Through Being Cool

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For the Devo song, see New Traditionalists.
Through Being Cool
Studio album by Saves the Day
Released November 2, 1999
Recorded June 1999, at Trax East,
South River, New Jersey
Genre Pop punk[1][2]
Length 33:22
Label Equal Vision
Producer Steve Evetts
Saves the Day chronology
I'm Sorry I'm Leaving
(1999)
Through Being Cool
(1999)
Stay What You Are
(2001)

Through Being Cool is the second album by American rock band Saves the Day, released on November 2, 1999 by Equal Vision. Through Being Cool was written while at New York University. Moving from a melodic hardcore sound to a more pop punk sound, the album was recorded in 11 days. It was produced by Steve Evetts at Trax East, in South River, New Jersey. The band dropped out of college to tour with Snapcase, New Found Glory, Hot Water Music and Face to Face, among others. Eventually selling 50,000 copies, the success of the album helped the band get signed to Vagrant.

Through Being Cool was named one of Alternative Press‍ '​ 10 most influential albums of 1999. To celebrate the album's 15th anniversary, the band played the album front-to-back on tour and Equal Vision repressed the album on vinyl.

Background[edit]

Saves the Day formed in late 1997, their debut album, Can't Slow Down, was released with Equal Vision in August 1998.[3] The album helped the band gain fans, but only in the New Jersey area.[4] The band promoted the album with two tours, which helped the band expand their fan base.[3] Initially, the band were heckled at each show they played, drummer Bryan Newman said the group was "totally out of place" among the other bands on the tour.[5] Saves the Day had three different line-up changes while touring Can't Slow Down, leaving vocalist Chris Conley and Newman as the only original members left.[5]

The band's guitarist had left at the end of their first full tour of the U.S., resulting in guitarist Dave Soloway joining the band half way into the year.[5][nb 1] Soloway came from a family who would sing folk songs.[5] The band met Soloway at high school, he used to drive the band to their gigs.[5] Guitarist Ted Alexander was the band's roadie, and hung around the band a lot that they "just gave him a guitar".[5] Sean McGrath, bassist on the band's first album,[6] was kicked out of the band and replaced by Eben D'Amico.[5] The band played gigs with local bands, one of which D'Amico was in.[5] Conley said he was a "sick" bassist and decided to messaged him, asking if he would like to join Saves the Day.[5]

Composition[edit]

Saves the Day wrote the material for Through Being Cool while attending New York University.[5] All the lyrics were written by Conley[7] during a Psychology 101 course.[5] All the music for Through Being Cool was written by Conley at Newman's apartment.[5] The music was credited to Conley and Saves the Day, except for "Do You Know What I love the Most?" by Alexander and Saves the Day, and "The Vast Spoils of America (From the Badlands Through the Ocean)" by Soloway and Saves the Day.[7] The band would stay over at weekends and work on the material, recording demos.[5]

You listen to the lyrics and it's just like this lonely guy, who was longing for something more. The record has a lot of melancholy, which would play out in the years to come. But the songs are all very exciting, full of life.[8]

– Chris Conley, looking back on Through Being Cool for its 15th anniversary, 2014

The album has a more pop punk sound than Can't Slow Down, which was a melodic hardcore driven record.[1] Conley explained that the shift in sound came from the music he was listening to.[9] He liked a handful of hardcore bands but had played their "albums to death" and wanted to look for more material to listen to.[9] While working on Through Being Cool, he was listening to, among others, the Foo Fighters' The Colour and the Shape (1997), Weezer's Pinkerton (1996), and Joni Mitchell's Blue (1971).[9] The first two of which, Conley had initially dismissed but eventually re-listened to.[9]

Recording[edit]

Through Being Cool was recorded with producer Steve Evetts in June 1999 at Trax East[7] in South River, New Jersey.[5][nb 2] Newman was close breakdown on a few occasions, he was nervous and not used to a studio, saying it "was intense".[5] Evetts always kept the band "in line. Definitely the guru of the whole thing", Newman revealed.[5] Recording and mixing was done over a total of 11 days – nine full days and two half-days.[8] The two half-days were booked due to Conley losing his voice recording vocals.[5] Conley noted that other people would think the band was "rushing, but we were just having a blast".[8] The band, attempting to finish the album, would do all-nighters; relaxing in the control room and sleeping in the lounge.[8] The band liked recording the album, Conley said they were "really psyched" on how the songs sounded.[8] Evetts also engineered the album, while Alan Douches mastered it at West West Side.[7]

