Timothy Cole

For the man wrongly convicted of rape, see Tim Cole.

Timothy Cole (1852–1931) was an American wood engraver born in London, England, his family emigrated to the United States in 1858.

He established himself in Chicago, where in the great fire of 1871 he lost everything he possessed. In 1875 he moved to New York, finding work on the Century (then Scribners) magazine.

He immediately attracted attention by his unusual facility and his sympathetic interpretation of illustrations and pictures, and his publishers sent him abroad in 1883 to engrave a set of blocks after the old masters in the European galleries. These achieved for him a brilliant success. His reproductions of Italian, Dutch, Flemish and English pictures were published in book form with appreciative notes by the engraver himself.

Though the advent of new mechanical processes had rendered wood engraving almost a lost art and left practically no demand for the work of such craftsmen, Mr Cole was thus enabled to continue his work, and became one of the foremost contemporary masters of wood engraving. He received a medal of the first class at the Paris Exhibition of 1900, and the only grand prize given for wood engraving at the Louisiana Purchase Exposition at St Louis, Missouri, in 1904. His son, Alphaeus Philemon Cole, was a noted portraitist who is also today recognized for having lived to be the oldest verified man in the world.

Bibliography

• Anon. Timothy Cole: A Biographical Note The Print Collector’s Quarterly 1911 July Vol 1, No. 3, p344.
• Cary, Elisabeth Luther. Timothy Cole and Henry Wolf: Two Masters of Modern Wood-Engraving The Print Collector’s Quarterly 1911 July Vol 1, No. 3, p319.
• Cole, Timothy. Some Difficulties of Wood-Engraving The Print Collector’s Quarterly 1911 July Vol 1, No. 3, p335.

References

•  This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. 

External links

• www.artistarchive.com A catalogue of over 550 prints by Cole, some with images.