing student.

A nosy dorm mate of Tobey’s notices the actions of Paxton’s captors and reports them to the assistant dean of Fulton. Meanwhile, Paxton is being worn to physical extremes from a combination nearly two week’s malnutrition and being unable to resist the relentless advances of Tobey, Eulice, and Jan. The assistant dean of Fulton, Dean Nazarin (Nan Martin), connects information listed in a missing person’s report and information from a nosy student. She then concludes that Paxton is being held in the attic of Fulton’s Ford Hall, Tobey’s residence. Tobey meets with Dean Nazarin and explains the situation. Although unable to officially condone the actions of the young women, the dean offers a chance for Tobey to carry out Paxton’s “punishment” while turning a blind eye.

Meanwhile, Paxton has vivid hallucinations where he accuses his three captors and fantasizes that they are unanimously hated by all of Fulton College while he is shown love and comfort. Failing to make Paxton explain his actions, Tobey finally consents to release him from the attic and, disoriented, he stumbles into an unsuspecting female dorm. He is attacked by the female residents as an intruder and knocked unconscious. An ambulance soon takes him away. Thanks to intervention from Dean Nazarin, the three girls get out of the scandal without punishment.

With the help of Eulice, Paxton is then able to chase down Tobey before she leaves town on a bus, and reconciles with her after a desperate display of love.[3]

Cast[edit]

Production[edit]

The film began as a screenplay by Stephen Yafa which he was unable to sell. So he turned it into a novel and won a Writers Guild of America award.[4]

The original title was Paxton Quigley's Had the Course.[5] Filming started in February 1968.[6] It was the film debut of John Beck.[7]

The title sequence was designed by Sandy Dvore.[8]

Music[edit]

The soundtrack was performed by the British duo Chad & Jeremy with the music being composed by Chad Stuart for Sidewalk Records.

Response[edit]

Critical[edit]

Three in the Attic was released to mixed reviews. Roger Ebert gave the film two stars, claiming the film was unable to live up to its promising concept.[9] Ebert did single out Judy Pace's Eulice as one of the film's few highlights.

Variety gave the movie a very poor review noting that even writer Stephen Yafa disowned the picture. Their review claims the film was harmed by amateurish acting, "littered with padding optical effects, hampered by uneven dramatic concept, and redundant in its too-delicious sex teasing."[10]

The South Building as seen from Cameron Avenue in Chapel Hill, NC.

Vincent Canby of the New York Times called the film:

More raunchy and less funny than any other AIP film I've seen. It's a fantasizing projection of dearly held contemporary myths about romance, sex, humour, ethics, aesthetics, art and movies. In its eclectic way, it's also in bad taste on an almost staggering number of levels. Wit: "non-swimmers shouldn't jump bare ---- into the sea of love." Incidental decor: a jock strap hanging permanently over a screen in Paxton's pad. Style: a mixed up anthology of jump cuts, Resnais-like memory cuts, blown up still photographs all backed up by neo-Simon and Garfunkel. Preliminary box office statistics indicate that its going to be a smash hit.[11]

Box Office[edit]

However the movie was very popular and was AIP's highest grossing film of the decade.[4][12] It was the 18th most popular movie at the US box office in 1969.[13]

It led to a less successful follow up originally known as The Late Boy Wonder[11] but then called Up in the Cellar (1970).

Despite the film's success Wilson then signed a seven picture deal with Universal.[14] Jones was announced for another AIP film called We Outnumber You but the film was never made.[15]

Film Location[edit]

Much of Three in the Attic was filmed at the University of North Carolina in Chapel Hill, North Carolina. The campus scenes depict Carolina's Polk Place, Kenan Dorm, and the administrative South Building in particular.

The location for the Zeta Chi house is actually the Alpha Delta chapter house of Alpha Tau Omega, located at 303 East Franklin Street in Chapel Hill. Scenes are shot in front of the house, in its Great Hall, and in the house's basement, also known as "The Cave."

An additional scene was also filmed in the attic of the Graham House at 115 Battle Lane, a few blocks from the Alpha Delta house.[16]

References[edit]

  1. ^ "Big Rental Films of 1969", Variety, 7 January 1970 p 15
  2. ^ NY Times Movie Review, Renata Alder, Feb. 27, 1969. Retrieved April 19, 2009. http://movies.nytimes.com/movie/review?_r=2&res=9802E2DA123DE134BC4F51DFB4668382679EDE
  3. ^ Three in the Attic (1968) at the Internet Movie Database
  4. ^ a b Mark McGee, Faster and Furiouser: The Revised and Fattened Fable of American International Pictures, McFarland, 1996 p261
  5. ^ MOVIE CALL SHEET: 'Chelsea Flat' for Joanna Martin, Betty. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 24 Nov 1967: e25.
  6. ^ CALL SHEET: Mimieux Will Star Martin, Betty. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 22 Feb 1968: d17.
  7. ^ ...He Wanted John Beck. John Beck? New York Times (1923-Current file) [New York, N.Y] 02 Mar 1977: 63.
  8. ^ Title Sequence Creator Gives Films Good Start: SANDY DVORE Thomas, Kevin. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 16 May 1969: e1.
  9. ^ Rodger Ebert, Chicago-Sun Times, Dec. 20, 1968, http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19681220/REVIEWS/812200301/1023
  10. ^ Variety, Jan. 1, 1968, http://www.variety.com/review/VE1117795686.html?categoryid=31&cs=1
  11. ^ a b Bye, Bye, Beach Bunnies: Bye, Bye, Beach Bunnies By VINCENT CANBY. New York Times (1923-Current file) [New York, N.Y] 02 Mar 1969: D1.
  12. ^ The dime-store way to make movies-and money By Aljean Harmetz. New York Times (1923-Current file) [New York, N.Y] 04 Aug 1974: 202.
  13. ^ "The World's Top Twenty Films." Sunday Times [London, England] 27 Sept. 1970: 27. The Sunday Times Digital Archive. accessed 5 Apr. 2014
  14. ^ Silverstein to Direct 'Horse' Martin, Betty. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 14 Aug 1968: g10.
  15. ^ Chris Jones Career: Even His Ex-Wife Is Enthused: CHRISTOPHER JONES Thomas, Kevin. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 08 July 1968: f1.
  16. ^ "New Buyer to Bring 'Bulrushes' Back to Life', Carolina Alumni Review Jan/Feb 2011 (http://alumni.unc.edu/article.aspx?sid=8052)

External links[edit]