Artwork[edit]

Dan Sandshaw, the head of Equal Vision, said there was a debate over the artwork for the album.[5] Conley was unsure what do with the artwork, going along with what Newman and Soloway came up with.[5][nb 3] The artwork consists of a high school party with Saves the Day shown as social outcasts.[10] Sandshaw mentioned that it would give the wrong impression and Newman regretted it after the album was released.[5] Conley said people told the band they sold out because the art featured their faces.[5] The album booklet continues this theme,[4] telling a story.[5] The band and Luke Hoverman, designed the concept, with Frank Davidson providing the layout.[7] Photography was done by Hoverman with assistance from Lenny Zimkus.[7] The CD art features Gabe Saporta kissing a girl, while the back cover has actor James Ransone passed out on a couch.[5]

Release[edit]

When the band gave the finished album to Sandshaw, he said Equal Vision "couldn't stop listening to it", determined to get the band exposure.[5] Sandshaw thought it was going to be a game-changing album.[5] In October and November 1999 Saves the Day went on tour with Snapcase and Kid Dynamite.[11] Through Being Cool was released on November 2,[12] on Equal Vision.[13][nb 4] The band played a release show with The Get Up Kids, At the Drive-In and Midtown.[5] Dropping out of college to tour the album, the band built a big fan base along the east coast.[4][nb 5] In January 2000 the band toured alongside Piebald and New Found Glory,[14] then toured with Snapcase in late January till early February.[14] Following this up with touring later in February with Hot Water Music.[14] Sometime during February, the band filmed the music video for "Shoulder to the Wheel" with director Darren Doan.[15] The video was filmed at Soloway's parents house and featured the band's friends.[5] The group played songs to get people into the mood before miming along to "Shoulder to the Wheel".[5] The video was released to video stations on April 7[16] and Newman said the group "hated it as soon as we saw it".[5]

The band went on the North American Tour 2000 with H2O between March and May.[3] On this tour, the band got into a van accident that almost ended their career.[17] They rejoined the tour on the Seattle date.[18] After all this touring, the album sold close to 50,000 copies, a massive number for Equal Vision.[4] In an issue of CMJ New Music Report dated May 2000, it was announced the band had signed to Vagrant,[13] due to the success of Through Being Cool.[19][nb 6] Rich Egan, founder of Vagrant,[20] became their manager.[4] Egan "fell in love" with the band due to their lyrics being "so honest, so cut and dry."[4] The band performed on a few Warped Tour dates[19] in early August.[21] Following this, the band went on tour with Face to Face, New Found Glory and Alkaline Trio in late August[21] to early October.[22] They toured again with Face to Face in late October to mid November.[23]

Reception[edit]

Professional ratings
Review scores
Source Rating
Allmusic 3/5 stars[24]
Consequence of Sound (favorable)[25]
Punknews 3/5 stars[2]

Allmusic reviewer Vincent Jefffries noted that the band went for a more "punchier production" that was used as a background for Conley to sing his "romantic teen declarations".[24] Jefffries picked "My Sweet Fracture" and "The Last I Told You" as highlights of the album.[24] While admitting their first album sounded like Lifetime, Aubin of Punknews "want[ed] surprises".[2] Thus, with Through Being Cool, Aubin said the band "found themselves" , despite calling it derivative.[2] Claiming that "one of the better tracks" on the album was "almost identical" to the Samiam song, "Capsized".[2] In a retrospective review for Consequence of Sound, Megan Ritt wrote that "Shoulder to the Wheel" and "Rocks Tonic Juice Magic" in particular had not "really aged at all"; sounding "vital" today as they did back in the day.[25] Still "burn[ing] with all the sincerity of emotion" as when Conley first wrote the songs.[25] Ritt noted that "Banned from the Back Porch" "rock[ed] pretty hard" making listeners want to "thrash a little harder in the mosh pit".[25]

Legacy[edit]

Through Being Cool has been cited as one of the most influential pop-punk albums of all time, paving the way for the new wave of pop-punk.[8] Alternative Press ranked the album on the top 10 most influential albums of 1999.[26] NME listed the album was one of "20 Pop Punk Albums Which Will Make You Nostalgic".[27] BuzzFeed included it at number 5 of "36 Pop Punk Albums You Need To Hear Before You F——ing Die".[26] Fall Out Boy's Patrick Stump listed the album at number 10 on his "10 records that changed my life".[28] Stumped revealed that he wouldn't be in Fall Out Boy "if it weren't for this record".[28] The album's artwork was included by Fuse.tv as one of "20 Iconic Pop Punk Album Covers".[29] Stereogum listed "Rocks Tonic Juice Magic" as one of "30 Essential Songs From The Golden Era Of Emo".[30]

