His studies in Rome led to an influence by the pre-eminent Neoclassic sculptors of his day, Canova and the Danish Thorvaldsen. He is said to have become master of the academy during Napoleonic occupation of Italy. Afterwards, he was to share duties with Giuseppe Cammarano.
He befriended Pietro Tenerani, Luigi Pampaloni, and Lorenzo Bartolini during his travels, but was mainly active in Naples, where he became Professor of Design. He completed the works of La Clemenza e L'Immacolata for the chapel of the Palazzo Reale of Naples. He also completed the funereal monument for Lucia Migliaccio for the church of San Ferdinando, and the monuments to Saverio Mercadante and Giuseppe Mazzini and the statue of Sant'Ambrogio for the church of San Francesco in Gaeta. His works are also to be seen in museums in Naples and Campagna. Among his pupils was Salvatore Albano.
- Archivi di Teatro Napoli. "Foto di Tito Angelini". Retrieved 04-09-2008. Check date values in:
- Ricerche su l'origine, su i progressi, e sul decadimento delle arti, 1821, by Giovanni Battista Gennaro Grossi, page 29.
- Napier, Lord Francis (1855). Notes on Modern Painting at Naples.. West Strand, London: John W. Parker and Son. pp. 8–10.