Time After Time (1979 film)
|Time After Time|
|Directed by||Nicholas Meyer|
|Produced by||Herb Jaffe|
|Screenplay by||Nicholas Meyer|
|Story by||Karl Alexander
|Music by||Miklós Rózsa|
|Edited by||Donn Cambern|
|Distributed by||Warner Bros.
|Release date(s)||August 31, 1979|
|Running time||112 minutes|
Time After Time is a 1979 American science fiction film starring Malcolm McDowell, David Warner and Mary Steenburgen. It was the directing debut of screenwriter Nicholas Meyer, whose screenplay is based largely on the uncredited novel of the same name by Karl Alexander (which was unfinished during the time the film was made) and a story by the latter and Steve Hayes.
In 1893 London, popular writer Herbert George Wells (Malcolm McDowell) displays a time machine to his skeptical dinner guests. After he explains how it works (including a "non-return key" that keeps the machine at the traveler's destination and a "vaporizing equalizer" that keeps the traveler and machine on equal terms), police constables arrive at the house searching for Jack the Ripper. A bag with blood-stained gloves belonging to one of Herbert's friends, a surgeon named John Leslie Stevenson (David Warner), leads them to conclude that Stevenson might be the infamous killer. Wells races to his laboratory, but the time machine is gone.
Stevenson has escaped to the future, but because he does not have the "non-return" key, the machine automatically returns to 1893. Herbert uses it to pursue Stevenson to November 5, 1979, where the machine has ended up on display at a museum in San Francisco. He is deeply shocked by the future, having expected it to be an enlightened socialist utopia, only to find chaos in the form of airplanes, automobiles and a worldwide history of war, crime and bloodshed.
Searching numerous banks for Stevenson –- he believes an Englishman might need to exchange old currency -– Herbert meets liberated Chartered Bank of London employee Amy Robbins (Mary Steenburgen). She directs Herbert to the Hyatt Regency hotel, as she previously had Stevenson.
Confronted by his one-time friend Herbert, Stevenson confesses that he finds modern society to be pleasingly violent, stating: "Ninety years ago, I was a freak. Now... I'm an amateur." Herbert demands he return to 1893 to face justice, but Stevenson instead attempts to wrest the time machine's return key from him. Their struggle is interrupted and Stevenson flees, getting hit by a car during the frantic chase on foot. Herbert follows him to the San Francisco General Hospital emergency room and mistakenly gets the impression that Stevenson has died from his injuries.
Herbert meets up with Amy Robbins again and she initiates a romance. Stevenson returns to the bank to exchange more money. Suspecting that it was Amy who had led Herbert to him, he finds out where she lives. Herbert, hoping to convince her of the truth, takes a highly skeptical Amy three days into the future. Once there, she is aghast to see a newspaper headline revealing her own murder as the Ripper's fifth victim.
Herbert persuades her that they must go back -– it is their duty to attempt to prevent the fourth victim's murder, then prevent Amy's. However, they are delayed upon their return to the present and can do no more than phone the police. Stevenson kills again, and Herbert is arrested because of his knowledge of the killing. Amy is left alone, totally defenseless, and at the mercy of the "San Francisco Ripper."
While Herbert unsuccessfully tries to convince the police of Amy's peril, she attempts to hide from Stevenson. When the police finally do investigate her apartment, they find the dismembered body of a woman. The police release a broken-hearted Wells. However, he is contacted by Stevenson, who has actually killed Amy's coworker and taken Amy hostage in order to extort the time machine key from Wells.
Stevenson flees with the key - and Amy as insurance – to attempt a permanent escape in the time machine. While Herbert bargains for Amy's life, she is able to escape. As Stevenson starts up the time machine, Herbert removes the "vaporizing equalizer" from the machine and Stevenson nods in understanding. The removal of this component, Herbert had confirmed earlier, causes the machine to remain in place while its passenger is sent traveling endlessly through time, with no way to stop; in effect destroying him.
Herbert proclaims that the time has come to return to his own time, by himself, in order to destroy a machine that is too dangerous for primitive mankind. Amy pleads with him to take her along (despite her aversion to living in Victorian England). As they depart to the past, she says that she is changing her name to Susan B. Anthony. The end credits reveal that the two later married.
Films set in the near future are often set decades (or at least a few years) after their release date, however, Time After Time is particularly notable for its 'futuristic' setting – the week of November 5, 1979 – barely two months in the future. 'November 5' would be featured as a key date in two later time-travel films by different directors, 1982's Timerider: The Adventure of Lyle Swann and 1985's Back to the Future. It is also notable that Steenburgen courts a time-travel lover again, as school marm Clara Clayton in 1990's Back to the Future, Part 3.
While preparing to portray Wells, Malcolm McDowell obtained a copy of a 78 rpm recording of Wells speaking. McDowell was "absolutely horrified" to hear that Wells spoke in a high-pitched, squeaky voice with a pronounced Southeast London accent, which McDowell felt would have resulted in unintentional humor if McDowell tried to mimic it for the film. McDowell abandoned any attempt to recreate Wells's authentic speaking style and preferred a more dignified speaking style.
Time After Time was filmed throughout San Francisco, including Cow Hollow, North Beach, the Hyatt Regency hotel, California Academy of Sciences in Golden Gate Park, the Marina District, Ghirardelli Square, Fisherman's Wharf, the Richmond District, the Golden Gate Bridge, Grace Cathedral on Nob Hill, the Embarcadero Center, Chinatown, the Marina Green, the Palace of Fine Arts, Potrero Hill, and the Civic Center.
- Malcolm McDowell as H. G. Wells
- David Warner as John Leslie Stevenson/Jack the Ripper
- Mary Steenburgen as Amy Robbins
- Charles Cioffi as Police Lt. Mitchell
- Kent Williams as assistant
- Patti D'Arbanville as Shirley
- Joseph Maher as Adams
- Corey Feldman as boy at museum 
- Andonia Katsaros as Mrs. Turner
- Jim Haynie as 1st Cop
- Wayne Storm as 2nd Cop
- Shelley Hack as Docent
In her review in The New York Times, Janet Maslin said the film "is every bit as magical as the trick around which it revolves." She continued, "Mr. Meyer isn't a particularly skilled director; this is his first attempt, and on occasion it's very clumsy. But as a whizkid he's gone straight to the head of the class, with a movie that's as sweet as it is clever, and never so clever that it forgets to be entertaining. The satisfactions Time After Time offers are perhaps no more sophisticated than the fun one might have with an intricate set of electric trains. Still, fun of this sort isn't always easy to come by, not after one's age has climbed up into two digits. There's a lot to be said for an adult's movie with the shimmer of a child's new toy."
Variety termed it "a delightful, entertaining trifle of a film that shows both the possibilities and limitations of taking liberties with literature and history. Nicholas Meyer has deftly juxtaposed Victorian England and contemporary America in a clever story, irresistible due to the competence of its cast."
Awards and nominations
Nicholas Meyer won the Saturn Award for Best Writing, Mary Steenburgen won the Saturn Award for Best Actress, and Miklós Rózsa won the Saturn Award for Best Music. Saturn Award nominations went to Meyer for Best Director, Malcolm McDowell for Best Actor, David Warner for Supporting Actor, and Sal Anthony and Yvonne Kubis for Best Costumes, and the film was nominated for Best Science Fiction Film.
Nicholas Meyer won the Antenne II Award and the Grand Prize at the Avoriaz Fantastic Film Festival and he was nominated for the Edgar Allan Poe Award for Best Motion Picture Screenplay and the Hugo Award for Best Dramatic Presentation.