On September 4, 2014, Saves the Day and Say Anything have announced a co-headlining tour with support from Reggie and the Full Effect.[31] The tour is to last from November 14 to December 21 in the U.S.[32] Saves the Day played Through Being Cool; Say Anything played ...Is a Real Boy (2004), and Reggie and the Full Effect played Under the Tray (2003).[32] Equal Vision pressed new copies of Through Being Cool on vinyl for its 15th anniversary; the album was remastered for this vinyl pressing.[1] The idea of the tour came about from a conversation between Conley and Say Anything's frontman Max Bemis.[9] The two were discussing the past and Bemis mentioned that ...Is a Real Boy was going to be 10 years old in the same year Through Being Cool turned 15.[9] In an interview with Alternative Press for the album's 15th anniversary, Conley thought the album had stood up well and that it was "pretty fresh-sounding"[8] and considered it "the most important record that we did".[9]

Track listing[edit]

All songs by Chris Conley and Saves the Day, except where noted. All lyrics by Chris Conley.[7]

  1. "All-Star Me" – 1:43
  2. "You Vandal" – 2:28
  3. "Shoulder to the Wheel" – 3:19
  4. "Rocks Tonic Juice Magic" – 3:27
  5. "Holly Hox, Forget Me Nots" – 2:37
  6. "Third Engine" – 3:40
  7. "My Sweet Fracture" – 3:52
  8. "The Vast Spoils of America (From the Badlands through the Ocean)" (Dave Soloway, Saves the Day) – 3:08
  9. "The Last Lie I Told" – 2:23
  10. "Do You Know What I Love the Most?" (Ted Alexander, Saves the Day) – 1:34
  11. "Through Being Cool" – 2:04
  12. "Banned from the Back Porch" – 2:59

Personnel[edit]

Personnel per booklet.[7]

References[edit]

Footnotes
  1. ^ Gabe Saporta, a massive fan of the band, had tried out to be the guitar player, but was unsuccessful.[5]
  2. ^ Evetts previously worked with the band, producing Can't Slow Down[6] purely because Evetts had previously worked with Lifetime – a band Conley loved.[5] He would later produce and engineer Sound the Alarm (2006).[33]
  3. ^ Newman and Soloway both went to school for photography.[5]
  4. ^ U.S. Equal Vision EVR054[34]
  5. ^ The band were previously only able to tour when they had free time during their first year of college.[8]
  6. ^ Vagrant had previously called the band the day Through Being Cool was released, saying how thrilled they were for the band.[5]
Citations
  1. ^ a b c Adams, Gregory (November 7, 2014). "Saves the Day Celebrate 15th Anniversary of 'Through Being Cool' with Vinyl Reissue". exclaim.ca. Retrieved May 14, 2015. 
  2. ^ a b c d e Aubin (February 28, 2001). "Saves the Day". punknews.org. Retrieved May 14, 2015. 
  3. ^ a b c "EVR: SAVES THE DAY". equalvision.com. Archived from the original on October 18, 1999. Retrieved May 14, 2015. 
  4. ^ a b c d e f Greenwald 2003, p. 80
  5. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag Ufberg, Max (November 3, 2014). "Happy Birthday, Through Being Cool: The Story Behind the Seminal Emo Album". WIRED. Retrieved May 16, 2015. 
  6. ^ a b Can't Slow Down (Booklet). Saves the Day. Equal Vision. 1998. EVR 42. 
  7. ^ a b c d e f g h Through Being Cool (Booklet). Saves the Day. Equal Vision. 1999. EVR-54. 
  8. ^ a b c d e f g h McGuire, Colin (November 3, 2014). "Saves The Day look back on 15 years of 'Through Being Cool' - Alternative Press". Alternative Press. p. 1. Retrieved May 15, 2015. 
  9. ^ a b c d e f g McGuire, Colin (November 3, 2014). "Saves The Day look back on 15 years of 'Through Being Cool' - Alternative Press". Alternative Press. p. 2. Retrieved May 15, 2015. 
  10. ^ Jarman-Ivens 2013; p. 153
  11. ^ "EVR: NEWS". equalvision.com. Archived from the original on October 9, 1999. Retrieved May 14, 2015. 
  12. ^ Sciarretto 1999, p. 19
  13. ^ a b Holbreich 2000, p. 4
  14. ^ a b c "SavesTheDay.com: News". savestheday.com. Archived from the original on February 24, 2001. Retrieved May 14, 2015. 
  15. ^ "EQUAL VISION RECORDS". equalvision.com. Archived from the original on March 2, 2000. Retrieved May 14, 2015. 
  16. ^ "EQUAL VISION RECORDS". equalvision.com. Archived from the original on May 10, 2000. Retrieved May 14, 2015. 
  17. ^ Gadino 2001, p. 62
  18. ^ "EVR: Shows". equalvision.com. Archived from the original on May 10, 2000. Retrieved May 14, 2015. 
  19. ^ a b Keiper 2000, p. 22
  20. ^ Greenwald 2003, p. 68
  21. ^ a b "EVR: Shows". equalvision.com. Archived from the original on June 18, 2000. Retrieved May 14, 2015. 
  22. ^ "EVR: Shows". equalvision.com. Archived from the original on October 4, 2000. Retrieved May 14, 2015. 
  23. ^ "SavesTheDay.com: Tour". savestheday.com. Archived from the original on May 11, 2000. Retrieved May 14, 2015. 
  24. ^ a b c Jeffries, Vincent. "Through Being Cool - Saves the Day - Songs, Reviews, Credits, Awards - AllMusic". AllMusic. Retrieved May 14, 2015. 
  25. ^ a b c d Ritt, Megan (May 14, 2011). "Dusting ‘Em Off: Saves the Day – Through Being Cool - Consequence of Sound". Consequence of Sound. Retrieved May 14, 2015. 
  26. ^ a b Sherman, Maria; Broderick, Ryan (July 2, 2013). "36 Pop Punk Albums You Need To Hear Before You F----ing Die". BuzzFeed. Retrieved May 14, 2015. 
  27. ^ "20 Pop Punk Albums Which Will Make You Nostalgic". NME.com. June 9, 2014. Retrieved May 14, 2015. 
  28. ^ a b Bosso, Joe (April 3, 2014). "Fall Out Boy's Patrick Stump: the 10 records that changed my life". musicradar.com. Retrieved May 15, 2015. 
  29. ^ LeBeau, Ariel (July 11, 2013). "Rock On: 20 Iconic Pop Punk Album Covers". Fuse.tv. Retrieved May 14, 2015. 
  30. ^ Fallon, Patric (July 22, 2014). "30 Essential Songs From The Golden Era Of Emo". Stereogum. Retrieved May 14, 2015. 
  31. ^ Aubin (September 4, 2014). "Tours: Say Anything / Saves The Day / Reggie and the Full Effect". punknews.org. Retrieved May 14, 2015. 
  32. ^ a b Crane, Matt. "Say Anything, Saves The Day, Reggie And The Full Effect announce anniversaries tour". Alternative Press. Retrieved May 14, 2015. 
  33. ^ Sound the Alarm (Booklet). Saves the Day. Vagrant. 2006. VR433. 
  34. ^ Shepherd; Horn 2012, p. 203
Sources
  • Gadino, Dylan P. (Oct 2001). "Day of Reckoning". CMJ New Music Report (CMJ Network, Inc.) (97). 
  • Greenwald, Andy (2003). Nothing Feels Good: Punk Rock, Teenagers, and Emo (First ed.). New York: St. Martin's Press. ISBN 9781466834927. 
  • Holbreich, Josh, ed. (May 29, 2000). "Vagrant Signs Saves The Day, Rocket From The Crypt". CMJ New Music Report (CMJ Network, Inc.) 62 (668). 
  • Jarman-Ivens, Freya (2013). Oh Boy! Masculinities and Popular Music. Hoboken: Taylor and Francis. ISBN 9781135866624. 
  • Keiper, Nicole (Jul 2000). "On the Verge". CMJ New Music Report (CMJ Network, Inc.) (83). 
  • Sciarretto, Amy (Nov 29, 1999). "Reviews". CMJ New Music Report (CMJ Network, Inc.) 60 (645). 
  • Shepherd, John; Horn, David (2012). Continuum Encyclopedia of Popular Music of the World Volume 8: Genres: North America (illustrated ed.). London [u.a.]: A&C Black. ISBN 9781441160782. 

External links[edit]